Tag Archives: Kailasa

Bacardi NH7 Weekender Date, Ticket, Lineup and Venue Details

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Pune

Date: Oct 18-20
Venue: Laxmi Lawns, Next to Magarpatta City
Line Up:
Ankur Tewari, BLOT vs. Kohra, Blackstratblues, Chase & Status DJ Set, Devoid, Donn Bhat + Passenger Revelator, Dualist Inquiry, Indian Ocean, Karsh Kale Collective + NH7 All Stars, Krunk All-Stars, Maati Baani, Midival Punditz (Live), Nischay Parekh, Nucleya, Papon & The East India Company, Parvaaz, Pentagram, Prateek Kuhad Collective, Scribe, Shankar Tucker, Simian Mobile Disco, Skindred, Sky Rabbit, Slow Club, Suman Sridhar feat. Jiver, Textures, The Raghu Dixit Project, Vachan Chinappa, Vir Das’ Alien Chutney, Your Chin

Bangalore

Date: Nov 23, 24
Venue: Embassy International Riding School
Line Up:
Dry the River, Kailasa, Lucky Ali, Mekaal Hasan Band, The Manganiyar Seduction by Roysten Abel, The Raghu Dixit Project, Krunk All-Stars, Noisia, Nucleya, Rob Garza (Thievery Corporation) Solo DJ set, Shaa’ir + Func, And So I Watch You from Afar, Bevar Sea, Inner Sanctum, Karsh Kale Collective + NH7 All Stars, TesseracT, The Fender Benders, Nischay Parekh, Prateek Kuhad, Sulk Station, Zervas & Pepper, Bobby Friction, Cali P & Chiqui Dubs, Dakta Dub, DJ Uri, EZ Riser, Low Rhyderz, Pippin, Poirier, Reggae Rajahs, Sound Avtar, _RHL

Delhi, NCR

Date: Nov 30, Dec 1
Venue: Buddh International Circuit, Greater Noida
Line Up:
Chic feat. Nile Rodgers, Dry the River, Faridkot, Kailasa, Lucky Ali, Mekaal Hasan Band, Noori, Benga, Kill Paris, Michal Menert, Nucleya, Sandunes, Shiva Soundsystem, And So I Watch You from Afar, J.Viewz, Karsh Kale Collective + NH7 All Stars, Meshuggah, MUTEMATH, Scribe, SundogProject, The Ska Vengers, Arooj Aftab, Dhruv Visvanath, Nischay Parekh, Prateek Kuhad Collective, Rajasthan Roots, Zervas & Pepper, Baba Jas, Dubtron, Frame/Frame, Moniker, Soundclash, Swaggamuffin, Tarqeeb, The Grind, The Heatwave, YT, Ziggy the Blunt

Kolkata

Date: Dec 14,15
Venue: Ibiza Resort, Merlin Greens
Line Up:
Indian Ocean, Kailasa, Papon & The East India Company, PINKNOISE, Soulmate, Swarathma, The Raghu Dixit Project, Arjun Vagale presents Re:Focus, Bay Beat Collective, BLOT vs. Kohra, Dualist Inquiry Band, Michal Menert, Nucleya, The Ska Vengers, Demonic Resurrection, Digital Suicide, Ganesh Talkies, Karsh Kale Collective + NH7 All Stars, Parikrama, Pentagram, Textures, Undying Inc, Zero, Girish Pradhan, Nischay Parekh, Prateek Kuhad, Tajdar Junaid, Vir Das’ Alien Chutney, AlgoRhythm, BASSFoundation, David Boomah, Delhi Sultanate and Begum X, DJ Uri, EZ Riser, Reggae Rajahs, Sandunes, Smoke Signal, Sound Avtar, Yidam

Ticket Details:
Community Ticket: Rs 3000 The Community ticket is a three-day ticket available to anyone who has purchased tickets to any of our festivals (Bacardi NH7 Weekender, A Summer’s Day or Invasion), or is a registered user on NH7.in
Regular Ticket: Rs 3750 Valid for all three days
Under-21 Ticket: Rs 1750 (You qualify if you were born after Oct 1, 1992)

BACARDI NH7 WEEKENDER WARRIOR
Pune + Bangalore : Rs 4500
Pune + Delhi : Rs 4500
Pune + Kolkata : Rs 4500
All Four Cities: Rs 6000. Buy tickets for 3 cities and get the 4th free. Not transferable.

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Madrobe Walfunction at The BFlat Bar

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As I tumbled through the (slightly prolonged) stages of growing up, I went through the all-important “discovering music” phase in my life by mindlessly skirting around, masterfully hurdling or generally avoiding music by bands whose names I thought were “iffy”. The “rule of iffy” really didn’t have any logical basis to it; it just was.

I’ve since grown out of this phase. Thankfully! I can only imagine what state I’d be in today with names like Puscifer, Cattle Decapitation, Explosive Diarrhea or the very descriptive Fartbarf. I now have a backronym-inspired way of looking at band names (as do a lot of people – assumes the sheep in me). Listen to the music, like/dislike said music, justify band name if required.

Madrobe Walfunction at The BFlat Bar

Madrobe Walfunction. It doesn’t come across as the best name for a band and neither is it the very best spoonerism in the game. The writer in me harrumphed, unimpressed at the weak attempt. But the writer in me was also about to be unceremoniously silenced. The defunct “rule of iffy” sunk lower in its grave the moment the band struck their first chord. The sound at B Flat that night was probably the best I’ve heard in a long time and I’d say about three-fourths of that was the band’s doing (thanks to a painstaking sound check, we were told later). Every instrument had an equal chunk of the output, with the vocals blanketing them evenly. Just goes to show that the band may be brand new but the players aren’t. They’re all seasoned musicians – Sankarshan Kini (Kailasa, Whirling Kalapas) on guitar, Crosby Fernandes (Para Vayu) on bass, Manoj Thapliyal (he’s worked with scores of composers and has been honing his craft for well over a decade) on drums and lyricist and song-writer Prathamesh Tambe on vocals and acoustic guitar.

Madrobe Walfunction at The BFlat Bar

As I glanced through the set list I had (printed versions peppered the bar and the tables) and listened to Prathamesh, all manner of adjectives hurled themselves at me in quick succession. The best sense I could salvage (from a barely legible scribble in my notes) was that his vocals were crisp and he kept it straight cut and strong, save for the occasional vibrato. Me gusta! I haven’t heard a studio version of any of their songs but I’ll bet good money that it’d pale in comparison to watching this band live.

Madrobe Walfunction at The BFlat Bar

Their musical style feels fresh while accommodating a bevy of different tones – from light-layered tunes peppered with whimsical slide sections and twangy acoustic guitar solos like on ‘Pendulum’ to meatier pieces like ‘Andy Gone Wild’ that has spectacular delay work, instantly memorable riffs and some bang-on-tune screeching toward the end. ‘Panorama’ was like a panorama of the skills on stage – starting with a distinctly Indian sound that then descended back into familiar territory. My favourite song by far was ‘Apple (for My Diamond Eyed Monkey)’, a nice little bow-tied track towards the end of the setlist. All this and they managed not to decapitate Nirvana’s ‘In Bloom’ – their encore.

Madrobe Walfunction at The BFlat Bar

When you’re watching a band that’s growing on you, I’d say you spend about 40 per cent of the time trying to decipher the lyrics – hoping that they’re original and not filled with clichéd phrasing. You won’t be disappointed when it comes to this band.

Case in point:

Percy bought a brand new toy

Aggravating Andy chasing salvation by the foil

Dreadful nightmares and obscene dimensions

Percy’s doll urges to get played

He thought the hands might solve the mystery one more time

He took a knife out and stabbed Percy in pain

Stabbed him once again

Stabbing again n again

(From ‘Andy Gone Wild’)

Some parts of the lyric are wonderfully vague or just outright devious – making them ripe for interpretation – while others do feel a bit contrived. But all in all I love the Mad Hatter-esque feel of Prathamesh’s storytelling and it sure did a good job of salving my bad spoonerism – induced wounds.

Madrobe Walfunction at The BFlat Bar

I’m a certified banter-lover. That bald statement may sound like a tasty tidbit better suited to a ‘forever-alone’ profile on a dating site, but I promise I’m going somewhere with this. When a front man/woman of a band weaves their way around their set list with well-placed banter, a pertinent one-liner, a self-obsessed monologue or even just a musical grunt in that moment between songs, it validates me going to see a band in the flesh – because I want to see them present and interactive. At the root of it, I suppose I want to know if they’re likable or obnoxious or just plain boring.

Madrobe Walfunction at The BFlat Bar

So, five songs into the set list was when I realized that we hadn’t heard a peep from any of the band members. I should have been miffed but I wasn’t  The band used everything from scratchy radio clips from the ‘40s and ambient sounds to birds twittering and the now-immortalized bicycle bell as segues from one song into the other. Usually I’d think this was a tad pretentious because the concept of a concept album and all the eccentricities that go with it can be pulled off by a precious few, leave alone a spanking new Indian band.

Madrobe Walfunction at The BFlat Bar

“We wanted it to be seamless, you know – just an entire performance that wasn’t interrupted by introductions to each song,” said Prathamesh during our post-gig chat.

To sum it all up, I’d have to agree with the heavily tattooed, slightly tipsy Englishman standing beside me who put it succinctly (four stars and all!) to say the least – “ I’ve seen a lo’ of Indian bands perform and these guys are just brillian’! Just ****ing brillian’!”

Sharanya Nair

Sharanya is a 'writer' and an 'editor'. You know the type. She loves her music too much to share.

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Parvaaz And Kailasa at IIM, Bangalore

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Romel Dutta

Romel Dutta is a freelance photographer based in Bangalore who has three passions in life - running, music and photography. He has always been visually inclined and loves to click moments with great angles and believes that fast lenses, proper technique, and good timing go a long way toward producing crisp shots, even in low light.

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Kailash Kher: Sufi + Rock + Bollywood! at IIM Bangalore

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Kailash Kher, charismatic singer in the Sufi-rock style, proved yet again that he is right at the cutting edge of fusion music in India during his performance at IIM Bangalore this weekend.

I left early for the venue to beat Bangalore traffic, and reached so early that I caught the band’s sound check. I chatted with lead guitarist Paresh Kamath who told me about the lineup for the concert, especially singling out Tapas Roy on mandolin and saz (long-necked Turkish string instrument).

Kailash Kher: Sufi + Rock + Bollywood! at IIM Bangalore

Roy’s instrumentation added a distinctly Middle Eastern flavour to the performance that evening. But that’s getting ahead of the story a bit! The crowds began to fill in late in the evening as the crescent moon, Venus and Jupiter lined up in the east, and the stars of Orion filled the sky above. The stars then descended on the open-air stage at IIM-B grounds: Kailash Kher and his band Kailasa.

Naresh Kamath on bass, Kurt Peters on drums, Sameer Chiplunkar on keyboards, and Sanket Nayak on percussion (tabla, darbuka, dol) provided solid energetic support. It was great to see Sankarshan Kini on stage as well (acoustic guitar, violin).

The band played a tight two-hour set with sixteen songs, covering everything from ballads to dance numbers. The global mix included rock (instruments, chords), Middle Eastern flavours (darbuka, saz), Indian percussion (tabla, pakhawaj, bhangra dol), reggae and Sufi vocals (with incantations to Allah; depiction of human love as an instance of divine love).

Kailash Kher: Sufi + Rock + Bollywood! at IIM Bangalore

In each track Kailash Kher’s soaring vocals and earthy style shone through, right from the opening tracks ‘Dilruba’ and ‘Aoji‘ down to the closing pieces ‘Allah ke bande‘ and ‘Saiyyan’. The songs ‘Teri Deewani’ and ‘Na Batati Hu‘ drew huge applause, as well as ‘Tu Kya Jaane’ and the title track from his latest release, Rangeele.

“There must have been at least 7,000 people in the audience,” event organiser Vasundhra Jain told me; she said Kailash Kher was chosen as the headliner for their Unmaad Festival because he is not only a commercially successful singer but also keeps his independent and innovative edge, and is involved in social causes (eg. against human trafficking, child labour, global warming). He also performed in support of the recent Anna Hazare anti-corruption movement.

Kailash Kher: Sufi + Rock + Bollywood! at IIM Bangalore

Indeed, at the Bangalore performance Kailash Kher revealed not only his creative edge and infectious energy, but his humourous side and social awareness, delivered in irreverent “Hinglish” while bouncing and jumping around the stage.

“English is the first most confused language in the world,” he joked. “Let us focus not just on movie music but indie music also,” he urged the audience, taking a gentle dig at the Bollywood industry which dominates much of the Indian popular music scene. Kailash Kher has had hits in Bollywood as well, which has won him admiration from the indie scene for being successful in both areas.

“Don’t focus just on branding and marketing, you must also cultivate a sense of corporate social responsibility,” he told the students in the audience. “Half of life today is pretentious anyway, don’t waste the other half,” he joked.

Kailash Kher: Sufi + Rock + Bollywood! at IIM Bangalore

He endeared himself to the Bangalore audience by saying that the people and weather of Bangalore were perfect for music, and he even said a few words in the local language Kannada. He invited a couple of girls to join the band on stage for a dance, and seven girls eventually joined him. “Live life Queen size,” he advised them.

“The time for this performance is very short,” he said, taking a dig at the stifling government regulations and the “moral police” in India who insist that live entertainment and pubs shut down at the ridiculously early hour of 10 pm or 11 pm, an absolute dampener for the live music industry.

His Sufi messages drew the most applause. “Divinity is in love, everything else is bakwaas (nonsense),” he said.

Kailash Kher: Sufi + Rock + Bollywood! at IIM Bangalore

For his last song he called on everyone to dance. “Including you sitting there, you with the tie,” he said, singling out an attendee in the ‘VIP’ section.

Now in his late 30s, Kailash Kher appeals to a wide range of Indian society, and has a huge fan following abroad as well. His early influences included spiritual music, folk songs of North India, and classical music (especially Pandit Kumar Gandharv). He then moved to Mumbai in 2001, singing jingles for various TV and radio commercials.

In addition to Hindi, he has sung songs in a range of Indian languages such as Oriya, Bengali, Malayalam, Tamil, Telgu, Kannada, Gujarati, Marathi, and Punjabi. He has been involved in hundreds of Bollywood film songs, and has collaborated with Shankar-Ehsaan-Loy, Vishal-Shekhar, Salim-Sulaiman, Zakir Hussain, Vishal Bhardwaj and A.R. Rahman. His songs have featured in Hindi movies (eg. Mangal Pandey, Corporate, Salaam-e-Ishq) as well as other regional movies in Kannada (Junglee, Jackie).

Kailash Kher: Sufi + Rock + Bollywood! at IIM Bangalore

The band’s first independent album Kailasa (2006) and second album Kailasa Jhoomo Re  were huge hits, as well as the subsequent ones, Chaandan Mein and Yatra. This was seen as part of a broad revival of Sufi literature and lyrics.

“Kailash has this rare touch of marrying tradition with innovation in his compositions,” according to Adarsh Gupta, head of business at the label Saregama India, on the release of the latest album Rangeele. On TV, Kailash has also served as a judge on Indian Idol and IPL Rockstar.

His music has been described by critics as “intoxicating,” “hypnotic,” and commended for blending Hindustani classical forms (dhrupad) and Sufi qawwal. Followers of south Asian music notice more of Nusrat Fateh Ali Khan in his voice than Mohammad Rafi.

In contrast to Bollywood-style formulaic and poppy production, Kailash’s songs stand out for their folksy and spiritual nature even with the contemporary mix. Mumbai-based composers Paresh and Naresh Kamath have been co-founders of the band Kailasa and have been with Kailash Kher since the beginning.

“You will get to meet all the killer musicians in my band,” said Kailash, as he introduced the band members one by one at the end of the Bangalore show. The group is bound to find more success as they continue to innovate on the foundations of Indian folk and Sufi music along with a solid contemporary and Middle Eastern feel.

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Leslie Lewis And Kailash Kher And Kailasa At UB City, Bangalore

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