Tag Archives: Chris Barnes

XXX’Mas at The Kyra Theatre, Bangalore

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The XXX’Mas gig held on Christmas Eve, more importantly on Lemmy’s birthday, was supposed to be a tribute to those artists born in December who had inspired the bands playing that night. The artists being paid tribute were Dave Murray, Lemmy Kilmister, Ozzy Osbourne, Kirk Hammett, Lars Ulrich, Marty Friedman, Randy Rhoads, Daniel Antonsson, Jari Maenpaa, Mille Petrozza, Chris Barnes, Chuck Schuldiner, Keith Richards, Jimi Hendrix and Jim Morrison.

There were a few hiccups before the gig began – Corrode (covering Dark Tranquility/Wintersun), Pushing Tin (covering Jimi Hendrix/The Doors) and Theorized (covering Metallica/Megadeth) pulled out at the very last minute. Shepherd, Djinn & Miskatonic and Dhwesha pitched in and agreed to play even though it was at such short notice.

XXX'Mas at The Kyra Theatre, Bangalore

Shepherd was a few minutes into their set when we walked into Kyra. Since we were not familiar with the band due to last minute changes in the line-up, the first couple of minutes were spent trying to figure out what they were called. Though they have a characteristic doom-laden sound, the down-tuned, but heavily distorted lead guitars and the processed, yet abrasive vocals were very much reminiscent of YOB, or even Acid Bath. The throbbing bass was prominent in the mix, and even though most of the tracks lasted a bit over six minutes, the sudden tempo changes surely made for an interesting set. We later found out that this was their very first gig, something that was perhaps evident from the zero interaction the frontman had with the crowd. Shepherd is certainly a band to look forward to in the future, especially for the sludge-like vibe from their sound.

Djinn & Miskatonic was the second band of the three last-minute additions that evening. They have a very interesting and unconventional line-up that consists of a drummer, a bassist and a vocalist (yessir, no lead/rhythm guitars!) D&M’s sound is primarily bass-driven (duh), with the rhythm section playing a tight, but plodding version of traditional doom rock grooves. The vocals range from laboured, almost drone-like sections sung clean, to low-pitched growls. The feel, if we could use the term, is one of horror films of days gone by, to be honest. Their brand of ultra-slow, trudging doom is not everyone’s cup of gin & tonic, and will certainly confuse a metalhead who sticks to the conventional riff-based gloom perpetrated by the likes of Sabbath, Pentagram and Candlemass.

XXX'Mas at The Kyra Theatre, Bangalore

Dhwesha was the third band in queue and put on a great show even though it was only their second live performance and they had little time to practise. They kicked off their set with typical, old school death metal ferocity and ‘Hoy! Sala’ was the first of the original compositions that they played. After enthralling the crowd with ‘Dhwesha’, ‘Ugra Narasimha’ and ‘Yudhabhumi’, they even managed to squeeze in a rousing cover – Bolt Thrower’s ‘Those Once Loyal’. Together with Djinn & Miskatonic and Shepherd they provided an excellent opening for the rest of the bands lined up.

Up next were Gorified, one of the bands from the original line-up. They were paying tribute to Cannibal Corpse and Death, more specifically Chris Barnes of the former and the Chuck Schuldiner of the latter (Schuldiner wasn’t born in December but passed away that month). As is their standard, they got the moshing started in no time giving the crowd a nice, strong dose of their brand of extreme metal. Their brutal onslaught included intense covers – Cannibal Corpse’s ‘A Skull Full of Maggots’ and ‘Stripped, Raped and Strangled’; Death’s ‘Denial of Life’ and Napalm Death’s ‘Scum.’ They ended their savagery with a song from Gani and Charlie’s older project Cremated Souls.

XXX'Mas at The Kyra Theatre, Bangalore

Mumbai’s Albatross were the next band on stage and their set that night was a tribute to Ozzy Osbourne and Randy Rhoads. They took a while to get started and set up but once their set began they were a sheer thrill to watch. The vocalist – Biprorshee Das has a solid set of pipes and terrific stage presence; he was undoubtedly one of the highlights of the night. They started off with classics ‘Bark at the Moon’ and ‘Crazy Train’ and had quite a few people singing along. Switching gears, they played Sabbath much to the crowd’s delight. Following their commendable covers of ‘Sabbath Bloody Sabbath’ and ‘N.I.B.’, they had a surprise for the crowd – Ganesh Krishnaswamy from Bevar Sea joined them for a brilliant rendition of ‘Paranoid’. Reverting back to Ozzy one last time, they played ‘Gets me Thru’ and ‘Mr. Crowley’. They had one last cover for the night – Wolf’s ‘Voodoo’ – and did quite a good job of it, especially Biprorshee, who nailed those falsettos with ease. The set ended with ‘In the Court of Kuru’, a song from their debut E.P.

XXX'Mas at The Kyra Theatre, Bangalore

Headliners Kryptos were doing an Iron Maiden tribute set (celebrating Dave Murray’s birthday). Much like a Maiden gig, they had U.F.O’s ‘Doctor, Doctor’ playing on the P.A. before taking stage, something that rather unfortunately went more or less unnoticed by a large chunk of the crowd. They started with ‘Ides of March’ and proceeded to play ‘Wrathchild’ and ‘Killers’ with Ganesh taking over vocal duties the second time that night. Nolan Lewis attempted the formidable task of singing songs from Dickinson-era Maiden and did quite a good job with ‘Children of the Damned’ and ‘Flight of Icarus’. Biprorshee joined Kryptos for a phenomenal cover of ‘The Trooper’, and everyone in the crowd was chanting along fervently with the band. Ganesh was back on stage once more to round up the set with ‘Running Free’ and ‘Iron Maiden’. Kryptos were hands down the best set/performance of the night. They were also the only band to play only covers that night (Pillbox 666 doesn’t count given that they’re a cover band).

XXX'Mas at The Kyra Theatre, Bangalore

The last act of the night, Pillbox 666, took to the stage to a reduced and slightly sluggish crowd. Their set was a tribute to the mighty Lemmy from Motorhead and Teutonic thrash legends Kreator (Mille Petrozza), though the original billing had them doing a Rolling Stone tribute too. Vikram Bhat, the vocalist, couldn’t make it and the vocal duties were taken over by Ganesh and Bharad Ravi (ex-Culminant). The first half of their set comprised of Motorhead covers, Ganesh pulling of an uncannily good impression of Lemmy, playing ‘The Chase is Better than the Catch’, ‘Killed by Death’, ‘Iron Fist’ and ‘Going to Brazil’ before handing over the reins to Bharad who closed the Motorhead set with ‘Overkill’. The next half – the Kreator tribute set – was equally fun to watch (more so since the songs were from Kreator’s first two albums) with them performing badass covers of ‘Under the Guillotine’, ‘Son of Evil’, ‘Total Death’ and ‘Tormentor’.

Despite the last minute changes in the line-up and the fact that almost half of the bands ended up performing original material instead of covers, the good turnout and the nostalgia associated with some of the artists that were being paid tribute to, made sure the audience had a good time. Given how city-centric the metal acts in our scene are, it was a refreshing change to see a band like Albatross to come over all the way from Mumbai to play here. Certainly something everyone would like to see more of in the days to come. No milk and cookies here for Mr. Claus though, beer and cigarettes are more rock n’ roll! Bet Lemmy would agree.

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Breathe – The Sound of Floyd, at UB City Bangalore

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Pink Floyd. The legends. The stories. The visions and the colors. The imagery and form. The words and The void. The mellow warmth and the choral highs. The dystopian landscape and the virtuosic inflection. Pink Floyd.

Who among us has never felt or experienced the Floydian point of view especially down in the city of rock (or pubs), Bengaluru! In case you thought there was nothing more, Breathe – The Sound of Floyd, decided their gig in Bangalore last year was worth revisiting, and hence the Floyd Tribute concert at UB city on Saturday 26th February was proclaimed! Now, I personally have been listening to Floyd even before I knew to shave, and have been privileged enough to have watched a Roger Waters Concert in Mumbai. So forgive me for looking down my high horse atop a pedestal.

We arrived at the luxuriant UB City parking lot at 6:30 that Saturday evening, made our way up top to the amphitheater arena and squeezed into the Q – which by now resembled a S, and we whiled away some time trading heavy concert stories, or at least whatever we could… umm recall. The entry into the venue was flanked by Ducati stalls, which seemed to gather all the incoming attention and passed it on to the adjacent stall stocking KF beer. The arena was simply amazing, the amphitheater sinks from the restaurant level into one corner of the UB City building offering the audience a spectacular view of the city and offering a nice contrast to the glass facade of nearby sky-rises. The ubiquitous floating pig was keeping watch above us while the makeshift ‘eye’ trussed at the rear of the performing stage, fitted with four moving-head projectors trying their best to throw out psychedelic-ness. Because we were late, we could only manage bad outlying seats on the semi circular seating area, which I estimate could seat 1300. People kept pouring in, and the adventurous ones would tip toe around to look for precious squatting space (Really? You’re holding a spot for three friends with that cap?)

The show kicked off eventually with Wolfpack playing some popular tunes. I could only recognise U2 but I swear the other tracks were popular too! The frontman Rajeev was holding on to the by-now 1500 strong crowd. My suspicions of the FOH system were slowly coming true. Probably not the best choice of speaker cabinets for the venue, but the sunken level of the stage directed the small stack to within the first six or seven rows only; with speech intelligibility dropping exponentially thereon. Most of Rajeev’s quips and gags were lost on us and the harmonic richness of the music output was clearly absent if you were standing on any one of the higher rows or even worse, saw the crowd below and decided to stay up near the advertising stalls.

I decided to run up for a beer and right then the boys got on stage and threw everyone into a frenzy. Standard tracks like ‘Another Brick in the Wall Pt 2′ were just the thing to warm up the crowd. The guys were super-talented and really, really tight on stage. Chris Barnes (vocals + guitar) displayed stellar singing, awesome chops on the occasional solo and was lively and chatty between songs. Peter Worley (bass + vocals) – No nonsense here, the man keeps the lines simple and the groove tight. Joel Anderson (keyboard) pulled off all the organ licks and spacey pads just like the late great Rick Wright. Andy Fenton (lead guitar+pedal steel) has put in his work in going for the Gilmour tone. Being the seasoned artiste he is, he most definitely has the feel and soul we all love in a good Floyd solo. Dave Gee (drums) – probably the most experienced in the band; had the style and the space; perfect flams and rolls – but was criminally made to play on a very poorly mic’ed drum kit.

After some initial buzz, they hit the ‘Dark Side of the Moon‘ albeit minus ‘Great Gig in the Sky’, obviously due to the scat vocal necessity. Next , (in my opinion the highlight of the evening) was a track you would never ever have heard a band cover live. A song that Pink Floyd originally spent 6 months working on and tentatively titled ‘Return of the Son of Nothing’, a song that would be a forerunner to the great DSOTM album. A track called ‘Echoes‘. Complete with immaculate vocal harmony , the ethereal undertones and that psychedelic instrumental spot with whining-squealing-guitar-whammy- sounds-spaceytrippy-madness dealt out copiously. ‘Sheep’ from the Animals album was next followed by ‘Sorrow’. The  eye in the rear was faithfully reproducing some classic PF imagery and visuals blending lasers and color, crescendoing into some fireworks for the grandiose ‘Shine on You Crazy Diamond‘. The audience participation was absolute with the whole crowd joining in with the lyrics spot-on perfect. Tracks towards the fag end of the show ran through ‘Run run run’ and ‘Coming Back to Life’. The finale spots were reserved for the all important ‘Wish you were here’ and an encore with Rajeev for ‘Comfortably Numb’, with a thunderous guitar solo to drop curtains on the concert.

All in all, the show could have been managed a little better, with tighter security to keep jokers from running across the stage to grab a quick photograph with the guitarist after a terrific song. The sound was ill-suited to the venue and the desired sound effects typical of Pink Floyd music – so maybe a line array could have proved a better option. The lighting and lasers, did everything possible, but still ended up disappointing. Perhaps this was truly a tribute concert in these logistical aspects, but there’s no doubting or denying the fact that the band truly brought the heavens down on UB city and everyone who was there, experiencing a show that was worthy of the real thing.

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Fidel Dsouza

Fidel Dsouza is a Journalist/Editor at WTS

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