Tag Archives: Korn

Scribe at Princeton Club, Kolkata

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If there is one time of the year when Kolkata wakes up and goes into overdrive, then it is during Durga Puja. This is that time of the year when the average citizen goes absolutely over-the-top crazy, and the city is washed in an array of lights and colors. Mumbai’s very own hard-core monsters Scribe were in town, and they did their part in helping us usher in the crazy festive mood. It was no surprise that they did so with considerable aplomb, considering that Scribe is one of the most loved metal bands in the national circuit, and the band’s popularity knows no bounds, even in Kolkata.

The evening that was all about comedy and music – the comedy being dished out by the renowned stand-up comedians AIB (All India Bakchod) and the music part by Scribe and this gig also doubled up as the Kolkata leg of the band’s ‘Hail Mogambo’ tour. This was in fact Scribe’s third ever gig in the city and they were performing here after a gap of approximately three long years.

Scribe at Princeton Club, Kolkata

Unfortunately, the number of comedy-lovers far outnumbered the metalheads that evening – add to that the fact that it was a gig starting reasonably late on a weekday, and you had a turn-out which was far less than what the average Scribe gig in Kolkata has drawn in the past. Nevertheless, the crowd was fully charged and in their element, and the band took absolutely no time in settling down and went ahead to dish out a setlist comprising of around 15 songs that were a mix of old and new, known and unknown, heavy and downright wacky.

Starting off with the first track from their highly anticipated album Hail Mogambo, Vishwesh Krishnamoorthy and company gave the crowd a taste of their soon-to-be released new material. Polite applause greeted this new song, but this mildness soon gave way to some screaming and wild headbanging as soon as the intro for the song ‘R.S.V.P.’ was played. The headbangers instantly turned the venue into a massive mosh-pit, and although the energy levels seemed to be a tad low, the crowd’s enthusiasm could not be faulted. ‘R.S.V.P.’ was followed by another song ‘M-Power’  from the Mark Of Teja album, and the moshing went on unabated.

Scribe at Princeton Club, Kolkata

Scribe seemed to be rather impressed with the crowd’s wholehearted response so early into their performance – but to be honest, this wasn’t much of a surprise. Kolkata has not had a noteworthy metal band pay visit to them in a long time and so it was no surprise that the band had the crowd do their bidding all through their set – and when the call for stage-diving volunteers was given, Kolkata did NOT fail to oblige. The response to their newer songs ‘Cops! Cops! Cops! and ‘Calendar Khana Lao’ was also a lot more vigorous, as it was for ‘Buddy’, a song which featured on their debut album Have Hard. Will Core. But the loudest cheers were reserved for songs from their third album, Mark Of Teja and ‘I Luv You Pao Bhaji’  literally brought the roof down on the Princeton Club, and Virendra Kaith on drums pounded away with such ferocity that one would actually think the building was on the verge of collapsing!

The motley crowd of comedy-lovers who had remained after the performance of AIB seemed like they had been hit by a whirlpool. Most of these fine folks were witnessing their first ever metal gig and the sheer aggressiveness of the crowd was enough to keep them at the fringes near the bar end of the club. However, both the music and Scribe’s stage antics played a big part in getting some of them to shed their inhibitions and Vishwesh lost no time in cajoling them and the rest of the crowd to get the women together for Kolkata’s first ever mosh-pit exclusively for the ladies! Luckily, no one was injured and everyone had their fair share of fun.

Scribe at Princeton Club, Kolkata

Also in the setlist were a couple of covers – Limp Bizkit’s ‘Gold Cobra’ and Korn’s ‘Somebody Someone’, both having the distinct Scribe feel to them. The wisecracks kept flowing too, and Akshay Rajpurohit ably assisted Vishwesh in this department when he wasn’t busy with his guitaring. Anyone who has attended a Scribe gig in the past would know what sort of wisecracks to expect from this wacky quintet!

All good gigs must come to an end, although the crowd had no intention of letting the band go easily! So not one, but two encores were the order of the evening – the first one being another huge crowd favorite from Mark Of Teja – ‘1234 Dracula’, followed by ‘One Wing Pencil’ from Have Hard. Will Core. And with that song came the end of another Scribe show which knocked the socks off everyone in attendance.

Scribe at Princeton Club, Kolkata

There is no denying that the crowd had a great time and most of them are now looking forward to Scribe’s performance during the Kolkata leg of the NH7 Weekender in December. Till date, the band has played three gigs in the city, all of which have been at pubs – and while a pub gig does bring out a level of intensity and intimacy which can only be attained in a closed venue, yet most Scribe fans from these parts are looking forward to see how their wackiness translates onto a bigger stage!

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Korn in Bangalore – ‘Path of Totality’ Tour

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Love them, hate them, you can also ignore them. And that’s probably just what you did. Was it condescension or the general disregard for nu-metal, post grunge scene? I would not know really. I for one, was there for a good time and for nostalgia, a delinquent Korn fan that I have been.

A large section of the crowd showed the presence of all kinds. There were some for ‘Korn’, ‘Life is Peachy’, ‘Issues’ etc., some just for ‘Greatest Hits, Vol. 1’ experience, and some more for ‘Path of Totality’ and Skrillex. Whatever the mix of audience, I was expecting a lot of dark, unapologetically repetitive verses, accompanied by hateful fist-pumping and the usual headbanging that follows.

Korn in Bangalore - 'Path of Totality' Tour

If you excuse the absurd calling-off of the Mumbai show, Mooz have pulled off a neat one to begin with. You may want to debate really what was there to manage? No long queues and the sweaty waiting crowd, no pumped up slogans in the air, no charged up atmosphere prior to the show, only a lazy pattern of cars and bikes arriving, you may even confuse the concert entrance with that of a college. And for us, the media – a warm welcome and a cold-hearted update – no entry for cameras before Korn take the stage, and only 10 minutes in the pit to take your shots and get out.

Inside, there was a ridiculously placed (as always) Platinum lounge to the left, the Premium section right in front of the stage with about 50 people, and then the General section, about 50 meters away from the stage. General section is where the fun had already begun, about 200 people were already cheering up for GG, from behind the evil separatist barricades. Few were seated on the matted ground, most were standing, scattered like last few strands of hair on a balding head. Beverage stalls skirted the venue. More people kept pouring in with the pace of ketchup coming out of a bottle.

Korn in Bangalore - 'Path of Totality' Tour

In the past, every time I had wanted to catch Galeej Gurus live, something went wrong – traffic tickets, car crashes and breakdowns included. Anyway, when I finally got to see them, despite being pretty impressed with their talent, the set and the set-up, I found theirs an awfully placed gig. Was it because on top of the legacy-Korn lovers, the new-converts, and the dubstep diggers, the organizers were also expecting an Alt-Rock-Blues crowd? It’s like opening up a Chinese restaurant, inviting Tibetan connoisseurs, and serving continental starters. Can it get any more confusing than this? It could also be some ‘Dubai Desert Rock Festival’ connection where GG had already performed for the same event as Korn.

Korn in Bangalore - 'Path of Totality' Tour

For their set, no matter what Nathan Lee Harris (vocals) tried, for the first few songs he really had to sweat it out more on getting the crowd to react than on doing the singing really. General section, from a place far far away, seemed more receptive to his calls, while the premium seemed more like warming up to the evening, and it was still daylight. Platinum looked more focused on their free beverages and confused as if at an eat-all-you-can stall at a marriage party. Nathan pulled the quick set of 9 songs brilliantly, so did Kishan Balaji (drums), Naveen Thomas Joseph (lead guitar), Matthew Harris (bass), and Ananth Menon (guitars and backing vocals). They played their usual set – ‘Breathe’, ‘Play on’, ‘Leaving Tomorrow’, ‘Make some noise’, ‘Physiological Breakdown’ a.k.a. the one where he pull out the bullhorn, ‘Full meals by the way side’, and a few I could not catch the names of. By the end of it, the energy was almost successfully transmitted into the dull premium and platinum sections too – I saw it, or perhaps I really would like to believe it so much. To sum it up, GG to me sounded like a completely evolved band, so now I can look up to them for more than just the entertaining cover videos online.

Korn in Bangalore - 'Path of Totality' Tour

I had been a Korn fan right until the ‘Unplugged’ experiment and the disaster I think it was. That is when I stopped following them completely. However, ‘Korn III’ still made me smile with whatever I casually got to hear. It sounded more like a return to the roots, but ‘Path of Totality’ was totally something else. It’s a monster of an experiment, a risk, foolhardiness, a project only the one who furiously believes in himself would undertake – or perhaps the one who fears nothing. The album, released in December 2011, features Dubstep, Drum and Bass, and Electro House artists. When I heard Korn are coming to India as a part of the promo tour, I thought it’d be interesting to watch what becomes of the concert, what is performed and what is excused, what is ridiculed and what is enjoyed, what is condemned and what prevails.

Korn in Bangalore - 'Path of Totality' Tour

In a conversation, that was louder than the voices of the remaining crowd put together, some fans sounded divided over whether Korn has a signature sound – some said it doesn’t, many said it does with JD’s vocals, and ‘Munky’ and ‘Heads’s earlier guitar work. That said, each of Korn’s albums does have a distinctive sound – from the rawness of the debut album ‘Korn’, the ambient obscurities of ‘Issues’, or the paradigm shift towards mainstream with ‘See you on the other side’.

The illusive MC announced from behind the equipment on the stage, “Are you ready for Korn?” and the sudden crowd roar made me realize how the venue has started filling up now. “Are you ready for Korn?” and the band’s crew is still getting the sound right. “Are you (muffled eff word)ing ready for Korn?” and the mic-stand is being screwed to the stage. Louder – “Give it up for Korn” and the official intro video for the POT tour starts to play. With slow walks, without a word, the band members take their respective positions and then as they energetically plunge into performing their earlier tracks – ‘Divine’, ‘Predictable’, ‘No place to hide’, and ‘Good God’ – the crowd comes alive, just like cumin seeds suddenly thrown on a hot frying pan, and there’s panic in the pit, shutters firing like machine guns on/in a battlefield.

Korn in Bangalore - 'Path of Totality' Tour

The crowd was still in a nodding mode, while Korn front-man Jonathan Davis, was instantly connected to the music, giving the mic stand a hard time, head banging, throwing his neck as if hammering a nail into the ground with it, while his long tresses looked like a hundred whips slapping the air.The digitally enhanced stage lights transcended an oversaturated spectrum, projecting convulsing, speedy images, every audible boom complemented by a visual blast.

Fieldy’s bass drove the initial groove making the highs flashy, Munky’s guitars made the lows quirky, JD’s high pitched voice varied from savage to vulnerable, garnished with piercing screams and curious grunts, and nothing changed when the set entered the dubstep part, only enhanced by Ray Luzier’s electronically enhanced beats. The pads were also a part of the drums-island he was sitting on anyway. The crowd cheered, with the enthusiasm of kids screaming at the arrival of the candy-man afterschool.

Korn in Bangalore - 'Path of Totality' Tour

‘Narcissistic Cannibal’, ‘Kill Mercy Within’, ‘Chaos Lives in Everything’, ‘My Wall’, ‘Get Up’, and ‘Way Too Far’ were performed from the album Korn are touring to promote and I was pleasantly surprised at this live rendition of the dubstep record – it seemed far less dizzy and overwhelming, not over-simulated, to me than the CD versions. Inspired by their very lyrics I exclaimed – Chaos didn’t live in everything here. In fact, thanks to the switch to dubstep at this concert, the dullness died and we witnessed the rise of the fits and banging of heads. This is where the band took a break, and also around the same time when the management decided to let general sections merge. Thankfully now there were more people around, to feel like a party.

After a rather long break, they returned with the hits, ‘Here to Stay’, ‘Freak on a Leash’ and ‘Falling away from me’ and then a familiar sound – one of their greatest hits, a cover – the intro of ‘Another Brick in the Wall – I, II, III’ and the ‘Good-bye Cruel World’ outro in tandem. We don’t need no Korn to excite us really to sing our lungs and intestines out at this one, and so we did – enhanced moderately by one free can of beer (thanks to the premium class) and hugely by the rain Gods coming to the show. The bagpiper too came into play as the band just didn’t want to mar the hysteria, the intro for ‘Shoots & Ladders’ rigged with Metallica’s ‘One’. ‘Got the Life’ was another pleasant surprise, making the set running longer than usual. They concluded the proceedings with a well built-up, splendid but deceptively easy drum solo and ‘Blind’, followed with expression of gratitude for everyone who came to the show, and especially for Mooz, with lot of hugs and handshakes on the stage.

Korn in Bangalore - 'Path of Totality' Tour

Poor crowd turnout was the only sour thing I remember about the show, but I won’t say my interest in Korn has been revived. The curious path they have taken with a simulated totality may make the point that they still have got the life, but will there be no turning back to the roots – only JD knows. For now, dubstep takes a part of him.

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Gaurrav Tiwari

Drummer at DIARCHY, and HR Manager at Genpact

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Korn and Galeej Gurus at Clarks Exotica, Bangalore

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Galeej Gurus at Hard Rock Cafe, Hyderabad

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Galeej Gurus

Named as one of India’s “hottest bands” according to Rolling Stones in 2010, the opening act for bands like Mr. Big, Deep Purple, Bryan Adams;  and having played in Dubai Dessert Rock Festival alongside bands like Velvet Revolver, Korn, Killswitch Engage, As I Lay Dying, Galeej Gurus is a force to reckon with. Their growing fan club in Hyderabad couldn’t wait to listen to them yet again and could barelty contain their excitement. Formed in the year 2000, the Galeej Gurus have been in the music scene for over a decade with over 500 gigs in their kitty. Their line-up includes Nathan Harris on vocals, Naveen Thomas on the guitars, Ananth Menon on guitars and vocals, Matthew Harris on the bass and Kishan Balaji on the drums.

Galeej Gurus at Hard Rock Cafe, Hyderabad

As a band, their influences are Led Zeppelin, Red Hot Chilli Peppers, Eric Clapton, Steve Vai and Deep Purple. However individually, Nathan’s influences include Red Hot Chilli Peppers, Guns n Roses, Robbie Williams, Prince etc., while Ananth tips towards blues and rock and roll. Matthew draws his inspiration from modern guitar funk and rock, for Naveen Thomas, who is considered the “most technically proficient” musician in the band, it is more of progressive influences like Dream Theater, Pain of Salvation, Tool, Killswitch Engage etc. , and Kishan is inspired by “freestyle improvisation” and jazz. A blend of their individuality is the essence of their band. Galeej Gurus’ music, according to them, is a bit of Alternative, Funk, Blues-Rock, Progressive and Grunge put together; whereas critics classify them as Indie Rock.

Galeej Gurus at Hard Rock Cafe, Hyderabad

Their set list for the day was a mix of their compositions and covers. The band opened with their own composition ‘Believe in Tomorrow’, to warm up the crowd. Picking up pace, their OCs ‘She’s Mine’, ‘Play On’, Jet’s ‘Cold Hard B*tch’ got the crowd pumped up.  Ananth’s bluesy voice was perfect for the cover of Eric Clapton’s ‘Before You Accuse Me’. ‘Blind’, ‘Make some Noise’,’ Dark Hungry Eyes’ were the rest of their OCs for the first half of the evening. By the second half of the gig, the crowd grew bigger and the energy grew higher. This second set included 3 Doors Down’s ‘Loser’ along with Maroon 5’s ‘Move like Jagger’ and another composition ‘Flyaway’. The crowd sang along during Foo Fighter’s ‘Rope’ and King’s of Leon’s ‘Use Somebody’, while the band continued on with their other compositions ‘Breathe’ and ‘Physiological Breakdown’. The finale was a medley of three rock legends – Led Zeppelin’s ‘Whole lotta love’, Jimi Hendrix’s ‘Purple Haze’ and Lenny Kravitz’s ‘Are you gonna go my way’ leading to ‘Full meals’  by The Wayside. They threw in a few amazing guitar and bass solos and pulled in Baba – Native Tongue’s  frontman and a good friend of the band for one of the numbers, which added to the overall flavour.

Galeej Gurus at Hard Rock Cafe, Hyderabad

Every composition of theirs has a bit of Alternative and Progressive while most of them were groovy. Nathan’s versatile vocals, Naveen Thomas and Ananth’s skills on the guitar, crazy bass riffs by Matthew and Kishan’s tight drumming put together, makes a perfectly wrapped package of good music.

The sound was decent with very few glitches and there were quite a good number of people for a weekday evening. As the front man, Nathan knew how to keep the crowd engaged throughout the gig.  The energy of the entire band was so contagious, they crowd couldn’t contain themselves. Everyone was high on music (also on booze, but mostly music) till the end.

Galeej Gurus at Hard Rock Cafe, Hyderabad

Galeej Gurus claim that they are “a bunch of crazy ass rockers who don’t understand the meaning of ‘keep it quiet!’” and they sure kept their word! After a week of rain and traffic jams, an evening with Galeej Gurus at Hard Rock Café was the perfect way to unwind.

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Vini Lilian

Vini works with an ad agency. She's a metalhead who can't play metal so she writes about it. She loves tattoos!

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