Tag Archives: Fiasco

No Euphoria Over Sen’s Sexism


Each year has its share of music festivals that are marked on every enthusiast’s calendar. Mood Indigo at IIT Bombay might feature high on that list because of its popularity and renown for quality and class. This year, Palash Sen, of Euphoria fame marred the experience of most fans gathered for the show.

His slew of sexist “jokes” on stage, calling into question the beauty and representation of women in IIT, their intelligence, and their adherence to stereotyped female gender roles such as roti-making has rightly left a large fan base in utter disappointment and even anger. Soon after the incident, an online blogger, Ms. Arpita Biswas, posted an article that went viral on the internet. This attracted a lot of vitriol against the artist and the writer alike. Sen’s really unhelpful statement about women being god’s most beautiful creation was the defense used by most of the apologetically sexist crowd.

Aside from being really condescending and patronizing towards women in general, Mr. Sen displayed a level of unprofessionalism that is hard to excuse. How is it right for an artist to disrespect members of his own audience who paid to watch him live? By dismissing women so crudely, and then by attempting to pass off his comments as jokes, and dedicating a song to the people he offends, he’s playing into his own narcissism.

People do not attend gigs to get lectured about their capabilities and assigned roles in society. People attend gigs to be united with like-minded people who understand, appreciate and partake in the wholesome nature of the art that is live music. Since when did we stoop so low so as to allow such ignorant remarks and pass them off as mere jokes? Why do there have to be two extreme pigeonholed views of how we hold women, anyway? Either women are goddesses and “the greatest gifts from God” or we’re tender, fragile beings incapable of leveling up with men politically, socially, intellectually, or economically. Both of these attitudes are harmful to women, and they’re harmful to the essence of good music, by extension.

That’s because nobody makes songs out of a void. We put our hearts and souls into the music we make. Songs are reflections of our thoughts. Needless to say, problematic thoughts such as those that Mr. Sen “jokingly” holds therefore also contribute to the perversion of music that is otherwise full of brilliance. Anyone with an access to television in the 90s could not have gone by without chancing upon a Euphoria video. It is a part of our childhood that we fondly look back to. Or at least it used to be. Now there is this incident inextricably tied to that memory, and things will never be the same again, at least to someone who dearly loves this music. That’s what Mr. Sen’s careless remarks have done. They’ve destroyed a tiny bit of the joy that fans would get by looking back upon his works.

This whole charade escalated when Ms. Kamakshi Khanna – a backup vocalist for Euphoria responded to Ms. Biswas’s criticisms with anecdotal evidence that somehow supposedly righted all the wrongs by Mr. Sen. Apparently, because Ms. Khanna comes from a “household that strongly believes in feminism”, she can magically establish her brand of feminism as the universally correct model where it’s alright for someone to insult women so long as they also make positive songs about them. Mr. Sen’s comments were shocking precisely because of those reasons. Unless his song ‘Main Hoon‘ is nothing more than a PR stunt commoditizing female positivity, there is a strong reason to worry about his drastically different stance on stage. If Mr. Honey Singh, who makes songs about violently raping women issued such comments, people would shrug and know to not expect better from such an individual. Mr. Sen has been reputably well-loved and respected. It is for this reason that fans feel like his words are below the belt.

Another supporter, Ms. Pallavi Dhar, who claims to be a gender studies researcher chimes in and says Mr. Sen urged women to study and get into IIT Bombay, after asking the men if there were no girls there. I’m sure Ms. Dhar, being a gender studies researcher working for a “premiere organization” must be aware of the term “benevolent sexism”, then. She actually offers this statement that Palash made as proof of his non-sexist attitude: “Arre payar mein laat to sabne khayi hai. ladkiyon ko chhodhke kyuunki pyar mein laat marne wali ladkiyan hi hoti hain…” (Everyone has been “kicked” because of love, except women, because it’s the women who do the kicking.) Is Ms. Dhar aware that in an argument, generally speaking, one is supposed to argue one’s own case?

As a legend in the music industry, one has the responsibility to keep up levels of professional and personal dignity. Doing a good thing does not automatically give anyone, even (or especially) a celebrity a free pass. Making a video about your mother, or about women’s ambitions doesn’t grant anyone the divine right to then insult them and make a mockery out of their intelligence. As another musical legend, Vehrnon Ibrahim of Millennium fame said about the incident: “A rock star, a real one, would never belittle anyone for a cheap crowd reaction, you see, it’s not about the immediate screams from the crowd, any arse can get that, it’s about what they remember the next day, what sits in their minds and works on them… A rock star is a catalyst forcing people to rethink, reset and realign to what their heart wanted them (to) be all along and not just be a sheep.”

Finally, there seems to be a vital nuance missing in all these discussions of sexism and misogyny with respect to the Palash Sen fiasco. Many claim that Mr. Sen is incorrectly being accused of being a sexist individual. There is a critical difference between being sexist and making a sexist remark. It’s the latter case that Mr. Sen is guilty of and being accused for. There is yet time for him to save his music from such unflattering associations by issuing an apology that doesn’t stem from defensiveness. After all, not even his most ardent critiques would argue that with a legacy of hits like ‘Maeri’ and ‘Kabhi Aana Tu Meri Gali’, the man is devoid of musical genius.

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Swati Nair

Swati is a writer/sub-editor for What'sTheScene. She enjoys most kinds of music and spends all of her time scouting the Internet and re-watching Star Trek and Swat Kats.


Unexpected Lessons from the Masters of Guitar – An investigative report


In light of the recent retraction posted by Hindustan Times about an inaccurate article they had published regarding ‘Masters of Guitar Vol II’, WTS spoke to the artists and organizers involved to get a clear idea of what transpired between them. Here’s a detailed account:

23rd January  – An article titled ‘Guitar Gods to Rock India’ was published by the Hindustan Times stating that Susmit Sen of Indian Ocean was spearheading an initiative called ‘Masters of Guitar’ which will feature notable international guitarists Joe Satriani, Steve Vai, Pat Metheny and Scott Henderson. Consequently, several newspapers and websites mirrored this information by publishing inaccurate versions of this news without any additional confirmation of their own with any of the artists or organizers involved. Several others (including ‘What’s The Scene?’) shared the HT article on Facebook believing it to be true.

Unexpected Lessons from the Masters of Guitar - An investigative report

30th January  – Susmit Sen’s company Studio Beat Route posted an update on their Facebook page clarifying that these reports were false and that none of the artists were confirmed yet and no official statements have been issued to the media.

February  – Studio Beat Route was in talks with Sandeep Chowta (who promotes and manages Scott Henderson’s shows in India) for an event in Delhi which was later cancelled close to the scheduled date due to an apparent lack of sponsorship. While Sandeep was booking Henderson’s group Tribal Tech for a gig in Delhi, Studio Beat Route believed that the talks were on for a Tribal Tech gig as part of ‘Masters of Guitar Vol II.’ An advance of Rs. 2 lakhs had been sent to Sandeep Chowta Projects by Studio Beat Route before the show was finally cancelled on 27th February . Parallely, an update went out on The Blue Frog website, stating ‘Masters of Guitar feat. Scott Henderson’ was scheduled for 16th March .

Unexpected Lessons from the Masters of Guitar - An investigative report

March  – Henderson was informed by Sandeep Chowta about the initial article published in the Hindustan Times and that Susmit Sen also happened to be the promoter of the cancelled Tribal Tech show in Delhi. Henderson wrote an angry email to Susmit, threatening to sue him for copyright abuse and fraud, claiming no knowledge of Susmit or his event in November and demanding a public apology. He also demanded that Susmit pay Sandeep 2000 Euros since Susmit’s company Studio Beat Route apparently  pulled out of the show too late, after non-refundable airline tickets were already bought, which allegedly cost Sandeep over 2000 Euros. After a heated debate with Susmit Sen over an exchange of emails in which Susmit accused Scott of being a racist and an extortionist, Henderson apologized for having asked Susmit to cover the airline expenses. Henderson however was upset about the illegal use of his name for Studio Beat Route’s ‘Masters of Guitar’ event in November.

4th March  – ‘What’s The Scene?’ receives a message from Studio Beat Route to take down the shared HT article on our Facebook Page, stating that the information in the article was completely wrong; similar messages went out to other online publications as well.

21st March  – Susmit created a Facebook note in which he posted the private communication between himself and Henderson, causing a heated argument between Henderson, Sen, and many of their friends and fans. Some of Susmit’s fans accused Henderson of knowing and agreeing to the event, which led him prove his claim by sending the newspaper articles to the other three guitarists named in the article who confirmed that they were not aware of any such event. Henderson shared the following responses from Joe Satriani, Steve Vai and Pat Metheny:

“Hey Scott, Thanks for sending this. What nerve they have. Gees, I’m going to forward this to my agent, manager and attorney. I’m actually looking into going to India but not until next year and not with these guys. – Steve Vai

Scott – We will get on this ASAP. – Joe Satriani

Hi Scott, I’m sad to hear that my name is being used without my permission. I’ll contact my manager and the Ted Kurland agency about this. Thanks. – Pat Metheny”

These statements provided Henderson with the proof he needed, that none of the four musicians had any knowledge of the event prior to seeing the articles. Joe Satriani posted on his website that any stories about him working with Susmit Sen were fraudulent.

Henderson later questioned the publications that had carried the story about the basis for their articles. Nirmika Singh from HT claimed that Susmit Sen was very happy to give her this confirmation over a phone call and that she had a PowerPoint presentation (a concept note shared by Studio Beat Route about ‘Masters of Guitar Vol II’) that clearly mentions that these artists were set to be a part of this concert. Lalitha Suhasini from Rolling Stones India (that had also carried a similar report) left a comment on this mail-trail saying “Susmit told my writer you (Henderson) were a part of the Masters of Guitar series and I have it on record. In fact, we don’t publish interviews that we don’t record,” but promptly changed her stance when asked to present the recording that backed up what was written in the article, she said, “No, I do not have Susmit telling us that Steve, Joe and Pat were part of Masters of Guitar on record. He mentioned these names to an ex-Rolling Stones writer before the interview but we do not have that on record.” and later on went on to say “No, I do not have a recording to post.”

The questions that remain unanswered are why the newspapers and websites that posted the inaccurate articles supposedly contact Susmit alone and not get in touch with Sandeep Chowta (who is Scott’s manager in India), or the management of the three other guitarists and if Susmit did tell them about it, why don’t they have any recorded interview and why did HT base their article on a concept paper which was sent out for media partnership to their marketing department?

25th March,  – In order to get clarity on the Tribal Tech confusion, WTS got in touch with Sandeep Chowta to know what transpired between Studio Beat Route and Sandeep Chowta Projects. Here’s what he had to say: 

What was the understanding between Studio Beat Route and Sandeep Chowta Projects about the show in Delhi? 

Sandeep: I was approached for the show by Anirban and Nikhil who said that they are very keen on doing the Tribal Tech show. They said that as soon as we go back we’re going to send you a token amount to confirm that we are doing the show – a basic amount to confirm the fact that this is happening. I was very happy to hear this and was really looking forward to it. It was decided that 50% of the amount would be paid by Studio Beat Route after the band’s confirmation and the remaining 50% would be paid once the band reaches Delhi. The first instalment of 2 lakhs came in with the promise that the remaining amount for the first 50% would be sent in by 15th February. After that they never gave me the venue or any details, they said they were finalizing everything and looking for the venue. It was purely on trust that we said ok we’re waiting for the second instalment. 

What happened after that? 

Sandeep: I did not hear from them and I got really scared because the band was to leave from Delhi and I had booked their tickets from Delhi instead of Mumbai to make things easier for Studio Beat Route so that they need not go through the trouble of flying the band to Mumbai from Delhi before they head back to LA, but there was no confirmation yet of the show happening.  I never sent out any publicity or teasers, nothing. Finally on the 27th of February I called him and asked what’s going on, Anirban said we’re having a problem and that the sponsors are not helping. I asked him, what do I do now? He said I don’t know. I asked where is Susmit? He said he is busy. I’ve never spoken to Susmit Sen I’ve only been speaking to his associates. So I asked are you saying the gig is not happening? He said well that’s what you’ll have to consider what I’m saying. In the mean time I see a flyer on Blue Frog Delhi’s programs saying ‘Masters of Guitar feat. Scott Henderson.’ When did that happen? How did that come up? And then nothing, I didn’t hear from them and we were screwed. That’s when I realized that things are screwed up and I have to do something about the tickets, the change of flight was coming up to 2000 Euros but we could not change the flights we had to change the airline! 

Was Studio Beat Route under the impression all the time his talks were for ‘Masters of Guitar Vol II’ all the time? 

Sandeep: How can it be ‘Masters of Guitar’, this was a band called Tribal Tech. If you really look at the ‘Masters of Guitar’ series it was started by Blue Frog and Susmit as partners, why will we have another venue if they were partners from the beginning? It wasn’t a Scott Henderson concert; it was a Tribal Tech gig. The whole concept behind ‘Masters of Guitar’ is inviting Indian musicians to play with foreign musicians right? There was nothing like that. There was a request from Anirban at one point in time asking if Susmit could jam with Tribal Tech. That idea was completely dismissed. I said that’s not going to happen. If you look at the MoU, if there was any discrepancy he would have immediately come and said listen this is not going to happen.  I thought he was interested in bringing Tribal Tech to Delhi. There was no question of anybody performing with anybody in this gig. Tribal Tech would play their set and go. 

What’s your main grouse with Studio Beat Route? 

Sandeep: They could have told me they didn’t want to do the show. Why did I have to bring it out of them? Susmit could have come over the phone, or at least written an email saying they’re sorry it didn’t happen. I could have at least settled the flight scene if they had informed me in advance, I had to pay the artists anyway. Also, if Susmit’s side of the story that he published  where he mentions that on February 7th after receiving the MoU they were shocked to know that it wasn’t Masters of Guitar, was true why did they continue the talks about the show till the 27th and why did they send out a confirmation to Blue Frog to put up the event on their website? 

Hadn’t Studio Beat Route paid an advance to SCP? Didn’t that cover the costs that you incurred? 

Sandeep: No, 2000 Euros is what it would have cost me for just changing the flight tickets, but it cost me a lot more because I had to change the airline and book individual tickets for their flights from Mumbai to Dubai and back to LA. They were earlier booked on Malaysian and were flying via the Pacific route (Delhi-Kuala Lumpur-China-LA). I had to also cover other costs like their hotel reservations, food and beverage, expenses of the sound engineer and additional gear that was flown in for the gig and I had to pay the band irrespective of whether there was a show in Delhi or not. Over and above the 2 lakhs advance sent by Studio Beat Route, I had to incur a cost of about 2.5 lakhs just to book their one-way flights out of Bangalore via Dubai to Los Angeles and Qatar to Barcelona. 

The HT article was out in January . Why did you mention it to Scott in March only after Tribal Tech got cancelled? 

Sandeep: I didn’t know Scott knew nothing about the article until later when I told him the person who cancelled the Tribal Tech show in Delhi is the same guy he is working with for the show in November and he said he didn’t know about any such show! 

Why did you book the flight tickets before Studio Beat Route sent across a confirmation with the signed MoU? 

Sandeep: They had already confirmed the event by sending the 2 lakh rupees advance, and in his emails Anirban has mentioned “As of now, please confirm Tribal Tech for Delhi on the 16th March’13. The balance amount (for the first 50%) will be transferred by 15th Feb’13 and as per your mail, the rest will be paid to you when you guys land in Delhi.” and he also said they were in the process of signing the MoU and sending it across.

26th March What’s The Scene? had a conversation with Scott Henderson to get to know his opinions on the matter and here’s what he had to say:

When did you first see the Hindustan Times article?

Scott: When I was on tour in Asia with Tribal Tech, this month.

What was your first reaction?

Scott: I was pretty upset. Joe Satriani handled it the right way by posting on his website that he had no knowledge of Susmit Sen. I lost my temper and sent Susmit an extremely angry letter, threatening to sue him, and he wrote back demanding an apology. There were more heated email exchanges after that.

Why were you so angry about the article?

Scott: Because my friend Sandeep Chowta has brought me to India four times for little or no profit to himself, and out of nowhere appears some other guy who I’d never heard of, claiming that I was working for him. I took this as a huge insult to Sandeep, who’s worked harder than anyone I know to bring jazz shows to India. I was angry more on the behalf of Sandeep than myself. I later learned that Susmit was actually the promoter of the Tribal Tech show in Delhi, which had been cancelled sometime earlier.

Did Susmit explain why the articles had been published?

Scott: Yes, he said that it was all a mistake because his PowerPoint presentation was leaked to the press without his consent.

Did he also explain that to the public?

Scott: Yes, he told me there was a post on his Studio Beat Route page which included the statement “owing to some confusion, it has been published that Scott Henderson, Steve Vai, Joe Satriani, Amyt Dutta, Sumit Ramachandran are playing at the festival/series. We at Studio Beat Route would like to state that we haven’t confirmed any artists for the upcoming volumes as of now and have not issued any official statements regarding the same.”

What did you think after reading the post?

Scott: I found it hard to believe that a major newspaper like the Hindustan Times would publish such a fact-based article without getting the information directly from the organizers of the event. I told Susmit I thought his story was bulls***.

Do you know anything about the cancelled Tribal Tech show in Delhi?

Scott: I have no facts about the cancelled show. Cancellations happen all the time in this business and it’s not something I get angry about. It’s between the agent and promoter and I’m not involved in business negotiations. The only thing different in this case is that Susmit pulled out of the show too late, after non-refundable airline tickets were already bought, which cost my friend Sandeep over 2000 Euros. This was unfortunate but not illegal. I was only angry about the illegal use of my name for Susmit’s event in November. This was ridiculous, since I’m touring South America in November with the HBC trio.

Why did you ask Susmit for money?

Scott: I shouldn’t have asked Susmit to pay Sandeep back. That matter was between them and was none of my business. All I wanted was a public apology from Susmit for fraudulently using my name.

Why do you think the show was cancelled?

Scott: According to Susmit, he couldn’t find sponsors for the concert. I don’t understand why he would go into the negotiating stage of a concert without having the sponsors on board first. After learning more about Susmit, I have my own theory about why the gig was cancelled. Susmit doesn’t think of himself as a concert promoter in the traditional sense. He doesn’t want to just bring famous musicians to India, he wants to perform with them. During the negotiations, Anirban asked Sandeep if Susmit could perform with Tribal Tech, and Sandeep said absolutely not.

Did Sandeep have your OK to say that?

Scott: Yeah, of course. If this had been my blues trio, we probably would have let Susmit play, since that gig is all about guitar. But Tribal Tech is not a guitar show, and we don’t let anyone jam with us on stage. Sandy knows that. My guess is that after Susmit learned he wasn’t going to be allowed to perform, he cancelled the show. If I’m wrong, I’m wrong, but that’s what I think. Regardless of the reason, he’s the promoter and it’s his right to pull out of a show if he wants to, but he should have done it earlier before expensive airline tickets were bought.

What if it really wasn’t Susmit’s fault? What if the newspapers and websites misquoted him?

Scott: Well if that was true I would apologize profusely.

28th March  – After the interview, Henderson decided to post an apology to Susmit. When asked why, he said “because HT became less credible in my eyes. Nirmika Singh had no corroboration from anyone else at HT, and when I wrote to her, she told me she no longer had Susmit’s PowerPoint presentation in her possession. I chose to take Susmit’s word over hers.” When WTS contacted Nirmika Singh, she refused to comment further and asked us to “refer to her comment on the Facebook note with the mail trail.” Susmit Sen didn’t want to answer the questions that he had initially requested us to mail since Scott had already issued a public apology and Susmit didn’t want to drag the matter further. WTS dropped talks and investigations since the artists seemed to have resolved the issue among themselves. 

4th May  – Hindustan Times posted the following retraction and made the Power Point presentation (a Concept Note provided to Hindustan Times by Studio Beat Route in order to have them on board as sponsors for the ‘Masters of Guitar’ event) available to Henderson which he shared with WTS that states “The Concept: MASTERS OF GUITAR festival is a unique festival featuring the best and topmost guitar players from all over the world. This is an initiative to initiate collaboration between Indian musicians along with guitar legends from all across the world. The festival will feature music from all over the world and across all genres – From Pat Metheny, John Mclaughlin, Scott Henderson churning out blues/jazz melodies to Wayne Kramer, Bernie Marsden, Joe Satriani, Steve Vai shredding their respective axes to produce technically challenging blues/rock tunes. All of these great musicians will be collaborating with Indian guitar gods from the likes of Susmit Sen (Founder, Indian Ocean), Sumith Ramachandran (Founder Hip-Pocket), Amyt Dutta (Founder, Skinney Alley), Baiju (Ex guitarist, Motherjane), Prasanna (Swarnabhoomi Academy of Music.)”

Unexpected Lessons from the Masters of Guitar - An investigative report

In light of the latest developments, when asked what he felt after seeing the Concept Presentation and HT’s apology and if the matter had reached a conclusion, Scott said “It was over for me months ago, after I apologized to Susmit and he took his Facebook thread down. Susmit enjoys well deserved respect in India, but seems extremely hungry to expand his career by associating and performing with as many world renowned musicians as he possibly can, and I think his ambition led to fabricating concerts and events which don’t exist, and even showing these fictional events to the press. The musicians should be invited first, before their names are given to the press in any capacity, and I think Susmit and Studio Beat Route acted unprofessionally.” When asked if he was sorry he apologized to Susmit, Henderson said, “No, not at all. I don’t think he realized that exaggerating to the press would result in this ordeal. I found out that Joe Satriani’s manager had seen the HT article before I did, and was already gathering his armies. I wrote to all three guitarists and told them it was just a press misunderstanding. Susmit owes me a drink for that one. He wanted to bring famous musicians to India, but didn’t handle his marketing in the right way – a professional publicist would have never made those mistakes, and I think he desperately needs one. I have no hard feelings toward Susmit, and I’ll certainly say that he’s proven himself to his fans and deserves the respect he’s earned for his musical work. His business skills, well, he should probably stick to music.”

In Susmit’s defence, he had mentioned earlier in his emails to Scott that there was a concept paper that his company Studio Beat Route had presented to a media company that was misrepresented by their marketing department to the reporters which was the source for their articles and that there was never a formal press release that went out to newspapers or magazines. The fact whether he spoke to the journalists or not, remains debatable. The question however remains, whether it was ethical on Studio Beat Route’s part to include a list of artists as people set to perform at an event in the presentations floated around to prospective sponsors. Susmit says “My stand in this whole episode is that my company Studio Beat Route had presented a concept note to certain media houses with the sole purpose of raising sponsorship for ‘Masters of Guitar.’ This concept note was not meant to be printed or shared with public at large. The day I got to know about the articles naming the leading guitar players I immediately issued a clarification on mine and my company’s Facebook pages on the 30th of January. If I had any intention to draw extra mileage by using the international names, I could have exploited the situation to my advantage.” 

7th May WTS contacted Anirban Ghosh from Studio Beat Route and here’s what he had to say: 

Did you approach Sandeep Chowta for a Tribal Tech show in Delhi? 

Anirban: It was I and my colleague and fellow drummer, Nikhil, who wanted Scott Henderson and his band Tribal Tech to perform at the ‘Masters of Guitar’ festival and it was us who suggested Susmit to get him here. Susmit had never even heard of Tribal Tech earlier. We met Sandeep who was bringing Scott Henderson along with his band Tribal Tech to India in March for a show in Mumbai. The concept of ‘Masters of Guitar’ was to bring the best guitar players from all over the world and make them collaborate with Indian guitar players, that’s why there were both international and Indian musicians mentioned in the concept presentation. It was not about just Susmit jamming with any of the guitar players, but was meant for many other Indian guitar players including Susmit to collaborate with them across different series. We concluded a successful 2 concert series with Bernie Marsden and were thinking of doing the same with the others. A big misunderstanding arose after that regarding the Tribal Tech gig which was supposed to be a part of Masters of Guitar and not a separate show (after the clarification from Sandeep that Scott would not jam with anyone onstage without having prior rehearsals, we decided to just have a Tribal Tech gig as part of the ‘Masters of Guitar’ series without any collaboration.) 

Tell us more about the Concept presentation that was sent to HT.

Anirban:  I had sent a concept presentation to Hindustan Times for media partnership that had the names of Scott, Joe, Steve, Pat, Sumit Ramachandran, Amyt Dutta etc. which was supposed to be just a media partnership proposal and nothing more! The source mail to HT clearly states in the subject line “Media Partnership proposal.” We had sent the presentation to a lot of other media companies including The Times of India but no one else printed an article on the basis of that since there is some basic research any media company should do before printing such articles bearing heavyweight names. They should get in touch with everyone involved and take their quotes/ confirmations, but in this case, neither we knew that the media company would print this, nor did they take anyone’s confirmation before printing the article. It is really bizarre that anybody would print an article based on a concept presentation! Things really went out of proportion and ended in a mindless quarrel between Susmit Sen and Scott Henderson because of the inaccurate articles. 

Why did a post go up on Blue Frog’s website about ‘Masters of Guitar Vol II’?

Anirban:  The Blue Frog post came up as a mistake. They were our partners for the entire series and they did get a mail from us confirming Tribal Tech, but soon after we canceled the gig, we asked them to pull it down. They pulled it down after the weekend since here generally, people take an off on weekends.

Was Susmit ever directly involved in any of the talks that transpired about the show in Delhi?

Anirban:  Sandeep and I were in touch on the phone regarding the entire gig and I was informing Susmit about the talks between us. Susmit has been the face of Studio Beat Route, which is why he had to face the brunt of it, but I was equally involved in this from the beginning and I should have handled this thing more professionally so that the situation would never have blown out of proportion the way it did. I am really sorry to everyone who were involved in this issue as a connoisseur of good music and as a musician myself, my intention was to get Scott Henderson to be a part of the ‘Masters of Guitar’ series and I had never ever imagined in my dreams that it would take this route. Like I had told Scott in the thread, there are very few people in the world who care for his kind of music, and instead of criticizing them, he should probably help them in organizing such endeavors as it would do a greater good to the overall music community.

In conclusion, it was unfortunate that the incident had to play out the way it did, we only hope that the artists and organizers involved, put the incident behind and continue to put together great shows and stay open to the prospect of working with each other in the future. Although it looks like it will be a while before any of us catch our Guitar Gods live in concert in India, we hope the wait won’t be too long.

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Priyanka Shetty

Priyanka Shetty is the founder of What's The Scene? Follow Priyanka on Twitter @priyanka_shetty


The Indian Music Conference Fiasco : Facts and Friction


The concept of Indian Music Conference was appealing to everyone in the music community – bringing together musicians and fans from across the country to discuss and improve the growing music scene in the country together. Conferences, guitar clinics and performances were to flock the grounds of Goa at different venues between the 17th and 20th of November. The performances included DJs from across the world, rock and metal acts including Cynic, Hacride, Leaves Eyes, Cyanide Serenity and the country’s finest bands.

IMC Canned!

While fans waited on the beaches for Saturday to approach to watch Cynic and Hacride play alongside their friends on a big stage, little did they know that only half of Cynic were going to land in Goa the following day. Cynic’s visa processes were incomplete. “When Robin and I did make it to Goa, we agreed to do a stripped down, spacey improvisation instead of our performance with Cynic. We prepared some really cool sounding ideas but the entire festival part of IMC got cancelled,” said Tymon Kruidenier, guitarist of Cynic.

Pink Noise and Skinny Alley who did make it in their full avatars to Goa also did not play due to inadequate sound systems. Jayashree Singh, the vocalist said they received unprofessional answers from the production team and the sound guys. We spoke to Chandan Raina who worked on IMC during its conceptualization. He recalls Gagan responding to the Leaves Eyes tech rider saying “Agar volume half pe hee bajaani hai toh itni sound kyun? Kam sound laao – sasti padegi.”

Just a week later, the organizers of IMC start a new event on Facebook for ‘Indian Music Conference 2011’ without releasing any kind of statement or apology regarding IMC 2010. After a number of fans bombarding the event page with sarcastic and nasty comments, Gagan Myne finally posted an apology but there was no clear explanation as to why the rock and metal acts of the festival were cancelled.

While the artists and fans were told that there was trouble with the authorities about permits, Gagan had commented saying that the Goan government and locals did not cooperate leading to the cancellation. To which Yuri Rubeiro, an event manager at Goa’s famous club Titos responded saying “Why would they? Not a single artist from Goa was a part of it. None of the DJs or bands from Goa were invited which led to the boycotting of IMC by the locals. An event requires a large portion of its crowd to be from the local area. An organizer cannot rely on a large number of people flying in regardless of how big the show is.”

Sankalp Narayanan, bassist of Theorized said there was not a single ad in the newspaper he picked up. There were a few hoardings and posters here and there. The publicity was definitely not up to mark. When asked on the same, Yuri said, “My clubs ran full on the same day as the events of IMC. So I don’t really know what kind of publicity ran for those. I even did a DJ from Bombay and it still got a packed crowd.”

The artists speak 

We spoke to a few artists who played or attended IMC 2010 and they all had bitter-sweet things to say about the festival. There was no compromise made on arranging the finest travel and accommodation for bands from across the country. There were some complaints from bands whose members were booked on different flights and some bands whose flights were cancelled. One of Bangalore’s most popular bands (who would prefer not to be named) said they were not even informed by the organizers that their flight was cancelled. They luckily double checked with the airline the previous night.

The transport from the airport to the hotel was delayed for most bands. A lucky few who knew the organizers prior to the event were picked up on time. There were no complaints about the accommodation. The bands were put up in luxurious hotels where the service was great.

Apart from inadequate sound, Archana Sudarshan from Artistes Unlimited said there was no one place where people could get information. There was a help desk located at Resort Rio where most of the bands were put up and the seminars and guitar clinics were happening. But the other venues were clueless as to what was happening where and since the venues were apart from each other, getting around the festival was quite a hassle.

Many of the clubs were unaware of the artists who were to play at their venue. The organizers themselves had never been to the clubs. “They have sent artists to clubs they haven’t visited themselves and after the gigs they asked the artists how the club is, so I was a bit disappointed there. So I spoke to the other DJ’s that played that night and together we rescheduled the IMC schedule for that night and rocked the show,” said DJ Mike Bosch from Spain.

Even though the festival had taken a clearly bad turn, nobody complained. “We got to hang out with a lot of musicians who we had never met before. We felt bad for the organizers, for the young girls who had to handle everybody’s questions. Everyone was just trying to make the best of the bad days. I felt proud of my community,” said Jayashree Singh.

While the organizers of IMC blame the failure entirely on Goa, ironically it is Goa that saved them from facing a riot. The artists were upset about the cancellation of their performances but on the other hand, they were on holiday in Goa for 5 days! If it was any other city, the response would surely have been different. When asked if they would play at IMC again, all the artists responded positively but they did have a few suggestions to make.

“I’m looking forward to the IMC 2011 to get connected to more people in the music industry. In order to make it better, the organisation should check out the clubs BEFORE they put artists on their stage or DJ boot. Also shuttles and time schedules could be better organised,” said DJ Mike Bosch.

“They bit off a whole lot more than they could chew. Take baby steps – cut down on number of venues, artists, days. I’m sure they’ve learnt their lesson. They should change their production team, get a professional crew and pick a location where infrastructure is in place,” said Jayashree Singh.

Fans disappointed

The artists were given travel and accommodation but the trip costed a whole lot more for the fans. Apart from spending on the ticket, travel and accommodation, music lovers took leave from their jobs causing them to spend over 8000 rupees on the whole ordeal. The organizers had separate tickets that included the entry into the clubs. This ticket was sold at 2000 rupees. “All the club shows were free, anyone could have entered, so we ended up paying 750 extra for no cause,” says Anand Kamath, one of the attendees who got a refund for his ticket.

Adarsh R clearly sums up the pleas of every disappointed fan – “Can I have my Rs.1250 back?”

The refund mess

After the canning of IMC, many fans returned disappointed and broke. The IMC pages were flooded with fans cribbing about refunds, many going to the lengths of using Fs and Bs. One fan, Varun Sharma from Bangalore sent a bunch of emails to IMC and Kyazoonga claiming refunds but was only juggled between the two and to this date is still waiting for his refund. On the other hand, Anand Kamath, also from Mumbai made about 200 badgering calls before Gagan Myne refunded his and his friends’ tickets.

While many fans are still waiting for their refunds and are tired of making calls and sending emails, I contacted Kyazoonga to find out who exactly is in charge of the refunds and why there is so much confusion. “As soon as some of the events of IMC were cancelled, we were instructed by IMC to direct people to them regarding refunds. We have been receiving emails from people and have been directing them back to IMC. We are not in charge of refunds for the IMC tickets,” said Neetu Bhatia from Kyazoonga.

Amateurs or simply unethical?

The reactions to the disorganization of IMC have been plenty. Many people spammed the event page with nasty comments and sarcastic remarks. No statement of cancellation or apology was released by the organizers until more than two weeks after. Nobody is saying that Spotlight Events organized IMC badly out of spite. But a certain level of respect that must be maintained towards the growing music scene and musicians in India was not met.

No damage control was done on part of IMC to accommodate the International bands like Hacride, Leaves Eyes and Cyanide Serenity. Thanks to an initiative by B69, Hacride and Cyanide Serenity got to play a show in Mumbai. And as for the bands that did get to play at IMC on inadequate sound, what is the point of providing a musician with the best travel and accommodation if you are going to compromise on sound?

Things went wrong and what’s done is done. But the responsibility of an event doesn’t end with it. Not only did they fail to apologize on time but many fans asking for refunds were treated with disrespect on the event page. People’s questions were not answered but deleted. The response from the organizers of negative criticism was defensive.

We spoke to Gagan Myne and told him that if he answers our questions, it also gives them a chance to come clean and win back the audience they lost. He agreed and we sent him the questionnaire on the 27th of January. Two weeks later, when we still hadn’t received his answers, we asked him if we should write the article without his answers to which he said “As you feel because you are the boss and have a very keen interest in IMC and it makes me proud when people talk about it.”

Yes, we are talking about it. For some of us, it came as a blow to the Indian music scene. What does the disorganization of IMC say about the music scene in India? What kind of picture was painted for the international bands that came down and didn’t get to play? What does that picture make of the people who are working hard to improve the scene?

It’s the 1st of March and we’re still waiting for the answers to our questionnaire.

Rumour is that the Cradle of Filth event is also being organized by Spotlight. But more on that later!

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Aditi Surendra

Aditi Surendra is a producer for an internet radio station and a part time DJ. Her interests include writing, Karaoke, dancing and solving puzzles.