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Pepsi MTV Indies at Mehboob Studios, Mumbai

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Interview with Rami Mustafa of Nervecell

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One of the first extreme metal bands to emerge from Dubai, U.A.E. Nervecell has supported legendary bands such as Metallica, Anthrax, Morbid Angel and Suffocation are the torchbearers for a Middle Eastern wave of metal. WTS got the chance to interact with Rami Mustafa, the guitarist of Nervecell and here’s what he had to say about the band and their experiences… 

WTS: Nervecell has shared the stage with a bunch of international acts such as Metallica, Sepultura, Machinehead etc. How was the experience?

RM: Oh it was great! We are old fans of these bands, since we were kids, everyone one of us in the band grew up listening to Metallica, Sepultura, Machinehead and for us to get a chance to open for them, not only was it a great experience for us as a band, it was also a dream come true. Meeting our idols, the bands that made us get into music in the first place, and getting the chance to share the same stage with them, it is a feeling that we cannot describe. Especially with Metallica because Metallica is one of the biggest, if not the biggest metal band and to get a chance to open for them exclusively is a big honor for us.

WTS: Just watching a Metallica concert can be quite an experience so we can imagine what you guys felt opening for them! Did you get to hang out with the band, any cool backstage stories?

RM: Metallica is a very busy band so to actually get a chance to meet them was crazy! Because they have their own fan club with thousands of fans all over the world and they spent an hour and a half signing autographs backstage for these fans. We were lucky to meet them for five minutes after our set. When we finished our set they were actually jamming backstage – they have a small room where they practice before they go on stage. So all of us were listening to them playing ‘Creeping Death’ before they hit the stage and it was a privilege to hear them perform because none of us in the band had seen Metallica before. So they came out from the room and James Hetfield and Lars and us hung out. They were really cool. They told us that they liked our sound. It was a really quick chat because they had to go on stage. It was exactly 5 minutes before their stage time and we had only that much time to meet them. We were lucky and it was a really good experience to shake hands and take pictures with them. It was really great, they’re great guys!

WTS: So did Metallica influence Nervecell’s sound? What are the other bands that have influenced your music?

RM: We play a mix of thrash and death metal, the thrash metal sections are definitely Metallica, Slayer, Sepultura and Pantera influenced. For sure Metallica did influence us in one way or the other, the riffing obviously we’re heavier than Metallica and our style is heavier. The death metal section is influenced by Death, Morbid Angel and Cannibal Corpse. Basically old school death metal bands influenced us. We grew up listening to late 90’s death and thrash metal era. So these are the bands that affected our playing and influenced us.

WTS: Growing up in Qatar, did you guys have easy access to underground music and death metal in particular?

RM: When I was a kid, I was in Qatar that rarely had anything – the only access for me was TV you know, the only channels I used to watch were Channel V, MTV. This is where I first heard metal and before that I used to listen to rock music. Bands like GnR… I can’t really recall what other bands but the first metal bands were Megadeth, Metallica.

WTS: …Headbangers Ball!

RM: Headbangers Ball, exactly! I was six-seven years old and it was definitely not easy to find tapes or CDs and definitely no downloading, there was no access. My friends used to come from nearby countries like Turkey, Syria, Jordan and they used to have pirated music tapes from European countries. And whoever went to the States or Europe used to get me albums. Same with the other guys, Barney grew up in Dubai and he had the same experience. Dubai is more commercial but then again it wasn’t easy for Barney. Whatever metal music we had was through TV and magazines. As we grew older we subscribed to magazines like Metal Hammer and Rock Hard and we used to get music and compilation CDs and stuff. As we got older we started getting access slowly. But metal in general, when it came to finding CDs in stores, you’d never find death metal or thrash metal; you’d only find the commercial stuff like Metallica and maybe Slayer – nothing more than that. Nowadays you find everything. I think its getting better, man. It was a bit of a struggle then, it definitely wasn’t easy.

WTS: So now that there is easier access to underground metal, is there more reception to Nervecell’s music?

RM: Of course! When we started in 2001, the scene in Dubai was bad. But 2001 to 2005 it was really good. There were a lot of bands and a lot of underground gigs but people didn’t know too much about metal. They used to come to our shows and learn and realize – this is metal, this is death metal, this is thrash metal. We used to talk with everyone. We used to go out after our show to our friends and fans and have a chat and talk about bands and sometimes trade albums. It was a learning process. So yeah, for the past 3-4 years, I think the internet and YouTube and technology have helped the younger generation to learn about metal really faster than before, in a shorter span of time. Nowadays I find that musicians that can play a guitar lesson on YouTube! (laughs) It’s not a bad thing at all you know!

WTS: The Middle East is seen generally as a very conservative society, has there been any sort of opposition to your music and your lyrical themes?

RM: No, not at all! A lot of people get confused by countries like Dubai and Qatar, these countries are really modern, very globalized so it’s not a problem. What we sing about is really about humanitarian issues and personal issues, nothing extreme lyrically. So we’ve never had these problems. As kids, growing up in the society we learned that we have to respect traditions and morals no matter what. For me, it was purely about the music and then the lyrics. We were fine you know. Other countries have issues with metal at gigs and concerts. We’d have had some problems playing there but we’ve never been to these countries. We try to avoid trouble and we were very careful so there has been no problem.

WTS: So did growing up in the Middle East influence your music in any way?

RM: Yeah of course! The thing is James, he writes the lyrics, its a self-expressive kind of music and doesn’t necessarily have to be negative. A lot of it is about reality, it could be about what’s happening around us and it could be about things between close friends or could be about what’s happening in the world in general. We don’t really have topics that pinpoint and they are mostly general. What’s happening in the world does affect us but we don’t really take it to the level where it’s concentrated to the lyrics. We always concentrate on the music first.

WTS: Your second album Psychogenocide was released in 2011 and you guys received rave reviews for it. Could you tell us more about it?

RM: This is our second full-length album and it’s on Lifeforce Records and we had little time to work on it compared to our last album because we were touring. We had a lot of tours in Europe and a lot of festivals between the writing process for the album. Compared to our last release it’s more of a dark album and a heavier album… more death-metal oriented than our last album Preaching Venom, which was was thrashier and more melodic. Psychogenocide was a bit of both – heavy and dark. Some songs were very melodic and other songs were plain brutal. We really didn’t plan it. When we write – me and Barney on guitars, we both write the music fully. We concentrate on the guitar riffs and then put it into songs. The composition is very guitar-driven. When the songs form, we decide – this song is going to be death, more brutal…let’s continue, lets keep it up the same way we want to do it. The album has a bit of everything and is musically heavier than our earlier releases. And of course we toured everywhere – Middle East, Far East. We went on a South Asian tour, out first Asian tour. Went to the Philippines, Sri Lanka, came back to India when we were promoting it. We also did a European tour with Morbid Angel, which was a very big tour for us. Morbid Angel is a very influential band and a big name in death metal so we were busy for this album. We’re still busy!

WTS: Are you guys recording or writing the third album?

RM: The official writing process is going to be sometime soon but you know I write riffs, Barney writes riffs and we sit together and we compose. The writing process sure is going to happen soon, definitely this year. The new album should be out this year.

WTS: Is it a challenge to translate the energy of your live act into your studio album or vice versa? Psychogenocide is heavy, brutal and technical in parts. Is it challenging to play it live?

RM: Of course! When we write, we keep the live aspect in our minds. We always want to know if this is going to be a lively song or this will be a song that we can’t play live. Whenever we go as far as we do and even if we have complex parts we practice it a lot in the jam room and make sure we pull it off and a lot of our riffs are pretty groove-oriented so naturally it works out fine. Luckily! (laughs) It is a challenge but in time we got used to it and we became better, we matured and started learning more and more. We did a lot of touring with a lot of live appearances. We started feeling off, like this pack of riffs or this pack of songs is going to be more studio songs so we don’t really play it live. We do the songs that we feel would drag the crowds. It’s a bit of both. We never really sit and plan like this will be cool riff-wise. It doesn’t work like that. But luckily, we’re very fortunate that it works out, it starts to come out naturally. We’re very happy about this.

WTS: So what have you been listening to lately? Are there any current bands that you are fans of?

RM: Yeah, for me it depends on my mood. I listen to metal all the time. I’ve been listening to experimental bands and I’m a progressive metal fan. Also old bands like Camel and Rush. I listen to these bands all the time. Sometimes I’m in the mood to listen to some brutal, extreme stuff. Of the newer bands I really like The Faceless, they’re a really cool band. I’ve been listening to this new band called The Haarp Machine and these guys are killer! Really cool technical, progressive stuff. Really depends on my mood, I don’t really have a playlist all the time. It changes…I was just listening to Slayer couple of hours ago – totally random!

WTS: It was great chatting with you Rami. Thank you for your time!

RM: No problem! My pleasure. Thanks for your time. I’ve actually seen quite a few articles on ‘What’s the Scene?’ We’re really looking forward to playing in India soon. It’s been a while since we’ve come back to India and we love the fans there. The crowds interact with us really well, we feel like we’re neighbours and feel connected in a way. All our past experiences in India were great so really looking forward to it!

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Sohan Maheshwar

Jack of all tirades, total shirk-off. Follow Sohan on twitter! @soganmageshwar

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Parvaaz at Italia, Bangalore

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The Hindi-rock genre has been much maligned in the recent past. A large percentage of the output that’s clubbed (sometimes unfairly) under this sub-genre is the MTV-friendly dreck that you hear on your local radio station during peak-hour traffic. Enter Parvaaz – their official bio steers clear of the H-word and classifies them as “blues/psychedelic rock”. One listen to their music and you realize that Parvaaz are indeed a band that are deeply rooted in 70s Brit blues-rock, with the added twist of Hindi/Urdu/Kashmiri lyrics.

The venue – Italia – known more for its vegetarian Italian food (!) than its live music, provided the setting for an intimate, smoke-free gig. Parvaaz, joined by their new bassist Fidel D’Souza, started their set with a swirling, post-rock influenced jam which was the furthest they deviated from their signature blues sound during their set. The band quickly settled into their groove with ‘Itne Arse ke Bad’, a number that managed to sound psychedelic and dirty simultaneously. Set-highlight – Behosh’s riff had all the swagger of Mick Jagger in his pomp and a thumping bassline that was catchier than a rickroll. A feature of Parvaaz’s setlist was their uber-groovy bass lines ably performed by Fidel. Frontman Khalid Ahmed’s quiet demeanour betrayed him at one point when he mentioned that the feedback he often received was that he did not interact with the audience enough whilst on stage. Ironically that proved to be his only substantial interaction with the sparse 40-odd people seated at the venue.

Their set also featured their debut single ‘Dil Kush’ which starts off like all good debut songs should but then had the audacity to have an indulgent and out-of-place 3 minute drum-solo section in it. ‘Marika’ was another song featured that began with promise but then petered out and ran out of useful ideas before it reached its conclusion. The catchy ‘Azaadi’, about freedom and the lack of it in India, was the penultimate song of the gig and it finally got some heads-a-bobbing and lips-a-moving in the crowd. The wonderfully written ‘Ziyankaar Pt I’ was the fitting finale to this short concert. The song used a repetitive two-note bass line in the verse and some arpeggiated chords over it to build an eerie sense of guilt which perfectly complimented Khalid’s vocals on this track. Guitarist Kashif Iqbal was tight without being overly flashy and had a lovely guitar tone although certain chord patterns he used seemed to repeat in a few songs.

This fledgling band seems to have gone through quite a cycle during their short tenure in the music scene. From playing small-time college fests to winning the prestigious B-School of Rock at IIM-B earlier this year, they’ve come a long way. Vocalist Khalid is one of those talents that can effortlessly transition from a passionate Urdu couplet to a high-pitched, primal shriek. (Listen here at the 8.02 mark. yes that’s his voice!) 2012 probably has a lot in store for them. Only word of advice: fewer drum solos please.

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Sohan Maheshwar

Jack of all tirades, total shirk-off. Follow Sohan on twitter! @soganmageshwar

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Coke Studio @ MTV minicert at Hard Rock Cafe, Pune

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Coke Studio @ MTV at Hard Rock Cafe, Bangalore

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Coke Studio @ MTV at Hard Rock Cafe, Delhi

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Interview with Abhishek Mathur of Advaita

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Advaita is an eclectic music group from New Delhi who borrow their name from an ancient Indian philosophy, which translates to mean Non-Duality. Since the group was formed, in 2004, Advaita has steadily grown to become one of the most respected acts in the Indian music scene. Their sound is a mélange of styles, moods and textures taken in from different cultures and music systems around the world. WTS got in touch with Abhishek Mathur, guitarist of Advaita, and here’s what he had to say about the band and the music that they make…

 

 

 

WTS: Advaita has been playing since 2004. How has the Indian music scene evolved from what it was then to what it is now?

 

Abhishek: The scene has definitely evolved in many ways since the time we started playing. Bands and artistes are ‘expected’ to play their own music. Due to this, the quality of the songs being written has gone up and Indian bands are making songs that grab attention even internationally. Bands have become smarter with promoting themselves. In Delhi, there’s an increased interest in watching live performances and innumerable venues have sprung up. The scene’s bursting with potential and it’s only a matter of time until it’s unleashed! 

 

WTS: How do the band members deal with creative differences and stick together? 

 

Abhishek: There are creative differences from time to time. It’s important to be friends beyond the music so there’s a cushion for times when things don’t seem to fit. Luckily, these guys are pretty down to earth, if we have arguments it’s only about music. There aren’t many ego issues because we all bring in something unique and it’s the chemistry that makes the band work.

 

WTS: Did you guys ever face rejection earlier in your career? 

 

Abhishek: We did face rejection in various competitions and from some people in the media. But we’ve had firm belief in our music and carried on, feeling sorry for the critics rather than ourselves! There are a lot of people out there being ruthless critics without having a clue about music!

 

WTS: When a song does not require a particular instrument to be played, do you cut down on the number of members?

 

Abhishek: Generally the western rhythm section is involved in all the arrangements (drums, bass, guitars, keys) but we don’t use both the singers, the sarangi and tabla in every song. It’s important to not make our music sound forced,. If something isn’t required in a track – so be it. As long as it’s got the Advaita vibe, it’s still an Advaita song!

 

WTS: Do you keep in touch with fans? How approachable are you as a band?

 

Abhishek: Oh yes, thanks to internet tools like Facebook we’re completely accessible to our fans. We also have an email address on our website and we get mails there on a regular basis.

 

WTS: What’s lined up for the rest of 2010?

 

Abhishek: Lots! We’ll be bringing out some unreleased material for free download as part of a single release shortly. The ‘Rasiya‘ video might get aired on MTV. We’ll tour cities on a bigger scale with spectacular stage design and lighting. Of course, the song writing never stops. We’ll go beyond what we did in our first album and surprise listeners. We intend to play in music festivals around the world. One step at a time though.

 

 

 

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Priyanka Shetty

Priyanka Shetty is the founder of What's The Scene? Follow Priyanka on Twitter @priyanka_shetty

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