Tag Archives: Damage Inc.

Of clenched fists and a Drive through the Parkway at Nazrul Manch, Kolkata

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Saturday, 17th of December: Reaching a venue to find out that the sound check is still on is not encouraging, but we were looking forward to watching the Aussie metal titans Parkway Drive live! After a rather long and painful wait, the gig finally started at around 6 p.m. instead of the scheduled time range – 2 to 3 p.m.

First up, was local metalcore band What Escapes Me who kick started the gig with ‘End of Heartache’, a cover from American metalcore band Killswitch Engage. The song was neatly executed, much to the delight of the metal-hungry crowd. The band then launched into ‘Pseudo Showcase’, ‘Killing Tomorrow’, ‘Unnamed’ and finished their set with ‘Section 66: Part 5’, all originals. ‘Pseudo Showcase’ had an interesting mid-section where the guitarist broke into a mature guitar line that pointed a glaring finger at his musical finesse. Guitarist Sayan Ghosh showcased guitar tones that packed quite a punch and were surprisingly innovative while vocalist Shourav impressed the audience with vocals that deserved a special mention. ‘Killing Tomorrow’ and ‘Unnamed’ had sick grooves/fills by the drummer Sambit who displayed impressive dynamics. ‘Section 66: Part 5’ ended the band’s set; this particular song had amazing drum-fills on the cymbals and the snare-rim and had a delightful chorus coupled with twin guitar lines. The song also had a section that was very heavy and darkened by its aggression.

Of clenched fists and a Drive through the Parkway at Nazrul Manch, Kolkata

What Escapes Me was followed by Chronic Xorn, one of Kolkata’s oldest existing metal outfits. The band faced some technical problems with their sound and had to take a few additional minutes for a second round of soundchecking which made the crowd slightly restless. A few minutes later, they set the stage afire with an original and drove the crowd into a frenzy. It was a pity that the sound problems continued to plague them; it affected their overall mix. Nonetheless, the band showed experience and maturity by taking it all in their stride and refusing to falter. The twin guitar attack of their guitar players Suvam and Biswarup was quite the entertainer and the bassist Angshuman raised his fists in the air in between songs. At this point we were informed that we’d be able to interview Parkway Drive and had no option but to miss the rest of Chronic Xorn’s set for the greater good!

Of clenched fists and a Drive through the Parkway at Nazrul Manch, Kolkata

Anticipation gripped the crowd, who started chanting the next band’s name; Kolkata’s most promising metalcore act was up next and the crowd waited with bated breath. Once known as Moshpit, the band took a break during which they went through a lineup change; the band’s reincarnation is what is now known as Yonsample. The set was inaugurated with ‘Breaking Through’, a popular original of theirs. The song also happens to be from their EP Paraphernalia and has all the makings of a great modern metal song with amazing guitar tones, crushing bass-lines, pummeling drums and really strong vocals.  It felt amazing to see such a great response to the local heroes, who have gone from strength to strength with each performance, proving the mettle of the Kolkata metal scene. The second original ‘Espial Abyss Afloat’, a brand new song, was lapped up by the metal audience – a special mention goes to the incredible bass tone. Raising hell alongside the bassist Ani was Jojo on guitars – armed with a very heavy and crunchy guitar tone – supported by the fabulous Pupai on keyboards. Vocalist Arka and drummer Tuhin showcased a surprising variety of range and rhythm that left us awestruck. The band then embarked on ‘Passage’ and ‘My Victory Ride’. The former boasted of a very hooky riff, with Arka ripping it apart with his ferocious vocals. The latter was yet another impressive track. The crowd was left wanting more, but the band had to make a hasty exit owing to time constraints.  However, their short set was enough to stamp their authority and raise the bar for the upcoming metal bands from the city.

Of clenched fists and a Drive through the Parkway at Nazrul Manch, Kolkata

Perhaps the biggest screams and applause were reserved for none other than the Aussie metal titans, Parkway Drive. The entire venue was bathed in darkness, to set the mood for the band that would take the stage next. Before we knew it they were onstage and we were bathed in the relentless energy that the band members seemed to emit as one. They started off with ‘Unrest’ from their latest album, Deep Blue, that featured some awesome drumming with very interesting breakdowns that make the song really stand out. From there, the band launched into a seething tirade of angst with their original ‘Bone Yards’. The man behind the drums, Ben Gordon, executed precise blast beats that opened up the moshpit. The next song‘Deliver Me’ is also from Deep Blue and boy does the band truly deliver on the live version of this song!

The band started the next song ‘Idols and Anchors’ from their album Horizons. The song started with a surprisingly melodious guitar line and throughout the song the melody and the customary Parkway Drive aggression coexisted, making it a fantastic listen.

Of clenched fists and a Drive through the Parkway at Nazrul Manch, Kolkata

The next song ‘Smoke ’em if ya got ’em ‘, was from the album Killing With a Smile .The song is definitely one for the mosh lovers; it seemed to spell that very word in bold letters; the all-too-impressive guitar harmonies were courtesy Luke Kilpatrick and Jeff Ling. The circle pit turned more vicious with the onslaught of the song and it definitely made the Aussies appreciate the crowd.

The band went back to Deep Blue, their latest album, with ‘Sleepwalker’. Interesting hooks and very well placed vocals added to the splendour of the song. It ended with a brilliant guitar solo/melody line and according to us, Sleepwalker was definitely one of the highlights of their set.

‘Karma’ started off with an awesome drum-roll, which sounded more like machine guns in a war! Another highlight of the song was its guitar solo. 

‘Carrion’ from Parkway Drive’s previous album Horizons again reflected the more mature and melodic side of the band. 

Of clenched fists and a Drive through the Parkway at Nazrul Manch, Kolkata

The five guys from New South Wales jumped, ran and skidded over the stage. The energy was infectious and the crowd, which seemed to feed off the energy from the band, was all charged up. The band looked ecstatic and clearly taken aback by the crowd’s reaction. As the show came to a close, it was time for the curtain to drop but the metal hungry crowd was far from satisfied and, despite being completely exhausted, the band came back for another song. By this time the crowd was on the stage and the band members had to huddle beside the drummer on the podium. Surprise of all surprises, maybe a first in Nazrul Manch – the guitar player did his bit of crowd surfing!

After the gig ended, the WTS team took a walk back home, high on adrenaline and on Parkway Drive. Kudos to Metalbase India and Damage Inc. for organizing a gig like this and pulling it off quite well!

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Riff ’em All at The Kyra Theatre, Bangalore

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Riff ’em All was scheduled one day prior to Metallica’s much-looked-forward-to concert in Bangalore and was meant for all the out-of-towners who had descended upon good ol’ Bangalore to see what would hopefully be Metallica’s maiden show in India, and also for some Bangaloreans who were planning to skip the Metallica concert. Riff ’em All held a lot of promise and was all set to showcase some of Bangalore’s best metal bands.

After battling the rains that evening, I walked in right when Culminant had just taken stage (I had unfortunately missed Corrode’s performance). I’ve seen quite a few of their performances this year, and this is one band that has grown stronger with every performance. Starting off with ‘Wrath of the Fallen’ they held everyone’s attention and electrified the stage with their very first song. They played two more OCs – ‘Innate Instinct’ and ‘Realm of the Tyrant’ much to the crowd’s delight. What was supposed to follow was their cover of Slayer’s ‘Raining Blood’ which didn’t happen because the bass drum’s skin gave way and since there seemed to be no alternative means of going ahead, their set came to an untimely end. The band said their goodbyes, apologized for the short set and left despite people cheering for more.

Riff 'em All at The Kyra Theatre, Bangalore

The next band on stage was Gorified, Bangalore’s mainstay goregrinders. They played a longer set this time around, which included two covers. Gorified gave the crowd a good, strong dose of brutality and put on a pretty intense show despite the usual sound problems that plague Kyra, playing seven OCs. The first and the last songs from their setlist, ‘Autopsy Devourment’ and ‘Vulgar Display of Genital Flatulence’ elicited the best response from the crowd. They finally ended their set with two covers – Cannibal Corpse’s ‘Stripped, Raped and Strangled’ and the other surprisingly, Metallica’s ‘Damage Inc.’ this time with former Abandoned Agony drummer Shreyas Kamath on drums. They were the first and probably the only band that night which managed to get the crowd into a violent mosh!

Riff 'em All at The Kyra Theatre, Bangalore

The mighty Dying Embrace, one of the oldest bands in Indian Metal, the grand-daddies of the scene so to speak, finally came on stage. This performance was highly awaited and they did not disappoint. The horns thrown high up in the air and frenzied chants of ‘Dying Embrace’ stood testament to this fact. They played quite a great selection of songs, their set had ‘Blood Rites’, the Sabbath inspired ‘As Eternity Fades’, ‘The Passing Away’,  ‘Spawn of the Depths’, ‘Dagda – His Time has Come’, ‘Grotesque Entity’, ‘Oremus Diabolum’ and they ended with their tribute to one of the bands that have inspired them, a cover of Autopsy’s ‘Twisted Mass of Burnt Decay’. Great music apart, the showmanship was brilliant, each song had its own artwork displayed, Deepak’s drumming was impeccable, Jimmy’s solos were met with wild cheering and applause and had the audience hungry for more while Vikram Bhat absolutely owned the stage with his spirited performance. The set finally ended with them stating that their next appearance would be alongside Japanese Black/Thrash band Abigail in 2012’s edition of the Trendslaughter fest. Dying Embrace was most certainly the highlight of that night.

Riff 'em All at The Kyra Theatre, Bangalore

Bevar Sea, the penultimate act of the night was up next. The band has only played a handful of shows and yet is popular for its stellar performances and this night was no different. They kicked of their set with ‘The Smiler’ and the riffs and thundering rhythm sections hit the crowd with the force of a sledgehammer. The heavy onslaught continued with them playing ‘Universal Sleeper’ and finally a cover as was the trend that night, Black Sabbath’s ‘Lord of this World’. ‘Abishtu’ was up next and had a majority of the ecstatic crowd screaming along. What followed was a pleasant surprise – Bevar Sea, fresh from their Sabbath tribute in Chennai, decided to play yet another cover – this time it was Sabbath’s ‘The Wizard’. They played one of their original compositions ‘Mono Gnome’ and just when people thought their set had finally ended, they pulled yet another Sabbath number from the hat, ‘Sweet Leaf’. Though the set had a couple of fumbles along the way, it was one of the best that night.

Riff 'em All at The Kyra Theatre, Bangalore

The headliners Kryptos took stage after a slightly lengthy sound check. Decked out in trademark denim and leather, they brought forth their brand of blazing, old school metal. Their setlist for Riff ’em All was slightly different from what they had played throughout this year and it included two songs from their upcoming album The Coils of Apollyon. They started off with ‘Satyr-like Face’ and then played songs from the first two albums including ‘Order of the D.N.A.’ and ‘The Revenant’. ‘The Mask of Anubis’ and for the very first time ‘Spellcraft’ from Coils followed. ‘Tower of Illusions’ and ‘Forgotten Land of Ice’ were up next and the band had a surprise in store for the crowd, not another cover, but ex-member of Kryptos and current vocalist of Bevar Sea, Ganesh joined them on stage for the final song of the night ‘Descension’.

The organizers had arranged a massive merchandise stall which had everything from CDs, t-shirts and posters from a variety of bands, which included bands that were playing that night among others. It also served as a great place for interaction with fans and bands from other cities. All in all, the gig was great, had a responsive crowd with a massive turnout of around 350 people and some brilliant performances – a perfect prelude for the Metallica concert.

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