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Shapes on The Wall by Black Letters

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Young and enthusiastic, Black Letters is a band that is taking its baby steps into the Indian music scene. These earnest and eager musicians hail from Kochi and are currently based in Bangalore and Chennai and are touring extensively. They may be new to the scene but they have toured the college circuit and have gathered a loyal following with good old-fashioned clean rock tracks. Black Letters started off as a metal band but soon realized that their sound lies in the alt-rock genre.

Their sound is catchy and groovy that is reminiscent of Incubus and Kings of Leon. Black Letters’ songs are emotionally charged and powerful yet retain the finesse and restraint of a much more experienced group of artists. The band consists of Sharath Narayan on vocals and guitar, Arjun Radhakrishnan on bass, Akash Chacko on drums and Sarang Menon on guitar. Formed only a few years back in 2008, the band has risen steadily from being just another college band to one that is getting a lot of attention and praise in the Indian music scene. One of the reasons for their success is that they were able to stay away from playing only covers and started creating some excellent original material in their early days itself. From playing college gigs, they have moved on to bigger venues around the country and have even played at renowned music festivals such as The Go Mad Festival in 2013. In the span of a few short years, Black Letters has already come out with a debut album called Shapes On The Wall that was released on 27th February, 2014.

The album features original alt-rock tracks that are easy to listen to and the whole album is very polished and well put together. While listening to the album, one can’t help but find a certain Incubus-esque riff here and a Death Cab for Cutie-esque section there but every song manages to be come across as fresh and original. The band has kept itself squarely in the alt-rock box and does not once try to step out of its boundaries and this works for them because their songs do not sound like a hodge-podge of genres. Instead of being contrived and forced, they have chosen to keep their songs simple and honest, giving them an album they can truly be proud of.  Every track on the album flows smoothly into the next and all the songs are consistent. Smooth yet impactful, each track is perfect for a large concert, out in the open, or for a loud solo singing session while driving.

‘Roam’ is the opening number of the album and is a quintessential alt-rock track. The song starts off with an energetic drums and guitars and gets mellower as the vocals kick in. Sharath has great control and vocal range, being able to convey immense power without ever getting screechy. With extremely catchy riffs and a fluid melody, the track is upbeat and very earworm-y – a great introduction to the album.

This is followed by a personal favorite – ‘Find You’ that is built-up to with a somewhat-militaristic drumbeat and a guitar drenched intro but it soon smooths out and becomes rather laidback. Again, this track shows off Sharath’s admirable vocal range and control and even though the song is passionate, it never gets too loud or aggressive. With a very appealing hook and riff, you will suddenly find yourself humming along.

‘You Say’ is one of their first original compositions and is a crowd-pleaser at their live gigs. Although the intro is stripped down and soothing – featuring only the guitar, it leads into some very affected vocals. This is the one track where the vocals fail to impress and it seems like the band is trying too hard to make an impact. Nonetheless, this was one of their early songs and it was meant to be big and showy and one can see why it is such a success at their live performances.

The next track ‘Old Firebox’ is rather funkier and lifts the tempo of the album. Packed with delightful riffs and vocal acrobatics, this is a track that you should look out for. The well placed changes in tempo and snappy chorus will keep you on your toes and interested in the track through its entirety. ‘Old Firebox’, with its creative composition, shows how far the band has come since their days of being a metal band that used to play college gigs.

Another gem in the album is ‘Skygazer’ that features eccentric vocals and musical interludes. Like the previous track, ‘Skygazer’ has some ingenious riffs that make the track so memorable. It is relatively relaxed but has tempo shifts that keep it consistently interesting. As the song progresses, it becomes more atmospheric and large that is bound to get you pumped up.

‘Tomorrow’ has the most languid intro and breathy vocals by Sharath that beckons the end of the album. The song is hopeful and talks of the future and how one should let go of a dark past and move on. Like most of the other songs on the album, even though the track is a quite laidback, it can rouse and inspire you.

‘Remembrance’ is a fitting end to the album – soft, soothing and bittersweet. It is the perfect farewell and will leave you feeling content after you are done listening to the album. It has a discernible yet calm bassline that compliments the tranquil mood and melody of the song beautifully. As the name suggests, the song speaks of bygone days and lasting memories.

Shapes On The Wall is a well crafted album that progresses effortlessly. The band has done away with backing vocals on most of the tracks, which turns out to be a great decision as it allows Sharath’s impeccable vocals to shine and keeps the tracks tight. Most of the tracks do not deviate from the alt-rock genre and just when you think the album is getting monotonous, the songs get funkier and groovier providing a nice change in the middle. There are so many tracks in this seven-song album like ‘Old Firebox’, ‘Find You’ and ‘Skygazer’  that have the potential of becoming very successful EPs, which goes to show that the band has put a lot of thought and effort into constructing this album. As Black Letters’ debut offering, the album effectively showcases their talent, growth and zeal. The songwriting is simple and transparent yet earnest and the album tackles topics that every young adult can relate to – broken dreams, uncertain future, partings, memories and the desire to break free.  This added to their innovative compositions makes the album a must-have.

Anusmita Datta

Anusmita Datta is an ardent day-dreamer, music lover, die-hard foodie and occasional writer. Her obsession with pandas is sometimes disturbing and she can be often found lusting after momos!

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Galeej Gurus at Hard Rock Cafe, Hyderabad

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Galeej Gurus

Named as one of India’s “hottest bands” according to Rolling Stones in 2010, the opening act for bands like Mr. Big, Deep Purple, Bryan Adams;  and having played in Dubai Dessert Rock Festival alongside bands like Velvet Revolver, Korn, Killswitch Engage, As I Lay Dying, Galeej Gurus is a force to reckon with. Their growing fan club in Hyderabad couldn’t wait to listen to them yet again and could barelty contain their excitement. Formed in the year 2000, the Galeej Gurus have been in the music scene for over a decade with over 500 gigs in their kitty. Their line-up includes Nathan Harris on vocals, Naveen Thomas on the guitars, Ananth Menon on guitars and vocals, Matthew Harris on the bass and Kishan Balaji on the drums.

Galeej Gurus at Hard Rock Cafe, Hyderabad

As a band, their influences are Led Zeppelin, Red Hot Chilli Peppers, Eric Clapton, Steve Vai and Deep Purple. However individually, Nathan’s influences include Red Hot Chilli Peppers, Guns n Roses, Robbie Williams, Prince etc., while Ananth tips towards blues and rock and roll. Matthew draws his inspiration from modern guitar funk and rock, for Naveen Thomas, who is considered the “most technically proficient” musician in the band, it is more of progressive influences like Dream Theater, Pain of Salvation, Tool, Killswitch Engage etc. , and Kishan is inspired by “freestyle improvisation” and jazz. A blend of their individuality is the essence of their band. Galeej Gurus’ music, according to them, is a bit of Alternative, Funk, Blues-Rock, Progressive and Grunge put together; whereas critics classify them as Indie Rock.

Galeej Gurus at Hard Rock Cafe, Hyderabad

Their set list for the day was a mix of their compositions and covers. The band opened with their own composition ‘Believe in Tomorrow’, to warm up the crowd. Picking up pace, their OCs ‘She’s Mine’, ‘Play On’, Jet’s ‘Cold Hard B*tch’ got the crowd pumped up.  Ananth’s bluesy voice was perfect for the cover of Eric Clapton’s ‘Before You Accuse Me’. ‘Blind’, ‘Make some Noise’,’ Dark Hungry Eyes’ were the rest of their OCs for the first half of the evening. By the second half of the gig, the crowd grew bigger and the energy grew higher. This second set included 3 Doors Down’s ‘Loser’ along with Maroon 5’s ‘Move like Jagger’ and another composition ‘Flyaway’. The crowd sang along during Foo Fighter’s ‘Rope’ and King’s of Leon’s ‘Use Somebody’, while the band continued on with their other compositions ‘Breathe’ and ‘Physiological Breakdown’. The finale was a medley of three rock legends – Led Zeppelin’s ‘Whole lotta love’, Jimi Hendrix’s ‘Purple Haze’ and Lenny Kravitz’s ‘Are you gonna go my way’ leading to ‘Full meals’  by The Wayside. They threw in a few amazing guitar and bass solos and pulled in Baba – Native Tongue’s  frontman and a good friend of the band for one of the numbers, which added to the overall flavour.

Galeej Gurus at Hard Rock Cafe, Hyderabad

Every composition of theirs has a bit of Alternative and Progressive while most of them were groovy. Nathan’s versatile vocals, Naveen Thomas and Ananth’s skills on the guitar, crazy bass riffs by Matthew and Kishan’s tight drumming put together, makes a perfectly wrapped package of good music.

The sound was decent with very few glitches and there were quite a good number of people for a weekday evening. As the front man, Nathan knew how to keep the crowd engaged throughout the gig.  The energy of the entire band was so contagious, they crowd couldn’t contain themselves. Everyone was high on music (also on booze, but mostly music) till the end.

Galeej Gurus at Hard Rock Cafe, Hyderabad

Galeej Gurus claim that they are “a bunch of crazy ass rockers who don’t understand the meaning of ‘keep it quiet!’” and they sure kept their word! After a week of rain and traffic jams, an evening with Galeej Gurus at Hard Rock Café was the perfect way to unwind.

Vini Lilian

Vini works with an ad agency. She's a metalhead who can't play metal so she writes about it. She loves tattoos!

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Phoenix at Hard Rock Cafe, Bangalore

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This review isn’t going to be a long drawn out affair because, frankly, I’m not a fan of prolonging the agony. The Phoenix gig at HRC Bangalore, showed promise because they followed Thursday night acts that have been in more than a few good books. In the current musical atmosphere – the Indian music scene blossoming as it is with bands attempting to re-invent themselves with each album, it’s difficult to appreciate or even stomach the thought of a band sustaining itself with a cover-oriented approach. But there’s a silver lining to everything, I assume.

Phoenix at Hard Rock Cafe, Bangalore

Phoenix is a crew of five – singer Ruben, bassist Lokhi, percussionist Badri, guitarist Keith and Ankita who sings and plays the keys.

The band started out with a few Marley numbers (‘Redemption Song’ being the most notable performance). Ruben’s reedy vocals suit the dreadlocked artist’s music in specific. But no one can pull off Marley like Marley; with the second song, I was looking for a change. Welcome or not, it came in the form of The Police’s ‘Roxanne’ – an average performance that served more as a gentle reminder of the song than a powerful rendition. The only cover that I appreciated for its unique quality was their mash up of ‘Zombie’ and ‘Numb’; though it had its weak moments with the harmonies being frightfully off. YouTubing led me to a similar arrangement here. Phoenix’s version was definitely better than this. Bill Withers’ classic ‘Ain’t No Sunshine’ was shaky in places. But they pulled it off with a quirky air to it. You could tell they’re better with the endearingly lazy styling of a reggae band than classic rock.

The band thereafter went through a riot of songs and artists, including Marley’s ‘Is This Love’, Pink Floyd’s ‘Wish You Were Here’, Guns n’ Roses, ‘Use Somebody’ by the Kings of Leon, Adele’s supremely popular ‘Rolling in the Deep’, ZZ Top’s ‘La Range’, Jimi Hendrix’s ‘Purple Haze’, The Doors and even a very low rendition of AC/DC and Ozzy.

Phoenix at Hard Rock Cafe, Bangalore

I know I run the risk of sounding too close to an American Idol judge for comfort after this statement, but song choice was a huge issue; it seems to have been based more on the popularity of the song than the actual capability of the vocalists. Ankita’s voice has a beautiful tone to it but it’s not enough of a powerhouse to carry off Adele without glaring flaws and coming off as more Karaoke than Cover. Slowing the song down, adding an out-of-way instrument or doing a reggae version would’ve taken the pressure of Ankita to perform as well as the original artist.

Phoenix at Hard Rock Cafe, Bangalore

Guitarist Keith shone throughout the performance. He whipped out a mean looking guitar just before the cover of Ozzy’s ‘Crazy Train’ and had the audience in a tizzy with his skill thereafter. Drummer Badri, hidden in the far corner of the raised stage, went about his business holding it together with as little ado as possible as did bassist Lokhi – whose dry sense of humour came across when he admitted to being “the old guy”.

All in all, I wasn’t too impressed with the band. It’s a tough business; however talented you are individually, you need to work creativity into your arrangements as a band to stand out from the crowd.

Sharanya Nair

Sharanya is a 'writer' and an 'editor'. You know the type. She loves her music too much to share.

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