Tag Archives: Culminant

XXX’Mas at The Kyra Theatre, Bangalore

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The XXX’Mas gig held on Christmas Eve, more importantly on Lemmy’s birthday, was supposed to be a tribute to those artists born in December who had inspired the bands playing that night. The artists being paid tribute were Dave Murray, Lemmy Kilmister, Ozzy Osbourne, Kirk Hammett, Lars Ulrich, Marty Friedman, Randy Rhoads, Daniel Antonsson, Jari Maenpaa, Mille Petrozza, Chris Barnes, Chuck Schuldiner, Keith Richards, Jimi Hendrix and Jim Morrison.

There were a few hiccups before the gig began – Corrode (covering Dark Tranquility/Wintersun), Pushing Tin (covering Jimi Hendrix/The Doors) and Theorized (covering Metallica/Megadeth) pulled out at the very last minute. Shepherd, Djinn & Miskatonic and Dhwesha pitched in and agreed to play even though it was at such short notice.

XXX'Mas at The Kyra Theatre, Bangalore

Shepherd was a few minutes into their set when we walked into Kyra. Since we were not familiar with the band due to last minute changes in the line-up, the first couple of minutes were spent trying to figure out what they were called. Though they have a characteristic doom-laden sound, the down-tuned, but heavily distorted lead guitars and the processed, yet abrasive vocals were very much reminiscent of YOB, or even Acid Bath. The throbbing bass was prominent in the mix, and even though most of the tracks lasted a bit over six minutes, the sudden tempo changes surely made for an interesting set. We later found out that this was their very first gig, something that was perhaps evident from the zero interaction the frontman had with the crowd. Shepherd is certainly a band to look forward to in the future, especially for the sludge-like vibe from their sound.

Djinn & Miskatonic was the second band of the three last-minute additions that evening. They have a very interesting and unconventional line-up that consists of a drummer, a bassist and a vocalist (yessir, no lead/rhythm guitars!) D&M’s sound is primarily bass-driven (duh), with the rhythm section playing a tight, but plodding version of traditional doom rock grooves. The vocals range from laboured, almost drone-like sections sung clean, to low-pitched growls. The feel, if we could use the term, is one of horror films of days gone by, to be honest. Their brand of ultra-slow, trudging doom is not everyone’s cup of gin & tonic, and will certainly confuse a metalhead who sticks to the conventional riff-based gloom perpetrated by the likes of Sabbath, Pentagram and Candlemass.

XXX'Mas at The Kyra Theatre, Bangalore

Dhwesha was the third band in queue and put on a great show even though it was only their second live performance and they had little time to practise. They kicked off their set with typical, old school death metal ferocity and ‘Hoy! Sala’ was the first of the original compositions that they played. After enthralling the crowd with ‘Dhwesha’, ‘Ugra Narasimha’ and ‘Yudhabhumi’, they even managed to squeeze in a rousing cover – Bolt Thrower’s ‘Those Once Loyal’. Together with Djinn & Miskatonic and Shepherd they provided an excellent opening for the rest of the bands lined up.

Up next were Gorified, one of the bands from the original line-up. They were paying tribute to Cannibal Corpse and Death, more specifically Chris Barnes of the former and the Chuck Schuldiner of the latter (Schuldiner wasn’t born in December but passed away that month). As is their standard, they got the moshing started in no time giving the crowd a nice, strong dose of their brand of extreme metal. Their brutal onslaught included intense covers – Cannibal Corpse’s ‘A Skull Full of Maggots’ and ‘Stripped, Raped and Strangled’; Death’s ‘Denial of Life’ and Napalm Death’s ‘Scum.’ They ended their savagery with a song from Gani and Charlie’s older project Cremated Souls.

XXX'Mas at The Kyra Theatre, Bangalore

Mumbai’s Albatross were the next band on stage and their set that night was a tribute to Ozzy Osbourne and Randy Rhoads. They took a while to get started and set up but once their set began they were a sheer thrill to watch. The vocalist – Biprorshee Das has a solid set of pipes and terrific stage presence; he was undoubtedly one of the highlights of the night. They started off with classics ‘Bark at the Moon’ and ‘Crazy Train’ and had quite a few people singing along. Switching gears, they played Sabbath much to the crowd’s delight. Following their commendable covers of ‘Sabbath Bloody Sabbath’ and ‘N.I.B.’, they had a surprise for the crowd – Ganesh Krishnaswamy from Bevar Sea joined them for a brilliant rendition of ‘Paranoid’. Reverting back to Ozzy one last time, they played ‘Gets me Thru’ and ‘Mr. Crowley’. They had one last cover for the night – Wolf’s ‘Voodoo’ – and did quite a good job of it, especially Biprorshee, who nailed those falsettos with ease. The set ended with ‘In the Court of Kuru’, a song from their debut E.P.

XXX'Mas at The Kyra Theatre, Bangalore

Headliners Kryptos were doing an Iron Maiden tribute set (celebrating Dave Murray’s birthday). Much like a Maiden gig, they had U.F.O’s ‘Doctor, Doctor’ playing on the P.A. before taking stage, something that rather unfortunately went more or less unnoticed by a large chunk of the crowd. They started with ‘Ides of March’ and proceeded to play ‘Wrathchild’ and ‘Killers’ with Ganesh taking over vocal duties the second time that night. Nolan Lewis attempted the formidable task of singing songs from Dickinson-era Maiden and did quite a good job with ‘Children of the Damned’ and ‘Flight of Icarus’. Biprorshee joined Kryptos for a phenomenal cover of ‘The Trooper’, and everyone in the crowd was chanting along fervently with the band. Ganesh was back on stage once more to round up the set with ‘Running Free’ and ‘Iron Maiden’. Kryptos were hands down the best set/performance of the night. They were also the only band to play only covers that night (Pillbox 666 doesn’t count given that they’re a cover band).

XXX'Mas at The Kyra Theatre, Bangalore

The last act of the night, Pillbox 666, took to the stage to a reduced and slightly sluggish crowd. Their set was a tribute to the mighty Lemmy from Motorhead and Teutonic thrash legends Kreator (Mille Petrozza), though the original billing had them doing a Rolling Stone tribute too. Vikram Bhat, the vocalist, couldn’t make it and the vocal duties were taken over by Ganesh and Bharad Ravi (ex-Culminant). The first half of their set comprised of Motorhead covers, Ganesh pulling of an uncannily good impression of Lemmy, playing ‘The Chase is Better than the Catch’, ‘Killed by Death’, ‘Iron Fist’ and ‘Going to Brazil’ before handing over the reins to Bharad who closed the Motorhead set with ‘Overkill’. The next half – the Kreator tribute set – was equally fun to watch (more so since the songs were from Kreator’s first two albums) with them performing badass covers of ‘Under the Guillotine’, ‘Son of Evil’, ‘Total Death’ and ‘Tormentor’.

Despite the last minute changes in the line-up and the fact that almost half of the bands ended up performing original material instead of covers, the good turnout and the nostalgia associated with some of the artists that were being paid tribute to, made sure the audience had a good time. Given how city-centric the metal acts in our scene are, it was a refreshing change to see a band like Albatross to come over all the way from Mumbai to play here. Certainly something everyone would like to see more of in the days to come. No milk and cookies here for Mr. Claus though, beer and cigarettes are more rock n’ roll! Bet Lemmy would agree.

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Riff ’em All at The Kyra Theatre, Bangalore

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Riff ’em All was scheduled one day prior to Metallica’s much-looked-forward-to concert in Bangalore and was meant for all the out-of-towners who had descended upon good ol’ Bangalore to see what would hopefully be Metallica’s maiden show in India, and also for some Bangaloreans who were planning to skip the Metallica concert. Riff ’em All held a lot of promise and was all set to showcase some of Bangalore’s best metal bands.

After battling the rains that evening, I walked in right when Culminant had just taken stage (I had unfortunately missed Corrode’s performance). I’ve seen quite a few of their performances this year, and this is one band that has grown stronger with every performance. Starting off with ‘Wrath of the Fallen’ they held everyone’s attention and electrified the stage with their very first song. They played two more OCs – ‘Innate Instinct’ and ‘Realm of the Tyrant’ much to the crowd’s delight. What was supposed to follow was their cover of Slayer’s ‘Raining Blood’ which didn’t happen because the bass drum’s skin gave way and since there seemed to be no alternative means of going ahead, their set came to an untimely end. The band said their goodbyes, apologized for the short set and left despite people cheering for more.

Riff 'em All at The Kyra Theatre, Bangalore

The next band on stage was Gorified, Bangalore’s mainstay goregrinders. They played a longer set this time around, which included two covers. Gorified gave the crowd a good, strong dose of brutality and put on a pretty intense show despite the usual sound problems that plague Kyra, playing seven OCs. The first and the last songs from their setlist, ‘Autopsy Devourment’ and ‘Vulgar Display of Genital Flatulence’ elicited the best response from the crowd. They finally ended their set with two covers – Cannibal Corpse’s ‘Stripped, Raped and Strangled’ and the other surprisingly, Metallica’s ‘Damage Inc.’ this time with former Abandoned Agony drummer Shreyas Kamath on drums. They were the first and probably the only band that night which managed to get the crowd into a violent mosh!

Riff 'em All at The Kyra Theatre, Bangalore

The mighty Dying Embrace, one of the oldest bands in Indian Metal, the grand-daddies of the scene so to speak, finally came on stage. This performance was highly awaited and they did not disappoint. The horns thrown high up in the air and frenzied chants of ‘Dying Embrace’ stood testament to this fact. They played quite a great selection of songs, their set had ‘Blood Rites’, the Sabbath inspired ‘As Eternity Fades’, ‘The Passing Away’,  ‘Spawn of the Depths’, ‘Dagda – His Time has Come’, ‘Grotesque Entity’, ‘Oremus Diabolum’ and they ended with their tribute to one of the bands that have inspired them, a cover of Autopsy’s ‘Twisted Mass of Burnt Decay’. Great music apart, the showmanship was brilliant, each song had its own artwork displayed, Deepak’s drumming was impeccable, Jimmy’s solos were met with wild cheering and applause and had the audience hungry for more while Vikram Bhat absolutely owned the stage with his spirited performance. The set finally ended with them stating that their next appearance would be alongside Japanese Black/Thrash band Abigail in 2012’s edition of the Trendslaughter fest. Dying Embrace was most certainly the highlight of that night.

Riff 'em All at The Kyra Theatre, Bangalore

Bevar Sea, the penultimate act of the night was up next. The band has only played a handful of shows and yet is popular for its stellar performances and this night was no different. They kicked of their set with ‘The Smiler’ and the riffs and thundering rhythm sections hit the crowd with the force of a sledgehammer. The heavy onslaught continued with them playing ‘Universal Sleeper’ and finally a cover as was the trend that night, Black Sabbath’s ‘Lord of this World’. ‘Abishtu’ was up next and had a majority of the ecstatic crowd screaming along. What followed was a pleasant surprise – Bevar Sea, fresh from their Sabbath tribute in Chennai, decided to play yet another cover – this time it was Sabbath’s ‘The Wizard’. They played one of their original compositions ‘Mono Gnome’ and just when people thought their set had finally ended, they pulled yet another Sabbath number from the hat, ‘Sweet Leaf’. Though the set had a couple of fumbles along the way, it was one of the best that night.

Riff 'em All at The Kyra Theatre, Bangalore

The headliners Kryptos took stage after a slightly lengthy sound check. Decked out in trademark denim and leather, they brought forth their brand of blazing, old school metal. Their setlist for Riff ’em All was slightly different from what they had played throughout this year and it included two songs from their upcoming album The Coils of Apollyon. They started off with ‘Satyr-like Face’ and then played songs from the first two albums including ‘Order of the D.N.A.’ and ‘The Revenant’. ‘The Mask of Anubis’ and for the very first time ‘Spellcraft’ from Coils followed. ‘Tower of Illusions’ and ‘Forgotten Land of Ice’ were up next and the band had a surprise in store for the crowd, not another cover, but ex-member of Kryptos and current vocalist of Bevar Sea, Ganesh joined them on stage for the final song of the night ‘Descension’.

The organizers had arranged a massive merchandise stall which had everything from CDs, t-shirts and posters from a variety of bands, which included bands that were playing that night among others. It also served as a great place for interaction with fans and bands from other cities. All in all, the gig was great, had a responsive crowd with a massive turnout of around 350 people and some brilliant performances – a perfect prelude for the Metallica concert.

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Riff Em All At The Kyra Theatre, Bangalore

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Uday Shanker

Uday Shanker is a freelance photographer based in Bangalore and has a day job.

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Trendslaughter Fest 2011 at Kyra Theatre, Bangalore

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The Trendslaughter Fest was held on Saturday, 19th March 2011 at Kyra Theatre, and was organised by Cyclopean Eye Productions in association with Undergrind Productions and Gigbox. A lot of the crew for Trendslaughter seemed to be the same as that for the Undergrind Fest in January and it’s remarkable how gigs are organised by them with little regard or none as to how many people will come to see or like the acts and preference being given on keeping the lineup extreme and having only those bands play which they themselves would like to see. Headlining this fest was the straight-forward Death/Thrash Metal act from Dhaka, Bangladesh, Orator whose music deals with the occult, the Left Hand Path (Vamachara) philosophy of Hinduism.

Bevar Sea took the stage first. A relatively new band with a bunch of chilled out guys with a sound like they put it “No bullshit stoner-doom with an old-school heavy rawk foundation”. Their influences of a Black Sabbath sound rings through and you in some way cannot help but fantasize being in a time capsule, taken back to a time in Birmingham when metal was raw and majestic. Ganesh on vocals gave an edge to the slow, grinding and chugging guitars. Their infectiously catchy number ‘The Smiler’ was the first on the list. A new track titled ‘Mono Gnome’ got its first live play. They also covered a Black Sabbath song. Like their earlier show, each song was matched with catchy artwork and beer can treats to head bangers who could the catch attention of the band.

Back to the future, Culminant geared up to play next. However during sound step up, there were unexpected technical difficulties with guitarists Pranay and Anup’s gear. With a little help from the Dying Embrace and Gorified, both were armed with different guitars again and the show was all set to get a notch crazier. A very well played cover of ‘Heartwork’ by Carcass was the teaser sound check. After which followed a set of their original compositions which included a new track and a hell raising ‘Reign in Blood’ cover. The band headed by Bharad commanded a tremendous sonic presence, and drove the moshpit, which pulled in quite a crowd. We later learnt that technically the sound was not at their usual settings. However, the technical issues were not a hindrance to putting up a great show. This goes to tell why this band has been picking up attention in the scene lately.

Warhorse Chained from Cochin were also supposed to play at this fest but it couldn’t happen since their drummer was unavailable due to his exams.

Dying Embrace, with absolutely sick bloodcurdling growls by Vikram “Sik Vik” Bhat and a sickly bright and thick guitar tone by Jimmy Palkhivala, was probably the most loved act of the night. On drums was Deepak Raghu of Bevar Sea and Rat King. Their brand of Death/Doom Metal has a creepy feeling which you are engulfed into but at the same time has an ecstatic one as well due to the heavy metal Black Sabbath-esque vibe in their music. Autopsy is one of their prime influences and a cover of ‘Twisted Mass’ was done. They ended their set with an improvisation to their song ‘Daagda : The Time Has Come’ with Jimmy churning out a facemelter of a guitar solo at the end. And while most rock/metal musicians would be parting with their drumsticks or guitar plectrums if at all they wanted to give anything to the audience but the Dying Embrace guys went further as they gave out copies of their 2000-released Grotesque EP especially re-issued for their 20th anniversary as the Trendslaughter Fest special edition. Surely a treat for the fans who were lucky enough to get one.

The Gorified boys, Charlie and Ganesh, with Holi around, were totally in the mood of playing it with blood. The familiar drum recordings rolled on and as they went about with the soundcheck it was great to see that the sound was going to be better today than it was at the Undergrind. A little more hiccups with the sound as they started but as it went on they displayed no mercy as Charlie belted out his roaring abrasive vocals and Ganesh lashed out his ear-grinding guitar attack as the monster called Gorified slashed, devoured and committed several other heinous acts upon the populace (especially on those of the fairer sex). The sickos in the audience had plenty to headbang and mosh to and they did, ensuring that there was open space among the audience, with the sound being good enough to satisfy most of them.

Orator comprises of Amit on Vocals and Guitars, Cezan on Bass and Partho on drums. As they started their set, sound volumes were found to be low and even after raising the levels up the sound wasn’t at its best. There were some complaints about Amit’s guitars not being audible at the back. Performance-wise, the band hit spot on though. Comparing it with Western Metal, think of theirs as some of the unholiest; with Satan arriving in all his fuming glory and bringing destruction along with him. But perhaps a better way to describe it would be as if you and all your surroundings are being vaporized as Kalagni (the flame of time) attempts to consume every manifested being and object. But before that happens, what would be ensured is that your skull would be thoroughly crushed as the nerve-pounding drums, the thundering bass and riffs after riffs of melded metal keep piling on top of you. One of their songs ‘Samhara Tandava’ is dedicated to Shiva, the Lord of Destruction. Mayhem ensued and mosh flowed freely as the audience were left enthralled and spellbound by this death/thrash metal madness.

Looking at this fest overall, it provided immense satisfaction for the extreme metal cravings. Bangalore extreme-heads and those who attended the gig from other places are thankful to Orator for coming all the way from Dhaka to do a show here. Kudos to the organisers for promoting extreme metal, giving such bands a chance as well as for giving the fans exposure to them.

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The Mighty Riff at Alliance Francaise, Bangalore

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Recently, there’s been a lot of DIY-ism when it comes to metal gigs in Bangalore. The Mighty Riff was one such gig, organized by the musicians themselves, with a very spacious hall at the Alliance Francaise de Bangalore being used as the venue and an entry fee of just Rs 99. The bill consisted of CulminantBevar SeaInner Sanctum and Pillbox 666.

The venue seemed great. First impressions are often the last ones and we got a great impression of how loud and strong the sound could be, when Culminant started off. They started with one of their OC’s, covered Slayer’s ‘Raining Blood’ and followed it up with two more originals. The volume given to Bharad’s vocals seemed a bit low but the other instruments seemed perfect in the mix. Next up, they were covering Death’s ‘Misanthrope’ which was going perfectly until a technical glitch stopped them in between. Another attempt at the song, and the same result. They went on to perform another original and a third attempt at ‘Misanthrope’ resulted in the same glitch, which is where they decided to end their set. However, despite the technical issues they had made their mark and it was already a great start to the fest.

Bevar Sea, due to performing in a bigger venue, seemed less bassy this time and they were as good as they’ve always have been, if not better. Their set list consisted entirely of originals, which was great because they already have some very formidable compositions. Their set was lengthy, but had a flow of its own. They started with their often-used opener ‘The Smiler’ , followed by the Bangalore debut of their new song ‘Sleeping Pool’ , which managed to bring in loads of doom, especially in the last few minutes of the song. It was followed by the very catchy ‘Abhishtu’ , the upbeat ‘Universal Sleeper’ and the heavy set crawled to it’s finish with ‘Mono-gnome’ . Their sound always seems impeccable. Finding flaws in their set is like finding a needle in a haystack, and it was the same case in this gig as well. Another noticeable part was the crowd joining in on ‘Abhishtu’ something very rare in the Indian metal scene.

Inner Sanctum was the next much-awaited act, evident by the surge of crowd before their set, and the drop in numbers afterwards. Before the band got on stage, the artwork was on display, which was very impressive, to say the least. Shortly afterwards, the band took control of the scene, every song being as hard hitting as the previous one, with the sound seeming just right. Inner Sanctum has developed a dedicated following among the younger metalheads in namma Bengaluru, the mosh-happy kids expecting a mosh-worthy performance every time these guys play. This gig was no different, they delivered and how! The limited space in the hall was well exploited, with the crowd going berserk over their set list. The last track intensified their act with a Wall of Death which, though miniature, saw a good number of arms flinging around, kids thrown around. Now isn’t that just sweet? As it turned out, this was to be Rajeev the guitarist’s last gig, as frontman Gaurav Basu informed us that he’d be leaving the country for higher studies. This of course came with serious objections from the crowd, flipping the finger at the mention of ‘studies’. Rajeev was pulled off the stage for a crowd-surf by the fans (again a first, for any gig here!). A final group hug by all the members of the band and they were off! 

With covers of their “Gods” done “as they should be”, Bangalore’s new supergroup Pillbox 666 was the last band to take the stage. Their set list remained the same as their debut gig, but with an addition of Metallica’s ‘Whiplash’ Black Sabbath’s ‘War Pigs’ was also included, which had been skipped at their previous gig due to a broken guitar string. They started off with Black Sabbath’s ‘Black Sabbath’ followed by Slayer’s ‘Black Magic’, Black Sabbath’s ‘Electric Funeral’, Metallica’s ‘Whiplash’, Candlemass’ ‘Dark Reflections’, Autopsy’s ‘Ridden with Disease’, Black Sabbath’s ‘War Pigs’ and Motorhead’s ‘Overkill’, each cover ranging from great to magnificent. The guitar tone had that old-school raw edge and the bass was extremely prominent. The growling by Vikram Bhat provided chills, especially on songs like ‘Black Sabbath’, and ‘War Pigs’, and the drumming was absolutely perfect (Mr Raghu hasn’t disappointed us with any of his other projects, has he?). And it wasn’t just the tight covers. Pillbox 666 are an amazing live act, with Vikram Bhat clearly at the helm of affairs. Ganesh was on the vocals for ‘Whiplash’, (surprise!), the song itself a reminder of how Metallica was the band we all loved! Sigh. The TSF/UG crew (you know who you are!) deserve a special mention here, their controlled recklessness having fueled many a gig here in Bangalore before, and Pillbox 666′s set had them at full strength.

Apart from the live music, the fest did great with merchandise. All the four bands came out with t-shirts. At least four such poster designs could be seen for the fest, all of them with great artwork, two of which were put up for sale before the fest. CDs were also on sale at the merchandise stall and it’s always great to have something like that at a metal fest.

A great turnout despite the rains had proved that the metalheads inBangaloreare always up for a good gig, come rain, come shine. As we walked out of the venue with our necks aching and our ears still ringing from the onslaught, the only question on everyone’s mind was, “So, when’s the next one?”

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