Tag Archives: Matthew Harris

ILM Unplugged at TOIT, Bangalore


We were late. 2:30 p.m. on a Sunday just can’t be viewed as a strict time to start anything, so we rocked up well into Allegro Fudge’s set. They were really in the heat of it and quite an audience had already assembled.

You really can’t underestimate the power of The Beatles, and after ‘Colours Fly’, Allegro Fudge truly erupted with ‘Hey Jude’ – was it ‘Gay Dude’, or did we mishear? They filled up the 40 feet ceiling of Toit’s central area: sound guys got stuff down tight! Sahaas was in his element more than I’ve ever seen him before, heavily involved with an adoring audience. The rest of the evening was no different, the crowd today was really happy to be there, loved everything, and waited patiently for more. Allegro had a new bassist as well: she hasn’t confirmed joining them full time, so I guess we hang tight and wait for the big news. A bass change could be fairly significant in the long run as we’ve already seen with TAAQ quite recently.

ILM Unplugged at TOIT, Bangalore

Toit of course, has the best pizza in a 100 km. radius (they’re slipping a touch, but still), and a stage that has been dying to be played on. It’s set about halfway up a three storey open plan which sets itself up for a very relaxed jam atmosphere. The frontman though, has to end up targeting five to six different audience locations. It is heaps of fun to watch, and I imagine it’s an absolute joy to play. What they’ve entirely ignored: any lighting whatsoever! The announcer keeps calling the event “unplugged”. It’s anything but for a music school they’ve sure got some basic terminology mixed up. Semantics aside, we do need more mini-festival type situations. Sunday arvo jam time!

ILM Unplugged at TOIT, Bangalore

Toit is also quite scattered over the three floors and they’ve done what I’ve always hoped someone would do: covered each separate area in speakers so there’s sound from everywhere instead of just from the stage. Gives people a chance to spread themselves out and just chill on an overcast Sunday. They even separated sets with some Sufjan Stevens – new music, in a Bangalore pub, you’d have to be there to believe it!

ILM Unplugged at TOIT, Bangalore

I’d never heard Illuminati before, so the incredible rock-voice threw me entirely off guard. The man packs a punch. ‘Joker and The Thief’ was close enough to them kicking the door in, breathing fireballs and blowing the windows out. Sadly, they lost track with Porcupine Tree where neither the vocalist nor the drummer seemed comfortable at all. Their own stuff was where they settled back in though. Funk groove, nonchalant vocal line and a guitar midriff that was just tough as nails. I think they may have you believe they also have something to say. The band hiatus finally showed through with ‘Roadhouse Blues’, which ended up being entirely off, but well, entertaining nonetheless and everybody was happy to sing along to an old favourite. They peaked at ‘TNT’, where all their dangly bits come together for the perfect storm of no-nonsense rocking like our forefathers intended. They even threw in a super slow bounce version of ‘Killin’ In The Name Of’, and a rock version of  ‘Come Together’ (Beatles again!). If they’re really on a comeback I’d watch them again, but they need to buckle down and work at it.

ILM Unplugged at TOIT, Bangalore

Side rant: There’s still a tendency in India to call things “own comps” rather than run with it as a natural part of a show. It’s a small thing, but it recognizes the idea that Indian bands writing their own stuff is still out of the ordinary. We’re past college festivals; we’re all grown up now and can handle new, original music from local bands.

People on the top floor seemed more at ease and on their own trip: the band kept them entertained when conversation slipped. All in all: “This is just, such a cool Sunday evening!”

ILM Unplugged at TOIT, Bangalore

With Matthew stuck in traffic or otherwise delayed, Naveen picked up bass and toyed around for a solid ten-minute bass solo with acoustic backing. Everybody was really just out to have a good time and Mr. Thomas really can’t disappoint. Galeej Gurus setup the way I’d hoped, tall chairs along the front and an added acoustic guitar – a little more personal, connected to the audience and living up to the “unplugged” idea. Matthew took longer than expected though and an hour and a half, a ‘Redemption Song’ and ‘The Boxer’ later, you’d be forgiven to believe a late evening family sing-along was in full swing.

ILM Unplugged at TOIT, Bangalore

And bam! The bassist was in and the whole band kicked in for real. They were doing great acoustic kickbacks of their songs, giving the “unplugged” name some juice. They have been my favourite Indian band for years now, so there’s nothing but school-girl like adoration from me. They continually make me want to be a bonafide rocker myself. Nathan oozes cool, even sitting down, and incidentally makes the best burgers in Bangalore (he owns Hole In The Wall, Koramangala). Listen to them lots, and go eat there, I command you!

ILM Unplugged at TOIT, Bangalore

Acoustic Guitar Man turns out to be a fantastic addition. A superb set of backing pipes and he tears through solos as well. If he’s permanent, they’re setting up to really do some damage. And if there’s anything that would prove that beyond a shadow of a doubt, it’s them doing ‘Use Somebody’ in the middle of the set with the entire, and I mean entire, packed-to-the-friggin’-rafters, crowd singing along. We got through an entire first verse courtesy audience happy-singing.

ILM Unplugged at TOIT, Bangalore

And Thermal and a Quarter. I think they’re an interesting case study. It’s very complex music, they’ve been doing it for quite a while now, and Prakash is only adding more twists: changing old feel-goods into epics, even bordering on self-indulgence but lovable no less. In a city where the single English music radio station puts out the most inane crap the world has to offer with a mere smattering of some golden pop a year too late, it’s truly refreshing to have a pub-full scream for smooth sax jazz over Thermal signature anti-gravity blues. The best drummer I know, of course he can play away physics.

ILM Unplugged at TOIT, Bangalore

Thermal is on quite a metamorphosis, this is the point where you catch all the gigs you can – it’s all building to something and you don’t want to be missing out. A saxophone really suits them and it looks like they’ll be able to have a lot of fun with it, so I hope they can add Sax Man on more often. Or maybe a horn section. Any brass would do it.

ILM Unplugged at TOIT, Bangalore

The cops turned up at this point. The neighbours weren’t fans of any of it and Toit does bump uglies with residential Indiranagar, so I can’t imagine this is going to go away easily. There were troubles with an open space – noise spread. Mr. Complaining Neighbour, just wait till the metro starts.

“There’s a saying Milo – If it’s too loud, you’re too old.”

Tell me you know what flick that’s from.

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Ashim D'Silva

Ashim D'Silva is a grinner. He's a lover. And a sinner. He plays his music in the sun. He daylights as a web designer, bicycles everywhere, and bought his first real shirt last year. You should bring him a sandwich. With bacon, and avocado.


Interview with Galeej Gurus


Galeej Gurus is a band of talented guys, all fluent in the same universal language – music. The fresh sound of such a union has, naturally, made many people sit up and take notice; and has resulted in widespread recognition and a string of awards from across the country. WTS got talking to band members Nathan Lee Harris (vocals), Naveen Thomas (guitars), Matthew Harris (bass) , Ananth Menon (guitars) and Kishan Balaji (drums) and here’s what they had to say about the band, their music and more…

WTS: How long have you guys been playing together and how has the journey been so far?

Ananth: It has been ten years; Mathew Nathan and I started the band in college, it’s been on and off, many people have come and left. This is a sort of final line up. The journey has been quite fun, we’ve gone to and played at all sorts of places and for all sorts of crowds. It has been a lot of fun!

WTS: Why did you call the band Galeej Gurus?

Ananth: No reason really. It’s a just nice name! (laughs)

WTS: How has the band transformed in terms of band members?

Matthew: We had a couple of guys from college in the band when we started out as a college band. But everyone had their careers to take care of, so they moved on, we replaced them. Some guys just couldn’t deal with the pressures of practice, wanted something else, or just wanted to do something more serious, so they went ahead with it. We changed a lot of guys. I think this is the final line up that we have.

Naveen: The current line-up has been together since 2007. Kishan was the last to join. I joined the band a couple of years ago before Kishan did. The rest of the line-up has been exactly the same. The actual core of the band that was formed was Mathew, Nathan and Ananth. I joined in the end of 2004 and Kishan joined in 2007.I kept bumping into these guys even before I went to Chennai to study. I wasn’t playing music at that point of time, but I knew these guys.

Interview with Galeej Gurus

WTS: How do you approach your songwriting process? Tell us about your lyrics, the themes/concepts etc. Where do you draw influences from?

Ananth: Things that happen in your daily life, how day to day things will affect you, of course some love and hate, how we interact with the world, I suppose.

Naveen: I think the key is to just be something that people can relate to very easily. It’s not something that is so social that it’s very niche. We want it to be everyday common problems, we want it to be stuff that we go through everyday, things that you can relate to. That’s what our music is about.

WTS: Could you briefly describe the music-making process?

Naveen: We sit outside and chat for a very long time, not about the song at all. We get in and then we come up with some ideas, it could be somebody coming up with a groove or a riff, and then we try to put something around it. This actually works for you or sometimes against you. We start with a lot of ideas, a lot of stuff remains half finished, and they are slotted as half finished. It’s just the ones that we take and polish up, which becomes a song.

Interview with Galeej Gurus

WTS: What are your rehearsals generally like?

Naveen: Time is actually sacrificed.

Ananth: If you have to meet and jam then you have to meet and jam, that’s it, nothing else.

Naveen: We practice at different time slots. It all boils down to how we can shuffle the commitments around. There isn’t a clear cut time for practice.

WTS: Do you have a set time each week in which you practice or are rehearsals more spontaneous?

Ananth: Oh no no, it has to be set, we have too many things going on in our lives, its needs to be set.

WTS: Do you believe that being in a band is equivalent to being in a relationship or do you think it’s okay for band members to play with other bands once in a while?

Ananth: It’s not an exclusive relationship,but it is a relationship.

Naveen: It’s definitely a relationship. It’s like friendship. Just because I’m a friend of somebody doesn’t mean that I won’t be friends with somebody else. Our level of commitment to various friendships are different. I think that’s how you play music as well.

Interview with Galeej Gurus

WTS: Do you believe in the concept of “band leaders”? Or do you think each member is an important and equal asset?

Ananth: When you’re writing a song everyone’s equal. But I think every band needs a face. You need a face up there. That’s why Nathan stopped playing the drums. I think it’s important that every band has a frontman.

WTS: How do you deal with creative differences and stick together?

Ananth: You sort the problem amongst yourselves, there’s nothing else you can do. If you let it hang up your music, it’s not going to get anywhere.

Naveen: I definitely believe that problems happen and at some point of time you must let it be. The time that we travel serves as a great bonding time. I think we do a lot of talking there, communication is very important. There’s a point when you go sit and say, “I think something’s really not working here, how can we sort that out?”

Ananth: Yeah like any good relationship.

Naveen: But the key thing is, everything normally gets a lot less complex when you go up on stage. Because just that vibe of playing music together sorts it out. I think that’s the coolest thing about playing music. It’s like when you work on a project, there’ a little bond that’s formed among the team members. All the differences get forgotten. It’s the same with music.

Interview with Galeej Gurus

WTS: If you guys were to describe yourself in simple words, what would you say?

Ananth: I don’t think I would, I wouldn’t tell anybody. I tell them come for our gig, we’re playing and stuff. That’s pretty much what I do. I don’t like telling people what the band is about, you should decide for yourself. I prefer people coming. Fun loving rockers, is what I’d call us!

Naveen: I think the cool thing about the band is when we play on stage it’s just about having fun, you feel that vibe, and there’s a lot more energy with the band. I would normally tell people if you really want to know what the band is about, come for the gig. And then you can form the opinion that you want about the band.

WTS: Have you had your share of criticism?

Naveen: Whenever you’re around for some time, everyone has something to say about you. I think it’s a good thing, that means you’re worth talking about. I like that. I don’t even care what people say, because as long as they are talking about me its fine!

Ananth: They’ve said everything, they look like idiots on stage, he can’t play guitar, he can’t play bass, the drummer is too loud!

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Priyanka Shetty

Priyanka Shetty is the founder of What's The Scene? Follow Priyanka on Twitter @priyanka_shetty