Tag Archives: Hemant Kumar

Jack Daniels Rock Awards ’12 at Mehboob Studio, Mumbai

Jack Daniels Rock Awards

Time check – it was 18 o’ clock. Was I going to make it on time for the JD rock awards?  At around 7-ish as I was zooming on the highway, I was mentally preparing myself for what the entire evening was going to be like. I got to the venue at sharp 7:30 and was mighty pleased to see that the entrance was nicely decked up with sweet signage complete with a desk of folks from Rolling Stones magazine/JD to check invites and sort out the invitees. They had setup a neat-looking JD/Rolling Stones magazine backdrop for photo-ops with a dozen photographers trying to squeeze out glamour shots for their respective publications. It all looked a lot like an elite fashion event.

Jack Daniels Rock Awards '12 at Mehboob Studio, Mumbai

This was the first time that I had entered this stage at Mehboob Studios and as I later found out this was the first time they were doing a live music event at this particular studio. It was huge with an incredibly high ceiling and the minute I got in, I was immediately enveloped by the smell of expensive alcohol and the sound of general last-minute sound check noises. I got in just in time to hear Luke Kenny start to rev up the crowd to get the Rock Awards going after introducing himself as the host. The turnout for the rock awards was modest at first but the place got crowded later, not uncomfortably so at any point. Furthermore, the place had long bars on both sides serving unlimited JD on the house!


Sky Rabbit or the erstwhile Medusa played a tight set of their tracks in spite of the odd sounding PA mix which I would largely attribute to the high ceiling and room in general. The Sky Rabbit sound, if I were to describe it from the few songs I heard them do in that particular setting, was a mix of post-punk and electronica, which for some might be pretty reminiscent of early Coldplay. However, it was packed with enough new ideas to still be quite distinct sounding.

Jack Daniels Rock Awards '12 at Mehboob Studio, Mumbai

Indus Creed was up next and they played a long set. I liked quite a few of their songs, but I certainly would want to hear the album that’s coming out soon so I can listen to them without having to put up with spectacular room reverb. They were quite energetic on stage, were groovy and had interesting bass lines and harmonic modulation throughout, which I quite love in a band.

Jack Daniels Rock Awards '12 at Mehboob Studio, Mumbai

Next up was Ankur and the Ghalat family. Since the first time I heard these guys at Blue Frog when we were all doing a mixed singer-songwriter set, I’ve always liked their downright earthy sound and honest songwriting. Moreover, their sound has always retained its simplicity and has a nice clarity in the way the songs are arranged and the harmonies are brought out.

Jack Daniels Rock Awards '12 at Mehboob Studio, Mumbai

For the most part, I expected this to be a lot like the splendid party thrown by the nice people over at The Blue Frog, a few months ago. Except at the end of it, maybe there would be a good old fashioned fist fight over who deserved to win best award for a three legged drummer. This certainly was at par and done on a much a larger scale apart from being an awards event. However in retrospect, I figure that one of the nicer things about the Bombay music scene is that nearly everybody has played with everybody and shares a healthy mix of camaraderie and the Bohemian spirit of I-don’t-really-f**king-care which leaves little or no place for any kind of angst or I-know-where-you-live type of behaviour. Bombay is certainly a great place to be a musician.

Jack Daniels Rock Awards '12 at Mehboob Studio, Mumbai

Amongst mixed reactions, knowing nods and downright ‘What the Frankenstein’ reactions the winners for this year’s JD Rock Awards were announced. Bombay Bassment won ‘Best Emerging Act’ which I suppose was well deserved. They have acquired quite a following in the past year and their live act is very entertaining. Bassist Ruell Baretto was nominated for ‘Best Bass Player’ at the last JD Awards and the band was ecstatic when they found out they had won this year. It would be great to see where and how this band evolves and where they go with their sound. Dischordian won the award for ‘Album Art of the Year’ designed by Hemant Kumar for the album The Feni Farm RiotPentagram won several awards some of which were for ‘Best Vocalist’, ‘Best Guitarist’, ‘Best Video’ and ‘Best Album’. Shiraz and Vishal were pretty much on a marathon to collect the plethora of awards that they picked up.  ‘Best Vocalist (Female)’ went to Subhadra Kamath from Fire Exit. ‘Best Drummer’ went to Vibhas Venkatram from Eccentric Pendulum.Stefan Kaye from The Ska Vengers picked up ‘Best Keyboardist’.  ‘Best Bassist’ went to Abhinav Chaudhary from The Circus. ‘Best Producer’ went to Miti Adhikari for his work on Menwhopause album Easy. ‘Best Venue’ went to Blue Frog which couldn’t really have gone any other way! A special award for ‘Years of Excellence’ went to Lou Majaw.

Jack Daniels Rock Awards '12 at Mehboob Studio, Mumbai

The party continued for quite a while even after the awards were done and host Luke Kenny had signed off. The alcohol kept flowing and people seemed to be having a good time too. The place had a steady influx of a lot of familiar faces from television and movies who didn’t really have much to do with the rock awards or rock in particular but certainly contributed to the overall eye candy. I think that purely for the great setup, the copiously flowing alcohol and the abundance of legs, the JD rock awards was certainly a smashing night.


Interview with Siddhartha Khosla, Goldspot


Goldspot is a Los Angeles-based band founded by singer/songwriter Siddhartha Khosla. They shot to fame with their debut album – ‘The Tally of the Yes Men’ and followed up with ‘And the Elephant is Dancing’. After a powerful performance at the Hard Rock Cafe, Pune on Jan 25th 2012, Siddhartha Khosla, the lead vocalist of Goldspot chatted up with the WTS Crew, here’s a peek into what he had to say… 

WTS: Welcome to India! How is the tour shaping up? 

Siddhartha: Thank you! The tour has been amazing, we had a great time! We’ve had wonderful audiences. We played in Lucknow, Delhi, Mumbai and now Pune. Up next is Hyderabad and Bangalore. The audience has been unbelievable. I mean, we have played for thousands of people already so it’s pretty amazing. We played at Blue Frog in Mumbai yesterday and they said it was the most number of people they had ever seen on a weeknight. So it was great – we had like 800 people last night! 

WTS: Have you toured India before? How was the reception then? 

Siddhartha: Yeah we have toured India a couple of times before. The response was amazing. We had a very similar response but with lesser people and now the number of people who are into Goldspot has increased substantially!

WTS: Tell us about your influences in music. 

Siddhartha: I was born in the US and I grew up listening to the music my parents brought to the US. They brought all their music from India to the States – Mohammed Rafi, Mukesh, S.D Burman, Hemant Kumar, Kishore Kumar,  Geeta Dutt , Lata Mangeshkar…I would know this stuff more than you, brother! And that’s the stuff that really impacted me and the stuff that I love. I listen to this now more than anything else.

WTS: We did notice some of these influences in your music – the Friday intro is reminiscent of S.D Burman. How does the western audience like it?

Siddhartha: The western audiences- when they listen to our songs, they don’t know why they like it but they do. Indian audiences on the other hand, know why they like it and it gets all nostalgic for them. 

WTS: Weren’t you a part of the boy band Penn Masala? 

Siddhartha: Oh man, yeah – Penn Masala! I was in another established group in college, and Penn Masala – a bunch of Indian guys was the new thing which was formed – great guys and wonderful musicians! They asked me to be their music director and I agreed. I created arrangements for them.  I was their S.D Burman if I can ever be that! (Smiles) The closest I ever got.

WTS: Your first album Tally of the Yes Men was a hit. How tough was it for you to come up with the second one And the Elephant is Dancing with all the mounting expectations?

Siddhartha: Easy. I never made any music with any expectations. For me it’s about making songs and sounds which is honest to me. Look, at the end of the day, I’m Indian and I grew up with Indian music in my blood. I grew up with Western music as well because I grew up in the US. I grew up with both cultures as a very integrated part of me. So when I write music, I write it with the old Indian influence and the Western influence. So when I made And the Elephant is Dancing, it was very easy because the first album Tally of the Yes Men did really well for us. It did well because no label told us what to do. I made that album independently. You know what the budget was for the album? Zero dollars. I made it on my own, with my own hard work. I had a day job. I worked 9 to 5 and from 6 in the evening to 2 in the morning for a year and a half, I made the album with a friend of mine – no costs. Music was my love. And a year and a half later we got signed because they loved the album so much! 

WTS: An alternate version of your first album featuring A.R Rahman’s Chennai Orchestra was released in 2007. How did that come about? 

Siddhartha: We finally got signed to a major label after one and a half years, and they told us “We love your album! We want to release the album in 6 months.”  I said, “No. I want to release it with the Chennai Orchestra.” They asked “Why do you want it with the Chennai Orchestra?” I said, “That’s the sound. I want them to play the old 60s, 70s Burman style arrangements.” They said “No, you can use the LA Philharmonic, you can use the New York Philharmonic, and we’ll hire them.” The label was just gonna throw money at us but I said no, I want to go to India and want to record with the Chennai orchestra because that’s the right sound and the label agreed. So I worked with Srinivas Murthy who is A.R Rahman’s senior music conductor. The guy is a genius. He and I wrote the arrangements together. I wrote some, he wrote others, but the ones he came up with were way better than what I could come up with – he’s amazing! He’s been around for a long time, so he knew how to create that old sound and he did it really nicely. 

WTS: The intro for Friday has an awesome retro Bollywood sound. How did you come up with that? 

Siddhartha: The intro – that (sings the Friday Intro) da – da da…da da – da dadada – the reason why that happened was Murthyji. He came up with that opening – he killed that.  It was beautiful! We took our shoes off and went to the studio and there was a 25 piece orchestra! These guys, with Murthyji’s direction, came up with the beautiful arrangement and that was (sings the Friday intro) da… dada… It was beautiful!

WTS: Did you cringe when you watched ‘Friday’ by Rebecca Black? 

Siddhartha: Oh man! (Shakes head in disbelief) Rebecca Black! See, I love how much exposure artists have on the internet but this is like the one downfall with social media that garbage gets through. But you know what, I have to say – honestly I love the fact that she put it out, because it makes our version that much better!

WTS: What’s in store for 2012? 

Siddhartha: We have a new album we are recording now. It will be done hopefully in the next 3 or 4 months and will be released hopefully by the end of the year. We’ll do a lot more touring and we’ll come back to India as soon as we possibly can! 

WTS: Choose your drink – Miranda or Fanta? 

Siddhartha: GOLDSPOT! (Sid grins widely, everyone else howls) Coming to India when I was a kid with my cousins in Delhi, we drank a lot of Goldspot and Campa-Cola. And Goldspot was the most refreshing, bubbly, beautiful drink ever! It kills Fanta.

Aneesh Sanyal

Aneesh Sanyal is a failed guitarist and a fake Bong. He cannot get beyond 80s rock and is a certified hedonist. He likes food, music and trees.