Tag Archives: LOR

Speedtrip at LOR, Bangalore

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Drums : Trinayan, Guitars : Rakeeb and Govindan, Bass : Lohith, Vocals : Kaushik

Setlist:

1. Orgasmatron (Motorhead)
2. Breaking the Law (Judas Priest)
3. Welcome to hell (Venom)
4. Symphony of Destruction (Megadeth)
5. TNT (AC/DC)
6. Hell Bent For Leather (Judas Priest)
7. Seek and Destroy (Metallica)
8. Liquid Gold (Original)
9. Redneck Stomp (Obituary)
10. As I Die (Paradise Lost)
11. Man in the box (Alice In Chains)
12. Bury me in smoke (Down)
13. Sabbath Bloody Sabbath (Black Sabbath)

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Justin Jaideep Xavier

Justin Jaideep Xavier is an Automotive Design Engineer, Metal Head, Bullet, Beer & Old Monk Enthusiast, Dog Lover and Photographer. When he's not frequenting the regular watering holes over weekends he can be found shooting gigs and concerts in and around namma Bengaluru! You can check out more of his work on his website: www.JustinJaideep.in

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Hard Enough at Legends Of Rock, Bangalore

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Justin Jaideep Xavier

Justin Jaideep Xavier is an Automotive Design Engineer, Metal Head, Bullet, Beer & Old Monk Enthusiast, Dog Lover and Photographer. When he's not frequenting the regular watering holes over weekends he can be found shooting gigs and concerts in and around namma Bengaluru! You can check out more of his work on his website: www.JustinJaideep.in

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Groove Chutney at Legends of Rock, Bangalore

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Uday Shanker

Uday Shanker is a freelance photographer based in Bangalore and has a day job.

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Solder at Legends of Rock, Bangalore

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Gaurrav Tiwari

Drummer at DIARCHY, and HR Manager at Genpact

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Prometheus At Legends Of Rock, Bangalore

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Rohan Arthur

Rohan Arthur is a Photographer + Writer at What's the Scene who enjoys all music that does not involve growling/vomiting into the microphone. Rohan is the vocalist of a blues rock band and also manages another folk rock band. At every given chance, he runs away to the jungles, which he believes are his home.

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Bangalore Venues Come Under Police ‘Notice’

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The recent talks doing the rounds about an imminent ban on live music in Bangalore city started when the local police slapped a notice on pubs and restaurants in the city that conduct live music performances. It all started when the local police stations received the notice (attached below) along with a list of ‘offenders’ , who needed to be served this notice. This happened in parallel in places all over the state. Local police stations in Bangalore have been serving the notice to offenders in their jurisdiction “ Zero-G and venues in far flung locations like Manipal (Blue Waters) were raided. In Indiranagar, venues like  Take 5, Xtreme Sports Bar , Cirrus, B Flat , Love Shack, Toit and The Beach were served the notice; all these venues are located around the 100 feet area , which has high visibility and traffic.

Our sources reveal that the cops, were heard telling some venue owners that this topic is ‘hot’ right now and the top brass is creating a lot of pressure on them to crack down and stop these locations from having live performances. In Love Shack, one person was charged with assault on a cop and had to cough up a hefty five figure fine. Cirrus was raided on 21st September, and also places like Pebble and Fuga. Last week , at Zero-G, 150 patrons were arrested for dancing , the DJ’s equipment were confiscated and not returned since. The crackdown seems to be directed towards dance-floor centric restaurants for having a strong correlation with their definition of ‘Dance Bar.’ The question is : when there is no dancing at venues like Take 5 or LOR , why are they supposed to quiet down?

 

The owner of a pub in Indiranagar says “Licenses allowing for live music exist, but the Licenses are given out to only 3-5 star restaurants/hotels (We have no data to support this). Its a fair thing to have a license to validate live music. We already have so many licenses for everything we sell, but at least provide some advance notice to owners to procure permissions.”

These problems can be voiced by bodies like the Pub Owners Association headed by Ashish (LOR) and Ananth (Fusion Lounge) by rousing the support of all the venue owners affected by the recent turn of events. This is exactly the kind of effect that can trickle down to the lives of so many people, because the former CM decided to replace the Police Commissioner with a man more suited to his orders.

A clear distinction is necessary to separate the dance bars from the myriad other places of amusement that do not come under this definition but suffer at the hands of the police. Once this distinction is made, prostitution can be dealt with at separate levels of intensity, assuming this is where the problem really stems from.

Translation of the letter:

” This letter is to inform you that it has come to our notice your bar & restaurant is using high intensity bright colored lighting , playing loud western music where clients come to drink alcohol, get drunk and dance causing disturbance to the neighboring houses in the locality. In this regard, you have no clearances authorized. Any such instance reported in the future at your bar and restaurant will result in legal action being initiated as well as cancellation of operating licenses by the higher authorities.”

Special Report, What’s The Scene India

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Sharanya Nair

Sharanya is a 'writer' and an 'editor'. You know the type. She loves her music too much to share.

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Blues before Sunrise at Legends of Rock, Bangalore

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Blues Before Sunrise is a five member blues,  blues rock, classic rock band comprising of Sammy J David (guitar and vocals), Sheela Sequeira (vocals), Srish Chander (guitar), Anand Mahadevan (bass) and Claude Loren (drums). Last Sunday, the band treated the crowd to a fantastic hour and a half of good ol’ blues and classic blues rock covers. Having been in existence for nearly three years now, the band pulled off a really handsome gig in a really cramped up stage in a corner of the floor at the pub.

When I entered the dimly lit interiors of the aforementioned venue, ‘Highway 61′ by Johnny Winter was already playing on the screen. As I took a seat beside the pictures of Frank Zappa, Hendrix and Cobain, the first thing I noticed was the small little stage where a five member band would somehow accommodate their equipment and bend or rather ‘quarter bend’ their way through the gig later in the night. they had a retro mike in the middle of the stage giving the 60s club feel and one would expect a couple of formally dressed musicians complete with suit vests and bow-ties with worn out acoustic guitars sing their “Cramped-up Blues”.

Along came Sammy, cigarette in mouth, and started off with a solo acoustic cover of the SRV classic, ‘Pride and Joy’ setting the mood just right with some good 12 bar blues in E. Anand and Sam then played ‘Daughters’ with Anand on vocals and Sam taking leads. Just to mention, it was pretty obvious that these guys knew their blues sticking to the basic minor pentatonic and glass slide solo. The first song with the whole lineup was a cover of ‘Have you ever seen the rain’, another classic rock number by CCR, complete with some nice harmonica work by Srish. The rest of the setlist comprised of a mix of classic numbers with a little bit of modern blues covers thrown here and there and the best feature of the carefully assorted set list was that it was “all rise” till the end.

The numbers that followed were ‘Bell Bottom Blues’, ‘Give me one Reason’, ‘Bottle of red wine’, ‘Redhouse’, ‘Third stone from the sun’, ‘Willy and the Handjive’, ‘Rocking all over the world’ and finally ‘Joker and the Thief’.

What was good about the band was that they were right on cue. They lost some time due to some technical trouble and compensated for it by not taking a break. Sheela’s singing was a fresh change from the usual male blues vocals and she was at ease with the mike, grooving along with the music and interacting with the crowd. Sam was great on the solos playing within the pentatonic scales, the slowhand as well as the finger tapping, had his string bending in control and the flawless use of the wah-wah pedal needs a special mention. After all, what one looks forward to most in a blues performance are some nice lead solos and the licks in place. Srish was a good rhythm support handling all the familiar riffs beautifully. Claude’s drumming and Anand’s bass work supplied the band with all the energy.

The band did justice to all the songs without much variation in their covers except for a change of key in some for convenience. The crowd enjoyed the gig, and so did I. Blues before Sunrise makes for a good listen for those looking for “easy on the ears” classic numbers as well as the heavy riffs and Rock n’ Roll and I hope they come up with more original compositions soon.

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