Tag Archives: Rishu Singh

Ctrl ‘ALT’ Delete at B69, Mumbai





We all know about the ‘New Razz’ about 4 months since its establishment. There would hardly be any rock lovers in Mumbai who haven’t heard about B69 Bajaao. – a revolutionary platform for new and old, big and small bands to showcase what they have, in front of Mumbai’s hardcore fans.

There have been a number of attempts by Rishu Singh, SideStand and Ashu to popularize and bring to the crowd music which is not Heavy Metal, thus trying to break the monotony. Courtesy Side Stand, Anish Menon and Himanshu Vaswani, B69 was the venue for Ctrl “ALT” Delete. It was held with the aim of getting new bands out there into the scene and making people aware of the good hidden talent present in our city, along with two huge names in the country when it comes to Alternative Rock i.e. Blakc and Split.

The lineup for the day included Groovedeva, Blek, The Light Years Explode, Overhung, Blakc and Split. Even though it was a Rock gig, the turn out was way more than expected, and a little more than 180 people made their way to the venue to party.

The show started about 45 minutes late due to technical difficulties, but once it did, there was no stopping the powerful performances by some ‘tight’ bands.

First up, was the new band on the scene, Groovedeva. Weirdly quite the opposite of their name, they sounded more like a post punk, rock n roll band and not grunge or funk like the name would suggest. They were a good bunch of guys setting up the mood for the audience and getting them into the groove, yes ironically. The guitarist stole the limelight with some good fingering on the fretboard and good back up vocals. A solid start to the show.

Blek, a post punk rock band managed to enchant the audience with some cool original music and sounded incredibly good and full despite being a three piece band, courtesy some high powered guitaring and some real good drumming. They had a good hassle free run of 20 minutes managing to please the crowd and getting plenty of applause.

The Light Years Explode, very talented guys, full of energy and enthusiasm, practically rocked the stage. To my amusement there were people almost having a mini mosh pit to a punk rock band, which is never seen usually. The drummer was literally dancing on the kit, the bassist managed to give out some cool lines setting up for the vocalist cum guitarist to do his job. They were a crowd favorite and instant hit. Again, no rock band is as energetic as them on the stage.The Light Years Explode managed to raise the bar for the night’s performances.

The next band which was on, Overhung, was difficult to describe. Killer stage acts by the vocalist, cool guitar handling by Howard Pereira, and some good beats by the drummer, in addition to the weird post glam metal/rock n roll kind of music were something to look out for. The guitarist and drummer faced some technical issues in the beginning which caused a bit of panic and a very lousy first couple of songs. Their songs about f**king women and sex machine were not very highly appreciated by the audience, however with great crowd interaction and some funny bits about the South Indians, they managed to get the attention which they rightly deserved. A very entertaining show put up by the band for 20 minutes, and a very good band as a whole. The best part was the confluence of Post rock n roll riffs with heavy grunty vocals and smacking bass lines, something unique to watch out for in the future. Seriously, Hair Metal, why did no one else think of that!

By the time Blakc hit the stage it was almost 12 and half of the crowd had disappeared. Nonetheless a super set by Blakc, including their hits from the album Choking on a Dream like ‘Paper Doll’, ‘Rift‘ and ‘Ambush‘. These guys have never failed to make people groove to their music and sing along.

As an icing on the cake, Split, who were selected for the Harley Rock Riders ended the night with some kick ass hard alternative music. Aviv the Guitarist really stole the show with his legatos and blues influenced solo-ing, not to forget some great vocal work by Garreth D’mello.

In the end, people did get to have a really good time with some beer, friends and some excellent alternative music. A real pity if you missed this one. Coming up on 4th and 5th of Feb, Tribute to the Beast at B69!


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Anand Kamath

Journalist, Musician, Photographer, TV Show Enthusiast.


The Luke Kenny Mojo Jukebox at The Blue Frog





I love the Blues. I’ve been very recently, completely immersing my self in regular doses of Buddy Guy, SRV, Hendrix and Phil Sayce. So to say I was looking forward to watching the musicians in The Luke Kenny Mojo Jukebox really is an understatement.

Having already had a long day, I was eager to get to my favorite live music venue, The Blue Frog and sit back and soak in some long bends and cold brews. I managed to convince my famous Mallu friend Sujit to accompany me and so we caught a slow train from Malad station, party packs in our bags.

We entered just as the band was starting up. I quickly spied around and saw several usual suspects around the bar and quite a sizeable crowd. Denzil Mathais was on alone showing off his super sounding custom hollowbody guitar, wailing out some warm fuzz which suspiciously sounded like Beethoven’s Symphony No.5. Vinayak Pol and Chirayu Wedekar on drums and bass joined him to start off the song with a bang which turned out to be ‘Roll over Beethoven’. Luke walked out next to a warm welcome and danced the song out. It was a bit funny to see the whole band with scarves on; guess it was some kinda style statement that I don’t get.

After a couple of songs and a Willie Nixon cover, Luke eloquently invited his first guest out, Mahesh Naidu on blues harp, while giving us a serious face and a small history on the next song. The first few notes out of the harp assured me that we were finally getting down to business and doing a real blues number. Muddy Waters’ ‘Hootchie Cootchie Man’ tumbled out and had the crowd grooving immediately. The harp solo was off time for some reason, but the guitar solo really made up with long sweet bends and super vibrato by Denzil. Mahesh just didn’t find his groove as he spat out some odd sounding notes during the next song on the steel flute. I don’t remember what song it was but it didn’t go well, Luke’s dancing didn’t help much.

Next up was Shilpa Rao and I was really hoping the bar would now shift upwards from the ground. She looked a little nervous to begin with but when she started singing she displayed undeniable power there. ‘Nature boy’ was the first song I think, but the impressive singing came only in the next song which was an original. ‘Romeo was in love with me’ is a cool ditty although the solo interludes were basically just Denzil bailing them out. Nice work by the band.

The next song had Luke back on vocals for a nice cover of Dire Straits’ ‘Money for Nothing’ although it still didn’t qualify as blues. I saw a couple of women jiving in front and they stole my attention. Luke decided to not care about pitching anymore in this song.

The funk version of Queen’s ‘Stone Cold Crazy’ was marred by a little sloppy bass playing by the young Chirayu Wedekar and completely off key vocals. The ‘I Shot the Sheriff’ line that Denzil injected a couple of times really didn’t work. Nice tone in the guitar solo though. ‘Baby you can drive my Car’ was dismal. Tight drumming but ironically the only song about driving that night just crashed and died.

Next up was Vasuda Sharma and her Loop station. Nifty device and she managed really well creating a whole section of percussion and backing vocals in all her songs which got the crowd clapping along. Although she had pitch perfect vocals, they were a bit uninspiring. All songs had the loop station build up but she apparently decided that passing off covers of folk and country songs as the blues were good enough as long as she sang some blues notes at the end. I must mention that Neil Gomes who joined her later on ‘These boots were made for walking’ has improved a lot on the violin. The Sax playing was not upto the same mark though. The version of ‘Roadhouse Blues’ really made me sad. They ended with a shoo-be-do version of ‘Blue Suede Shoes’ but I guess I was alone in my opinion because the end of her set brought on loud applause from everyone else. My friend Sujit remarked how she reminded him of singers in Goan restaurants with minus one tracks.

The next set saw Trumpet player Paul Rodrigues on a killer version of Prince’s ‘Kiss’. Great wah tone on the guitar, nice vibrato on the long trumpet notes. Tight song. Luke’s next offering was an original that made me wonder if I was fooled into thinking this was a blues gig. It was more of a soft rock song where he sang about how he always confides in his feelings.

I was really not looking forward to Sunidhi Chauhan. I mean anytime you hear a Hindi playback singer attempting blues is bound to make you gag. But boy did she prove me wrong! She looked HOT and she sang with amazing power, soul and feel. ‘Cry me a river’ was a lovely jazz blues number with a nice time signature change inserted a couple of times. It finally seemed like the gig was warming up. Then she blew the roof of the place with Dhruv Ghanekar joining the band onstage for the best performance of the evening. Janis Joplin’s ‘Piece of my heart’ was a great version that displayed some lusty and on purpose off time vocals and super guitar work by Dhruv.

Dhruv then stepped upto the mic to sing a Gary Moore classic, ‘Still got the blues’. I had never heard him sing before but that’s just as well as his singing was nothing to write home about, sounded like he had a bit of a cold maybe. The guitar tone had a nice delay wailing after his solos. Listening to him was a treat until he suddenly started shredding all over the place.

Luke was back after Dhruv exited the stage with a chunky riffed original called ‘Hard Loving Woman’. Very Deep Purple sounding and the band was tight. Great drumming by Vinayak. The last song of the night was Should I stay or should I go,’ a cover of The Clash’s punk anthem. The song had decent vocals and a killer solo courtesy of Dhruv who joined the band again for the last song of the night. Highlight of the song was the conversation between Denzil and Dhruv’s guitar. Denzil managed to more than hold his own displaying for the first time that blues band leader mentality, easily conducting the band as they jammed the song out.

All in all it was a disappointing night of music only because I felt we were served small portions of what was promised as the main course. The musicians on stage were all great and Luke’s band is pretty entertaining. I had earlier asked Rishu Singh whether Luke was a good singer and he mentioned that he has his good and bad nights. I hope this was a bad one.


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Howard Pereira

Howard is a guitarist with Mumbai based bands, Dischordian and Overhung. His other interests include drinking, comic books and occasional writing.