Tag Archives: Bharad Ravi

Kryptos’ 15th Anniversary Celebrations at Max Mueller Bhavan, Bangalore

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Goethe Institut, Bangalore witnessed India’s heavy metal band, Kryptos’ extended 15th anniversary celebrations on the 25th of January. The Saturday was a tribute to old school heavy metal with Bangalore-based thrash metal band Theorized opening for Kryptos, and vocalists from Bhoomi, Dying Embrace and Witchgoat making appearances as special guests, to the delight of fans.

Kryptos’ 15th Anniversary Celebrations at Max Mueller Bhavan, Bangalore

The evening began with Theorized ripping the stage apart with Ankit Suryakanth’s shredding lead solos. Yash Kumar’s drumming served as the backbone of Theorized’s music. They had a fully fledged set list, with fast paced riffs, and tempo and count changes that could not allow the crowd to stand still. Soon enough, they began to grow brutal, in response to the Yash’s high speed double kick drumming. Ankit’s extraordinarily extended guitar solos was worth paying homage to. Though initial sound issues were an encumbrance for the band, what it lacked was powerful vocals contributing to the dark atmosphere.

Kryptos’ 15th Anniversary Celebrations at Max Mueller Bhavan, Bangalore

Less than ten people were moshing at first but later, an aggressive and brutal crowd filled the area, leaving gaps for none. Heavy metal clogged the air with Nolan’s raspy vocals, Ganesh’s bass, Rohit’s extended solos and Anthony’s powerful triplets and hammer blasts. Their songs ‘Nexus Legion’ and ‘The Mask of Anubis’ with its progressive riffs conjured a moshpit too ferocious for the place to handle. Rohit’s dexterity made people headbang at his feet, while Ganesh besieged his fans with his skill at the other end.

Kryptos’ 15th Anniversary Celebrations at Max Mueller Bhavan, Bangalore

Nolan kept the crowd mesmerized with the band’s Wacken tales, and soon enough, Kryptos was joined by vocalist Sujay Harthi from Bhoomi. The events that followed next were of pure metal consequence as the gig time travelled to the days of Iron Maiden, Black Sabbath, Judas Priest and Metallica. ‘The Trooper’ shook the place with Sujay ‘s vocals almost in lieu with Bruce Dickinson.

Kryptos’ 15th Anniversary Celebrations at Max Mueller Bhavan, Bangalore

As it ended, Dying Embrace’s Vikram Bhatt took possession of the stage. Bhatt covered Black Sabbath and Judas Priest, while enticing the crowd to sing along and headbang throughout.  Bharad Ravi from Witchgoat gave a neckwrenching performance of ‘Creeping Death’ and ‘Seek & Destroy’. Anthony Hoover’s drumming was adrenaline- inducing and the covers were perfect.  Kryptos performed a final song, accompanied by Rohit’s complex solo. The clock struck 10 before the crowd knew it, and it was long before the blend of melodic metal and thrash metal music could leave them undeterred.

Kryptos’ 15th Anniversary Celebrations at Max Mueller Bhavan, Bangalore

Kryptos and Theorized  kept the evening going and Nolan’s conversations kept the audience engaged. The continuous technical issues which Rohit faced were the only things that did not go as planned. All in all, Kryptos made sure that its 15th anniversary was celebrated with a huge metal bang!

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XXX’Mas at The Kyra Theatre, Bangalore

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The XXX’Mas gig held on Christmas Eve, more importantly on Lemmy’s birthday, was supposed to be a tribute to those artists born in December who had inspired the bands playing that night. The artists being paid tribute were Dave Murray, Lemmy Kilmister, Ozzy Osbourne, Kirk Hammett, Lars Ulrich, Marty Friedman, Randy Rhoads, Daniel Antonsson, Jari Maenpaa, Mille Petrozza, Chris Barnes, Chuck Schuldiner, Keith Richards, Jimi Hendrix and Jim Morrison.

There were a few hiccups before the gig began – Corrode (covering Dark Tranquility/Wintersun), Pushing Tin (covering Jimi Hendrix/The Doors) and Theorized (covering Metallica/Megadeth) pulled out at the very last minute. Shepherd, Djinn & Miskatonic and Dhwesha pitched in and agreed to play even though it was at such short notice.

XXX'Mas at The Kyra Theatre, Bangalore

Shepherd was a few minutes into their set when we walked into Kyra. Since we were not familiar with the band due to last minute changes in the line-up, the first couple of minutes were spent trying to figure out what they were called. Though they have a characteristic doom-laden sound, the down-tuned, but heavily distorted lead guitars and the processed, yet abrasive vocals were very much reminiscent of YOB, or even Acid Bath. The throbbing bass was prominent in the mix, and even though most of the tracks lasted a bit over six minutes, the sudden tempo changes surely made for an interesting set. We later found out that this was their very first gig, something that was perhaps evident from the zero interaction the frontman had with the crowd. Shepherd is certainly a band to look forward to in the future, especially for the sludge-like vibe from their sound.

Djinn & Miskatonic was the second band of the three last-minute additions that evening. They have a very interesting and unconventional line-up that consists of a drummer, a bassist and a vocalist (yessir, no lead/rhythm guitars!) D&M’s sound is primarily bass-driven (duh), with the rhythm section playing a tight, but plodding version of traditional doom rock grooves. The vocals range from laboured, almost drone-like sections sung clean, to low-pitched growls. The feel, if we could use the term, is one of horror films of days gone by, to be honest. Their brand of ultra-slow, trudging doom is not everyone’s cup of gin & tonic, and will certainly confuse a metalhead who sticks to the conventional riff-based gloom perpetrated by the likes of Sabbath, Pentagram and Candlemass.

XXX'Mas at The Kyra Theatre, Bangalore

Dhwesha was the third band in queue and put on a great show even though it was only their second live performance and they had little time to practise. They kicked off their set with typical, old school death metal ferocity and ‘Hoy! Sala’ was the first of the original compositions that they played. After enthralling the crowd with ‘Dhwesha’, ‘Ugra Narasimha’ and ‘Yudhabhumi’, they even managed to squeeze in a rousing cover – Bolt Thrower’s ‘Those Once Loyal’. Together with Djinn & Miskatonic and Shepherd they provided an excellent opening for the rest of the bands lined up.

Up next were Gorified, one of the bands from the original line-up. They were paying tribute to Cannibal Corpse and Death, more specifically Chris Barnes of the former and the Chuck Schuldiner of the latter (Schuldiner wasn’t born in December but passed away that month). As is their standard, they got the moshing started in no time giving the crowd a nice, strong dose of their brand of extreme metal. Their brutal onslaught included intense covers – Cannibal Corpse’s ‘A Skull Full of Maggots’ and ‘Stripped, Raped and Strangled’; Death’s ‘Denial of Life’ and Napalm Death’s ‘Scum.’ They ended their savagery with a song from Gani and Charlie’s older project Cremated Souls.

XXX'Mas at The Kyra Theatre, Bangalore

Mumbai’s Albatross were the next band on stage and their set that night was a tribute to Ozzy Osbourne and Randy Rhoads. They took a while to get started and set up but once their set began they were a sheer thrill to watch. The vocalist – Biprorshee Das has a solid set of pipes and terrific stage presence; he was undoubtedly one of the highlights of the night. They started off with classics ‘Bark at the Moon’ and ‘Crazy Train’ and had quite a few people singing along. Switching gears, they played Sabbath much to the crowd’s delight. Following their commendable covers of ‘Sabbath Bloody Sabbath’ and ‘N.I.B.’, they had a surprise for the crowd – Ganesh Krishnaswamy from Bevar Sea joined them for a brilliant rendition of ‘Paranoid’. Reverting back to Ozzy one last time, they played ‘Gets me Thru’ and ‘Mr. Crowley’. They had one last cover for the night – Wolf’s ‘Voodoo’ – and did quite a good job of it, especially Biprorshee, who nailed those falsettos with ease. The set ended with ‘In the Court of Kuru’, a song from their debut E.P.

XXX'Mas at The Kyra Theatre, Bangalore

Headliners Kryptos were doing an Iron Maiden tribute set (celebrating Dave Murray’s birthday). Much like a Maiden gig, they had U.F.O’s ‘Doctor, Doctor’ playing on the P.A. before taking stage, something that rather unfortunately went more or less unnoticed by a large chunk of the crowd. They started with ‘Ides of March’ and proceeded to play ‘Wrathchild’ and ‘Killers’ with Ganesh taking over vocal duties the second time that night. Nolan Lewis attempted the formidable task of singing songs from Dickinson-era Maiden and did quite a good job with ‘Children of the Damned’ and ‘Flight of Icarus’. Biprorshee joined Kryptos for a phenomenal cover of ‘The Trooper’, and everyone in the crowd was chanting along fervently with the band. Ganesh was back on stage once more to round up the set with ‘Running Free’ and ‘Iron Maiden’. Kryptos were hands down the best set/performance of the night. They were also the only band to play only covers that night (Pillbox 666 doesn’t count given that they’re a cover band).

XXX'Mas at The Kyra Theatre, Bangalore

The last act of the night, Pillbox 666, took to the stage to a reduced and slightly sluggish crowd. Their set was a tribute to the mighty Lemmy from Motorhead and Teutonic thrash legends Kreator (Mille Petrozza), though the original billing had them doing a Rolling Stone tribute too. Vikram Bhat, the vocalist, couldn’t make it and the vocal duties were taken over by Ganesh and Bharad Ravi (ex-Culminant). The first half of their set comprised of Motorhead covers, Ganesh pulling of an uncannily good impression of Lemmy, playing ‘The Chase is Better than the Catch’, ‘Killed by Death’, ‘Iron Fist’ and ‘Going to Brazil’ before handing over the reins to Bharad who closed the Motorhead set with ‘Overkill’. The next half – the Kreator tribute set – was equally fun to watch (more so since the songs were from Kreator’s first two albums) with them performing badass covers of ‘Under the Guillotine’, ‘Son of Evil’, ‘Total Death’ and ‘Tormentor’.

Despite the last minute changes in the line-up and the fact that almost half of the bands ended up performing original material instead of covers, the good turnout and the nostalgia associated with some of the artists that were being paid tribute to, made sure the audience had a good time. Given how city-centric the metal acts in our scene are, it was a refreshing change to see a band like Albatross to come over all the way from Mumbai to play here. Certainly something everyone would like to see more of in the days to come. No milk and cookies here for Mr. Claus though, beer and cigarettes are more rock n’ roll! Bet Lemmy would agree.

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The Mighty Riff at Alliance Francaise, Bangalore

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Recently, there’s been a lot of DIY-ism when it comes to metal gigs in Bangalore. The Mighty Riff was one such gig, organized by the musicians themselves, with a very spacious hall at the Alliance Francaise de Bangalore being used as the venue and an entry fee of just Rs 99. The bill consisted of CulminantBevar SeaInner Sanctum and Pillbox 666.

The venue seemed great. First impressions are often the last ones and we got a great impression of how loud and strong the sound could be, when Culminant started off. They started with one of their OC’s, covered Slayer’s ‘Raining Blood’ and followed it up with two more originals. The volume given to Bharad’s vocals seemed a bit low but the other instruments seemed perfect in the mix. Next up, they were covering Death’s ‘Misanthrope’ which was going perfectly until a technical glitch stopped them in between. Another attempt at the song, and the same result. They went on to perform another original and a third attempt at ‘Misanthrope’ resulted in the same glitch, which is where they decided to end their set. However, despite the technical issues they had made their mark and it was already a great start to the fest.

Bevar Sea, due to performing in a bigger venue, seemed less bassy this time and they were as good as they’ve always have been, if not better. Their set list consisted entirely of originals, which was great because they already have some very formidable compositions. Their set was lengthy, but had a flow of its own. They started with their often-used opener ‘The Smiler’ , followed by the Bangalore debut of their new song ‘Sleeping Pool’ , which managed to bring in loads of doom, especially in the last few minutes of the song. It was followed by the very catchy ‘Abhishtu’ , the upbeat ‘Universal Sleeper’ and the heavy set crawled to it’s finish with ‘Mono-gnome’ . Their sound always seems impeccable. Finding flaws in their set is like finding a needle in a haystack, and it was the same case in this gig as well. Another noticeable part was the crowd joining in on ‘Abhishtu’ something very rare in the Indian metal scene.

Inner Sanctum was the next much-awaited act, evident by the surge of crowd before their set, and the drop in numbers afterwards. Before the band got on stage, the artwork was on display, which was very impressive, to say the least. Shortly afterwards, the band took control of the scene, every song being as hard hitting as the previous one, with the sound seeming just right. Inner Sanctum has developed a dedicated following among the younger metalheads in namma Bengaluru, the mosh-happy kids expecting a mosh-worthy performance every time these guys play. This gig was no different, they delivered and how! The limited space in the hall was well exploited, with the crowd going berserk over their set list. The last track intensified their act with a Wall of Death which, though miniature, saw a good number of arms flinging around, kids thrown around. Now isn’t that just sweet? As it turned out, this was to be Rajeev the guitarist’s last gig, as frontman Gaurav Basu informed us that he’d be leaving the country for higher studies. This of course came with serious objections from the crowd, flipping the finger at the mention of ‘studies’. Rajeev was pulled off the stage for a crowd-surf by the fans (again a first, for any gig here!). A final group hug by all the members of the band and they were off! 

With covers of their “Gods” done “as they should be”, Bangalore’s new supergroup Pillbox 666 was the last band to take the stage. Their set list remained the same as their debut gig, but with an addition of Metallica’s ‘Whiplash’ Black Sabbath’s ‘War Pigs’ was also included, which had been skipped at their previous gig due to a broken guitar string. They started off with Black Sabbath’s ‘Black Sabbath’ followed by Slayer’s ‘Black Magic’, Black Sabbath’s ‘Electric Funeral’, Metallica’s ‘Whiplash’, Candlemass’ ‘Dark Reflections’, Autopsy’s ‘Ridden with Disease’, Black Sabbath’s ‘War Pigs’ and Motorhead’s ‘Overkill’, each cover ranging from great to magnificent. The guitar tone had that old-school raw edge and the bass was extremely prominent. The growling by Vikram Bhat provided chills, especially on songs like ‘Black Sabbath’, and ‘War Pigs’, and the drumming was absolutely perfect (Mr Raghu hasn’t disappointed us with any of his other projects, has he?). And it wasn’t just the tight covers. Pillbox 666 are an amazing live act, with Vikram Bhat clearly at the helm of affairs. Ganesh was on the vocals for ‘Whiplash’, (surprise!), the song itself a reminder of how Metallica was the band we all loved! Sigh. The TSF/UG crew (you know who you are!) deserve a special mention here, their controlled recklessness having fueled many a gig here in Bangalore before, and Pillbox 666′s set had them at full strength.

Apart from the live music, the fest did great with merchandise. All the four bands came out with t-shirts. At least four such poster designs could be seen for the fest, all of them with great artwork, two of which were put up for sale before the fest. CDs were also on sale at the merchandise stall and it’s always great to have something like that at a metal fest.

A great turnout despite the rains had proved that the metalheads inBangaloreare always up for a good gig, come rain, come shine. As we walked out of the venue with our necks aching and our ears still ringing from the onslaught, the only question on everyone’s mind was, “So, when’s the next one?”

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