Tag Archives: Queen

Sonic Flare at Hard Rock Cafe, Hyderabad

When you bring a bunch of working professionals, the love of rock music and great talent together a band like Sonic Flare is born. After many “beginnings” in 2002, the band was formed with Neeraj, Jongky, Ajit, Vinay and Martin as their first lineup. The current lineup of the band, however, is vox by Nikhil and Priyanka, Neeraj on the guitars, Jongky on the keys, Ajit on the bass and Vinay on the drums.

Sonic Flare decided to celebrate Republic day at Hard Rock Cafe, Hyderabad. An evening of good classic rock, their set list included a couple of their own compositions and covers of some of the all-time classic greats with vocalists, Priyanka and Nikhil taking the lead alternately.

They opened with a cover of Black Crowes’ ‘Hard to Handle’ that got people grooving. Tina Turner’s ‘Simply The Best’, Eric Clapton’s ‘I Shot the Sheriff’, and Jefferson Airplane’s ‘Need Somebody to Love’ were nostalgic for those who grew up to listening to them. The blend of both Priyanka’s and Nikhil’s voices was harmonious when they sang The Knacks’ ‘My Sharona’. Also, their covers of Pink Floyd’s ‘Coming Back to Life’ and Cranberries’ ‘Zombie’ were probably the best versions heard live in Hyderabad. The rest of covers included Dire Straits’ ‘Money for Nothing’, Queen’s ‘Under Pressure’, Van Halen’s ‘Jump’. And the finale – the all-time favourite Guns n Roses’ ‘Sweet Child O’ Mine’ got the crowd singing along.

Whereas ‘Take Me Away’, ‘Beautiful World’, ‘Stay’, ‘Dream On’, and ‘Me and You’ were their original compositions, which felt like they stepped out of the 80s. Their music is a light-hearted blend of rock, funk and blues. Every composition had its own essence and ‘Stay’ seemed to be the favorite among Sonic Flare fans.

Thanks to dry day the turnout was not great. This did not bring down the spirits of the band and those present, and turned out to be quite an enjoyable evening. The band interacted with the crowd and had great stage presence. Their energy was contagious. Though the sound had some tweaks here and there, it did not affect the performance.

There are only a few bands that play classic rock and blues, Sonic Flare being one of them. With the bluesy vocals of Priyanka, awesome ranges of Nikhil, the classic tones of Neeraj’s guitar, some crazy bass lines by Ajit, the old school tones that Jongky played on the keys and Vinay not skipping a beat on the drums, this band played to perfection. Each member of the band brought his and her own flavor to their music. Despite the small turnout, it was a wonderful evening of classic rock. Nobody really wanted the evening to end.

Vini Lilian

Vini works with an ad agency. She's a metalhead who can't play metal so she writes about it. She loves tattoos!

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The Final Beginning by Sonic Flare

Sonic Flare is a band that has been around for a while now. And like most bands, has a long and complicated past. They have finally come out with their first album, and it is definitely something that they should be proud of. The first thing that would catch your eye when you get your copy of the album is the very impressive album cover. Their history as a band seems to have inspired the album title, though the meaning behind the imagery on the cover is beyond me.

The album opens with a very funky track ‘Beautiful World’. Crisp guitars, tight drum recording, and punchy vocal delivery – but the brass runs leave much to be desired. Brass sounds are fairly easy to replicate with today’s technology, but I can’t see why they didn’t pay attention to this important detail. It could have really added the much-needed fullness to the track. The same goes for the fake sax solo. These oversights are disappointing, because without them, this otherwise nicely done track, has the potential to be a lot better. However, this could also be attributed to the quick recording schedules that most rising bands have to go through.

The next track ‘I, Me, Myself’ is a very vocal-driven song. The vocalist has an amazing tone, but the accent that he put on would probably make one want to switch to the next track. We have come to a stage in Indian indie music where musicians can be comfortable with their own accents, which aren’t bad at all. Over all, this song has nice changes, and a simple well thought-out guitar outro.

‘Me & You’ started with a very reggae guitar intro. Just when I thought I’d heard all the I-V-vi-IV love songs, here comes another! This song is highly predictable and has the same changes as ‘With or Without You’ (U2), and probably a hundred others. It’s a formulaic track, and doesn’t really showcase the band’s songwriting ability. In the end, it’s a catchy, easy listening track perfectly placed in the middle of the album, to catch your attention, if you got distracted by original material.

Fourth on the album,’Stay’ is a straightforward track with nothing that stands out. It felt like the band had already told what they had to say musically, in the first couple of tracks. The song also seems to be arranged badly. It seems to pick up, and then go back down, and then end somewhere in the middle leaving the listener completely confused.

The last track on the album, ‘Weight of this World’, opens with a fairly catchy riff. Again, there are very predictable changes which is not necessarily a bad thing – it makes for easy listening. The song is quite reminiscent of Queen.

In conclusion, the album sounds well produced, and intelligently organized. This album is probably not going to be a best-seller. But I can see this as an album being hotly shared online among friends on social networks and the album adds to the band’s demo reel.

The sound of the band is fresh, and there are no vulgar displays of virtuosity, or my-instrument-is-more-important-than-yours that plagues so many upcoming bands. They are unapologetically, straightforward, easy-on-the-ears pop-rock, bordering on boy band. The Final Beginning, might not do wonders for the Indie music scene, with their non-controversial and pop-ish material but what they will do is go out there and play some clean, tight, catchy music.

Bharath Kumar

Bharath Kumar, besides being a full-time geek, is a keyboard player and music producer. He runs his own studio, Minim Sound Labs www.minimsoundlabs.com, and is an active volunteer in various charities.

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The Luke Kenny Mojo Jukebox at The Blue Frog

I love the Blues. I’ve been very recently, completely immersing my self in regular doses of Buddy Guy, SRV, Hendrix and Phil Sayce. So to say I was looking forward to watching the musicians in The Luke Kenny Mojo Jukebox really is an understatement.

Having already had a long day, I was eager to get to my favorite live music venue, The Blue Frog and sit back and soak in some long bends and cold brews. I managed to convince my famous Mallu friend Sujit to accompany me and so we caught a slow train from Malad station, party packs in our bags.

We entered just as the band was starting up. I quickly spied around and saw several usual suspects around the bar and quite a sizeable crowd. Denzil Mathais was on alone showing off his super sounding custom hollowbody guitar, wailing out some warm fuzz which suspiciously sounded like Beethoven’s Symphony No.5. Vinayak Pol and Chirayu Wedekar on drums and bass joined him to start off the song with a bang which turned out to be ‘Roll over Beethoven’. Luke walked out next to a warm welcome and danced the song out. It was a bit funny to see the whole band with scarves on; guess it was some kinda style statement that I don’t get.

After a couple of songs and a Willie Nixon cover, Luke eloquently invited his first guest out, Mahesh Naidu on blues harp, while giving us a serious face and a small history on the next song. The first few notes out of the harp assured me that we were finally getting down to business and doing a real blues number. Muddy Waters’ ‘Hootchie Cootchie Man’ tumbled out and had the crowd grooving immediately. The harp solo was off time for some reason, but the guitar solo really made up with long sweet bends and super vibrato by Denzil. Mahesh just didn’t find his groove as he spat out some odd sounding notes during the next song on the steel flute. I don’t remember what song it was but it didn’t go well, Luke’s dancing didn’t help much.

Next up was Shilpa Rao and I was really hoping the bar would now shift upwards from the ground. She looked a little nervous to begin with but when she started singing she displayed undeniable power there. ‘Nature boy’ was the first song I think, but the impressive singing came only in the next song which was an original. ‘Romeo was in love with me’ is a cool ditty although the solo interludes were basically just Denzil bailing them out. Nice work by the band.

The next song had Luke back on vocals for a nice cover of Dire Straits’ ‘Money for Nothing’ although it still didn’t qualify as blues. I saw a couple of women jiving in front and they stole my attention. Luke decided to not care about pitching anymore in this song.

The funk version of Queen’s ‘Stone Cold Crazy’ was marred by a little sloppy bass playing by the young Chirayu Wedekar and completely off key vocals. The ‘I Shot the Sheriff’ line that Denzil injected a couple of times really didn’t work. Nice tone in the guitar solo though. ‘Baby you can drive my Car’ was dismal. Tight drumming but ironically the only song about driving that night just crashed and died.

Next up was Vasuda Sharma and her Loop station. Nifty device and she managed really well creating a whole section of percussion and backing vocals in all her songs which got the crowd clapping along. Although she had pitch perfect vocals, they were a bit uninspiring. All songs had the loop station build up but she apparently decided that passing off covers of folk and country songs as the blues were good enough as long as she sang some blues notes at the end. I must mention that Neil Gomes who joined her later on ‘These boots were made for walking’ has improved a lot on the violin. The Sax playing was not upto the same mark though. The version of ‘Roadhouse Blues’ really made me sad. They ended with a shoo-be-do version of ‘Blue Suede Shoes’ but I guess I was alone in my opinion because the end of her set brought on loud applause from everyone else. My friend Sujit remarked how she reminded him of singers in Goan restaurants with minus one tracks.

The next set saw Trumpet player Paul Rodrigues on a killer version of Prince’s ‘Kiss’. Great wah tone on the guitar, nice vibrato on the long trumpet notes. Tight song. Luke’s next offering was an original that made me wonder if I was fooled into thinking this was a blues gig. It was more of a soft rock song where he sang about how he always confides in his feelings.

I was really not looking forward to Sunidhi Chauhan. I mean anytime you hear a Hindi playback singer attempting blues is bound to make you gag. But boy did she prove me wrong! She looked HOT and she sang with amazing power, soul and feel. ‘Cry me a river’ was a lovely jazz blues number with a nice time signature change inserted a couple of times. It finally seemed like the gig was warming up. Then she blew the roof of the place with Dhruv Ghanekar joining the band onstage for the best performance of the evening. Janis Joplin’s ‘Piece of my heart’ was a great version that displayed some lusty and on purpose off time vocals and super guitar work by Dhruv.

Dhruv then stepped upto the mic to sing a Gary Moore classic, ‘Still got the blues’. I had never heard him sing before but that’s just as well as his singing was nothing to write home about, sounded like he had a bit of a cold maybe. The guitar tone had a nice delay wailing after his solos. Listening to him was a treat until he suddenly started shredding all over the place.

Luke was back after Dhruv exited the stage with a chunky riffed original called ‘Hard Loving Woman’. Very Deep Purple sounding and the band was tight. Great drumming by Vinayak. The last song of the night was Should I stay or should I go,’ a cover of The Clash’s punk anthem. The song had decent vocals and a killer solo courtesy of Dhruv who joined the band again for the last song of the night. Highlight of the song was the conversation between Denzil and Dhruv’s guitar. Denzil managed to more than hold his own displaying for the first time that blues band leader mentality, easily conducting the band as they jammed the song out.

All in all it was a disappointing night of music only because I felt we were served small portions of what was promised as the main course. The musicians on stage were all great and Luke’s band is pretty entertaining. I had earlier asked Rishu Singh whether Luke was a good singer and he mentioned that he has his good and bad nights. I hope this was a bad one.

Howard Pereira

Howard is a guitarist with Mumbai based bands, Dischordian and Overhung. His other interests include drinking, comic books and occasional writing.

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